Rick Wester (16 results)

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condition: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

hardcover. Condition: Very Good. Condition Notes: Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Hardcover. Condition: Near Fine. 1st Edition. Presumed first printing of the first edition. Inscribed, signed and dated in a neat ink hand by the photographer on the front pastedown. Printed in Germany. 12 x 9.5 inches. Olive drab cloth hardboards, with color pictorial pastedown to the front board. Unbumped spine head and tail, and sharp corners. A clean binding. With unnumbered pages on semi-glossy stock. Featuring numerous color photo prints, mostly half-page. Exceptionally clean interior. No dust jacket, as issued. A Near Fine copy. 2 lbs. 5 oz. From the library of noted photography collector and dealer Terry Etherton and inscribed to him by the photographer. Fifield, Sandi Haber (illustrator). Inscribed by Illustrator(s). …

Condition: As New. Unread copy in mint condition.

Condition: New. Brand New.

Hardcover without dustjacket as issued, unpaginated; very good condition; 1/2-inch crease to upper right corner of covers and most pages; no internal marks. Foreign shipping may be extra.

Hardback. Condition: New.

Hardcover. Condition: VG. Gray cloth boards with inlaid color illustration and purple stamped lettering. 96 unnumbered pages. Color illutrations. Includes an essay by Vicki Goldberg called "Memory, Mood, and Life's Disjunctions.".

Hardcover. Condition: Very Good. No Jacket. Signed & inscribed by Sandi Haber Fifield to the previous owner on the title page. Hard bound, no dust jacket. Inscribed by Author(s).

Hardcover. Condition: New.

OLeinen / Hardcover (cloth). 1. Aufl. Sprache: Englisch / Throughout her career, fine art photographer Sandi Haber Fifield has worked with multiple images to create narrative pieces that transcend the formal elements of photography confined to a single moment. The associations she makes result in composites of four, sometimes three images, often rendered in soft focus, which are like visual poems reconstructed from memory or dreams. (Original-eingeschweisstes Ex. - verlagsfrisch! / new - in original wrapping) Sprache: Englisch Gewicht in Gramm: 1500.…

1. Aufl. Sprache: Englisch / Throughout her career, fine art photographer Sandi Haber Fifield has worked with multiple images to create narrative pieces that transcend the formal elements of photography confined to a single moment. The associations she makes result in composites of four, sometimes three images, often rendered in soft focus, which are like visual poems reconstructed from memory or dreams. (Sehr gut erhalten - neuwertig / in very good condition - as new) Sprache: Deutsch Gewicht in Gramm: 1500 ill. OLeinen / Hardcover (cloth).…

Hardback. Condition: New.

Buch. Condition: Neu. Sandi Haber Fifield | AFTER THE THRESHOLD | Vicki Goldberg | Buch | 96 S. | Englisch | 2013 | Kehrer Verlag /Kehrer Design | EAN 9783868283648 | Verantwortliche Person für die EU: Kehrer Verlag /Kehrer Design Heinsteinwerk, Klaus Kehrer, Mannheimer Str. 175, 69123 Heidelberg, contact[at]kehrerverlag[dot]com | Anbieter: preigu. …

Hardcover. Condition: New. South Africa has seen dramatic recent changes in its history, so that in today's post-apartheid society, where division is still evident but now set primarily along economic lines, it is a country with which both Third and First Worlds can identify. In Enter Exit Pierre Crocquet de Rosemond, born in 1971 in Cape Town, has recorded the daily life of a rural community in his native South Africa. His black-and-white images are largely portraits of individuals, both single and grouped, but always posed and portrayed existentially rather than culturally, so that their common qualities are emphasized over and above their differences. These individuals are mostly photographed facing the camera in direct dialogue, although some images depict people otherwise engaged in various labors; occasionally a flash of humor will jolt the sobriety of the scene. Enter Exit is Crocquet's tender tribute to South African character.…