Seller: medimops, Berlin, Germany
Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
Softcover; 120 pages; in English and French; as new condition; clean and crisp; no internal marks. With CD-ROM at rear. Foreign shipping may be extra.
Paperback. Condition: new. Paperback. The first major retrospective of the work of British Pop Artist Antony Donaldson. Although he never studied at the Royal College of Art, Antony Donaldson's friendships with RCA students Patrick Caulfield, Allen Jones and Peter Phillips put him firmly in the vanguard of the Pop Art movement in London in the 1960s. Born in 1939, Donaldson was chosen in 1964 for the landmark New Generation exhibition at the Whitechapel Gallery which included Allen Jones and David Hockney and he became the first Pop Artist to sell his work to the Tate. Like Hockney, Donaldson dreamed of a quiet and relaxed life in southern California and moved to Los Angeles between 1966 and 1968, where he painted daringly simple compositions using saturated colour and sensual forms. In later years Donaldson took up sculpture in a variety of media; his most famous piece is the giant Buddha-like head of Alfred Hitchcock, Master of Suspense, in the courtyard of the Gainsborough Film Studios in London. This monograph includes an illustrated chronology, an exhibition checklist and a bibliography. Blingual French and English. AUTHOR: Renaud Faroux is an author, critic and curator. 220 colour illustrations The first major retrospective of the work of British Pop Artist Antony Donaldson. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Paperback. Condition: New. Although he never studied at the Royal College of Art, Antony Donaldson's friendships with RCA students Patrick Caulfield, Allen Jones and Peter Phillips put him firmly in the vanguard of the Pop Art movement in London in the 1960s. Born in 1939, Donaldson was chosen in 1964 for the landmark New Generation exhibition at the Whitechapel Gallery which included Allen Jones and David Hockney and he became the first Pop Artist to sell his work to the Tate.Like Hockney, Donaldson dreamed of a quiet and relaxed life in southern California and moved to Los Angeles between 1966 and 1968, where he painted daringly simple compositions using saturated colour and sensual forms. In later years Donaldson took up sculpture in a variety of media; his most famous piece is the giant Buddha-like head of Alfred Hitchcock, Master of Suspense, in the courtyard of the Gainsborough Film Studios in London.This monograph includes an illustrated chronology, an exhibition checklist and a bibliography.
Condition: New. pp. 262.
US$ 40.10
Quantity: 1 available
Add to basketPAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Condition: New. pp. 262.
Paperback. Condition: New. Although he never studied at the Royal College of Art, Antony Donaldson's friendships with RCA students Patrick Caulfield, Allen Jones and Peter Phillips put him firmly in the vanguard of the Pop Art movement in London in the 1960s. Born in 1939, Donaldson was chosen in 1964 for the landmark New Generation exhibition at the Whitechapel Gallery which included Allen Jones and David Hockney and he became the first Pop Artist to sell his work to the Tate.Like Hockney, Donaldson dreamed of a quiet and relaxed life in southern California and moved to Los Angeles between 1966 and 1968, where he painted daringly simple compositions using saturated colour and sensual forms. In later years Donaldson took up sculpture in a variety of media; his most famous piece is the giant Buddha-like head of Alfred Hitchcock, Master of Suspense, in the courtyard of the Gainsborough Film Studios in London.This monograph includes an illustrated chronology, an exhibition checklist and a bibliography.
US$ 36.68
Quantity: 1 available
Add to basketPaperback. Condition: New.
Condition: new.
US$ 12.36
Quantity: 4 available
Add to basketPaperback. Condition: Brand New. Paperback.Width: 15 cm. Height: 16cm. 120 pages. English text.
Condition: New. pp. 262.
Language: English
Published by AD Galerie, Galleri GKM, 2010
ISBN 10: 9163362090 ISBN 13: 9789163362095
Seller: Les Kiosques, TOULON, France
Condition: Très bon. Livre 2010, Galleri GKM, AD Galerie, in-4 cartonné oblong de 177 pages, couverture illustrée en couleurs, titrage mauve et gris argenté, rhodoïd, ouvrage trilingue, anglais, français, allemand, très nombreuses illustrations couleurs présentant les travaux de l'artiste, Philippe Huart, Side effects, les effets secondaires | Etat : Très bon état (Ref.: G6329). Livre.
Condition: Neuf.
US$ 43.57
Quantity: 1 available
Add to basketPaperback. Condition: Brand New. bilingual edition. 259 pages. 12.50x9.50x1.25 inches. In Stock.
Seller: Revaluation Books, Exeter, United Kingdom
US$ 43.44
Quantity: 1 available
Add to basketPaperback. Condition: Brand New. 112 pages. French language. 10.59x9.49x0.43 inches. In Stock.
Paperback. Condition: new. Paperback. The first major retrospective of the work of British Pop Artist Antony Donaldson. Although he never studied at the Royal College of Art, Antony Donaldson's friendships with RCA students Patrick Caulfield, Allen Jones and Peter Phillips put him firmly in the vanguard of the Pop Art movement in London in the 1960s. Born in 1939, Donaldson was chosen in 1964 for the landmark New Generation exhibition at the Whitechapel Gallery which included Allen Jones and David Hockney and he became the first Pop Artist to sell his work to the Tate. Like Hockney, Donaldson dreamed of a quiet and relaxed life in southern California and moved to Los Angeles between 1966 and 1968, where he painted daringly simple compositions using saturated colour and sensual forms. In later years Donaldson took up sculpture in a variety of media; his most famous piece is the giant Buddha-like head of Alfred Hitchcock, Master of Suspense, in the courtyard of the Gainsborough Film Studios in London. This monograph includes an illustrated chronology, an exhibition checklist and a bibliography. Blingual French and English. AUTHOR: Renaud Faroux is an author, critic and curator. 220 colour illustrations The first major retrospective of the work of British Pop Artist Antony Donaldson. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Kartoniert / Broschiert. Condition: New.
Paperback. Condition: New. Although he never studied at the Royal College of Art, Antony Donaldson's friendships with RCA students Patrick Caulfield, Allen Jones and Peter Phillips put him firmly in the vanguard of the Pop Art movement in London in the 1960s. Born in 1939, Donaldson was chosen in 1964 for the landmark New Generation exhibition at the Whitechapel Gallery which included Allen Jones and David Hockney and he became the first Pop Artist to sell his work to the Tate.Like Hockney, Donaldson dreamed of a quiet and relaxed life in southern California and moved to Los Angeles between 1966 and 1968, where he painted daringly simple compositions using saturated colour and sensual forms. In later years Donaldson took up sculpture in a variety of media; his most famous piece is the giant Buddha-like head of Alfred Hitchcock, Master of Suspense, in the courtyard of the Gainsborough Film Studios in London.This monograph includes an illustrated chronology, an exhibition checklist and a bibliography.
Couverture souple. Condition: Comme neuf. Edition originale.
Taschenbuch. Condition: Neu. Neuware - The first major retrospective of the work of British Pop Artist Antony Donaldson.
US$ 52.78
Quantity: 1 available
Add to basketPaperback. Condition: New. Although he never studied at the Royal College of Art, Antony Donaldson's friendships with RCA students Patrick Caulfield, Allen Jones and Peter Phillips put him firmly in the vanguard of the Pop Art movement in London in the 1960s. Born in 1939, Donaldson was chosen in 1964 for the landmark New Generation exhibition at the Whitechapel Gallery which included Allen Jones and David Hockney and he became the first Pop Artist to sell his work to the Tate.Like Hockney, Donaldson dreamed of a quiet and relaxed life in southern California and moved to Los Angeles between 1966 and 1968, where he painted daringly simple compositions using saturated colour and sensual forms. In later years Donaldson took up sculpture in a variety of media; his most famous piece is the giant Buddha-like head of Alfred Hitchcock, Master of Suspense, in the courtyard of the Gainsborough Film Studios in London.This monograph includes an illustrated chronology, an exhibition checklist and a bibliography.
Published by Polad-Hardouin
Seller: Okmhistoire, St Rémy-des-Monts, SARTH, France
Couverture souple. Condition: Comme neuf. Paris 2012.1 Volume/1. -- Comme Neuf -- Broché cousu. --------- 48 pages. 23 illustrations.********************** ya75044 ref.
Published by Edition GKM/Ad Galerie, 2010
Seller: la petite boutique de bea, Tonnay-charente, France
Couverture rigide. Condition: Très bon. Jaquette. in-4, 177pp, Reliure éditeur, jaquette en rhodoïd illustrée, abondamment illustré.
Condition: Neuf.
Seller: RECYCLIVRE, Paris, France
Condition: Bon. Attention: Ancien support de bibliothèque, plastifié, étiquettes. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.
Language: French
Published by Somogy éditions d'art, Paris, 2017
ISBN 10: 2757212230 ISBN 13: 9782757212233
Seller: Papier Mouvant, Houilles, France
Condition: Très bon. 246 pages : illustrations en couleurs ; 23,6 x 27,5 x 3,0 cm || Texte français || Impression 2017 || Sans aucune inscription.
Published by AD Galerie, 2001
Seller: la petite boutique de bea, Tonnay-charente, France
Couverture rigide. Condition: Très bon. 144 pages.
Comptant parmi les artistes français les plus marquants de sa génération, Hervé Télémaque (né en Haïti en 1937) commence sa carrière de peintre à New York, avant de s?installer définitivement à Paris, où il contribue à l?émergence au début des années 1960 du mouvement de la Figuration narrative. D?abord situé au point de rencontre du surréalisme et du Pop Art, son ?uvre puise autant dans son histoire personnelle que dans une profonde réflexion autour de l?objet, qui permet à Télémaque d?explorer sur un mode ludique les relations entre image et langage. Longtemps adepte de la « ligne claire et combinant souvent peinture et objets réels, Télémaque porte tout au long de son évolution un regard à la fois poétique et politique sur le monde, sans jamais renier ses racines haïtiennes. Avec un ensemble de peintures témoignant de la diversité de son ?uvre, de son acuité critique et de sa réjouissante ironie, la rétrospective organisée par le Centre Pompidou à la fondation Clément en Martinique constitue la première exposition de cette importance dans la région et signe le grand retour de Télémaque dans la Caraïbe.