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Roach Ruth Hunter (7 results)
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Hardcover. Condition: Very Good. No Jacket. Very good, clean, tight condition. Text free of marks. Professional book dealer since 1999. All orders are processed promptly and carefully packaged.
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Hardcover. Condition: Near Fine. Hard Cover. Near Fine Condition. First Edition. 107 pages, with illustrations.
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St. Louis Silversmiths
Published by no publisher given (1967) no place given, 1967
Seller: Prairie Archives, Springfield, IL, U.S.A.
Association Member: MWABA
Seller rating 5 out of 5 stars
Good plus or better, light general wear, clean and tight. Cloth Lightly worn, lightly rubbed jacket with marginal tears.
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Hardcover. Condition: Very Good. Hardcover. Green cloth over boards with gilt lettering. Title page dated 1947 and 1958 for previous excerpt publication. Copyright page dated 1967 for this full first edition. 107 pages. Very good condition. Covers are clean and square. Binding is strong. Pages are clean and free of marks of any kind. A collectible copy.
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St. Louis Silversmiths.
Published by Ruth Hunter Roach,, n.p.:, 1967
Seller: Grendel Books, ABAA/ILAB, Springfield, MA, U.S.A.
Association Member: ABAA ILAB IOBA SNEAB
Seller rating 5 out of 5 stars
First Edition
Hardcover. Condition: Very Good. Black and white photographs. First edition thus. Very good in green cloth. No dust jacket. ; 107 pages.
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Hardcover. Condition: Near Fine. 1st. not issued with a dust jacket; name on front pastedown. Illustrated with black and white photographs. 107pp 1.08lb 10.4x7.0x0.5in.
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ROYAL COLLEGE OF ART PRINTMAKERS.
Published by Royal College of Art Printmakers., 1973
Seller: Dennys, Sanders & Greene, Tunbridge Wells, KENT, United Kingdom
Association Member: PBFA
Seller rating 5 out of 5 stars
First Edition Signed
US$ 166.05
US$ 29.56 shipping
Ships from United Kingdom to U.S.A.Quantity: 1 available
Add to basketNo Binding. Condition: Fine. 1st Edition. Ltd edition of 100. 25 loose card, full page, illustrations. Each signed by the 25 artists in pencil or ink etc. A little smudged but otherwise fine. All kept in a transparent plastic lidded box, which still has old cellotape marks to either edge. Acquired from Maude Lloyd, an admired leading dancer with Ballet Rambert in the 1930s. With her husband, Nigel Gosling a renowned art critic, she later wrote, influential dance books and reviews under the joint pseudonym, 'Alexander Bland'. When Rudolph Nureyev defected in 1961, Margot Fonteyn asked them to befriend him which they gladly did offering him freedom of their house. Gosling edited his autobiography. Nureyev wrote an admiring memoir of him in Observer of the Dance anthologising Goslings reviews, "He and Maude were like my family.". Signed by Author(s).
