Rinaldi E M (30 results)

Condition: very_good. Fast & Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Paperback. Condition: New.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover, no dust jacket. Foxing, slightly musty, rubbed cover, cocked spine, previous owner's name. 341 pp.

Hardcover, no dust jacket. Ex-library. Slightly worn boards. Cocked spine. Else good. 341 pp.

paperback. Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Paperback. Condition: New.

Condition: NUOVO. Pisa, Ediz.ETS cm.14x21, pp.227, brossura con cop.fig.a col. Un paese condannato da un'antica maledizione, una donna che non c'è più ma ritorna, da fantasma, a trovare le amiche, una ragazza dallo sguardo che incenerisce, una zanzara innamorata, un vedovo che balla il valzer al cimitero con la moglie morta, un padre che scopre che sua figlia è lesbica, un tram impazzito dove un nuovo Caronte semina il terrore, una strana telefonata, galeotta di un amplesso, un profumo afrodisiaco, che poi è un detersivo Ecco, questi e altri sono, in pillole, solo alcuni dei racconti selezionati, un magazzino dove si trova di tutto, una lettura che lascia col fiato sospeso. Scrittura mista è il risultato di Officina, il laboratorio di scrittura creativa promosso dalle Edizioni ETS e diretto da Daniele Luti e Pier Antonio Pardi. Questo volume raccoglie gli scritti migliori degli allievi, che si sono lanciati in questa avventura con l'ebbrezza dei neofiti e l'incoscienza dei kamikaze. Con due inediti di Athos Bigongiali, Ugo Riccarelli. A cura di Daniele Luti e Pier Antonio Pardi.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New.

Condition: New.

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New.

Condition: New. Print on Demand.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: Good. 4 folio volumes, 31 x 44.4 cm. Large paper copy. 19th Century half green morocco with marbled boards. Some pages with stains and foxing. but most very fresh. The plates were printed in colors which was then much more expensive and always more elegant than handcoloring black inked printed pages. With 155 color stipple engravings. The plates are not numbered but some copies have as many as 163 plates.The Italian artists are : Giuseppe CAROCCI, Alessandro CONTARDI, Francesco CORSI, Paolo FUMAGALLI, Luigi GARIBBO, Luigi GIARRE, Carlo LASINIO, Tomaso NASI, Giuseppe PERA, Stefano RINALDI, Bernardino ROSASPINA, Antonio SERANTONI, Antonio VERICO?engraved after A. BASOLI, Giuseppe BAZOLI, Luigi BISI, Carolina & Isabella BOZZOLINI, Giuseppe BUCHERELLI, D. DELPINO, Pellina Piuma GALLESIO, Sofia GIORDANO, Ferdinando MORI, Domenico del PINO, Daniele DEL Ré, Antonio SERANTONI, M. VERNERO?OCLC Number / Unique Identifier:558753573.FIRST EDITION OF THE FINEST ITALIAN WORK ON FRUIT. "It is extremely rare and its interest is enhanced by the knowledge that it is one of the few examples outside of England in which aquatint has been used successfully" (Dunthorne). "Before Gallesio began this enormous work, published in fourty-one parts from 1817 to 1839, he had already published his Traité du Citrus, which explains the reason for the lack of oranges and lemons in a catalogue of Italian fruit. Gallesio's fruit garden in Savona was not his main occupation, for he was a lawyer and a civil servant as well as a botanist, whose experiments on the development of varieties of fruit were quoted later by Charles Darwin. Gallesio's Pomona was a major contribution to the study of pomology in Italy" (Raphael Oak Spring Pomona). Dunthorne 118; Great Flower Books p. 57; Raphael Oak Spring Pomona 52; Nissen BBI 683. 4 volumes in-folio, demi-maroquin vert, dos à nerfs orné (reliure fin XIXe s.).Brunet, II, 1466 (« Pour la beauté de l'exécution, cet ouvrage ne le cède en rien à ceux du même genre que l'on a publiés en France depuis une cinquantaine d'années ») ; Dunthorne, 118 (« A very fine work » ; Great Flower Books, 92-95 ; Oak Spring Pomona, 52 ; Nissen, BBI, 683 (3).…