Robert Cenedella (16 results)

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    Language: English

    Published by Dell Magazine, New York, 1993

    • Softcover
    • First Edition
    • Magazine / Periodical

    Seller: Scene of the Crime, ABAC, IOBA, St. Catharines, ON, CanadaScene of the Crime, ABAC, IOBA

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    Condition: Used - Very good

    US$ 15.00

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    Soft cover. Condition: Very Good. 1st Edition. First Edition, First Printing of this Collection of 13 Short Stories. Featured are Accommodation Vacant by Celia Fremlin, Auld Lang Syne by Ian Rankin, The Tale of the Blind Man's Lantern by James Powell, The Geronimo Option by Edward D Hoch, One Hot Saturday by Blanche Boshinski, Once a Writer by Robert Cenedella, Blue Ice by Marianne Strong, The Jury Box by Jon L Breen, Rink Rat No More by William Bankier, They Won't Get Hodge by Frank McConnell, Secrets Can Be Dangerous to Your Health by George Baxt, My Lips are Sealed and Three-Ten to Yuma by Elmore Leonard. In Very Good Condition.

  • Published by Dell Magazines, NY, 1993

    • Hardcover
    • Magazine / Periodical

    Seller: Books from the Crypt, N. Potomac, MD, U.S.A.Books from the Crypt

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    Condition: Used - Good

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    SingleIssueMagazine. Condition: Good. Vol. 101, No. 1. Cover photo of Elmore Leonard. Includes "Accomodation Vacant" by Celia Fremlin; "Auld Lang Syne" by Ian Rankin; "The Tale of the Blind Man's Lantern" by James Powell; "The Geronimo Option" by Edward D. Hoch; "One Hot Saturday" by Blanche Boshinski; "Once a Writer. . ." by Robert Cenedella; "Blue Ice" by Marianne Strong; "The Jury Box" by Jon L. Breen; "Rink Rat No More" by William Bankier; "They Won't Get Hodge" by Frank McConnell; "Secrets Can Be Dangerous to Your Health" by George Baxt; "My Lips Are Sealed" by Donald Olson; "Three-Ten to Yuma" by Elmore Leonard. Creasing; tanning; glue-shrink; label ghosts; stain to spine head/corners and hinge areas. Book.

  • Published by Popular Library

    Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.ThriftBooks-Dallas

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    Condition: Used - Fair

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    Unknown. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

  • Published by Popular Library, 1963

    Seller: Bank of Books, Ventura, CA, U.S.A.Bank of Books

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    Condition: Used - Good

    US$ 7.00

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    mass_market. Condition: Good. Book shows common (average) signs of wear and use. Binding is still tight. Covers are intact but may be repaired. We have 75,000 books to choose from -- Ship within 24 hours -- Satisfaction Guaranteed.

  • Published by Art, 2011, 2011

    • Softcover
    • First Edition

    Seller: Longhouse, Publishers & Booksellers, Brattleboro, VT, U.S.A.Longhouse, Publishers & Booksellers

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    Condition: Used

    US$ 12.95

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    First edition Fine and bright tall illustrated stiff wraps with strong spine and clean text throughout. Nicely illustrated showcasing artist's work all in color.

  • Published by Putnam, 1963

    • Hardcover
    • First Edition

    Seller: LOONYBOOK, Friday Harbor, WA, U.S.A.LOONYBOOK

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    Condition: Used - Fair

    US$ 19.50

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    Hardcover. Condition: Fair. Dust Jacket Condition: Fair. 1st Edition. This courtroom drama title received the 1963 Editor's Choice Award for being "a book of unusual merit by an author making his initial appearance on the Putnam list." Former library book with all typical faults. Looks like it would make a good movie featuring excellent character development. Author was a radio scriptwriter and was known mostly for his numerous short stories.

  • Language: English

    Published by Booktrader, Copenhagen, 1993

    8798453904 / 9788798453901

    • Softcover

    Seller: Bolerium Books Inc., San Francisco, CA, U.S.A.Bolerium Books Inc.

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    Condition: Used

    US$ 50.00

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    Paperback. 188p., + [1p.], 9.5x6 inches; wrappers with dustjacket, 1 out of 700 published, in very good condition.

  • Published by Popular Library, 1963

    • Softcover

    Seller: Zardoz Books, Westbury, WILTS, United KingdomZardoz Books

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    Condition: Used - Good

    US$ 6.89

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    W1756. Condition: good. good Popular Library W1756 - 1963 edition paperback book In stock shipped from our UK warehouse.

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    Language: English

    Published by Le Cirque, 2000

    • Hardcover
    • First Edition

    Seller: Santa Fe Used Books, Santa Fe, NM, U.S.A.Santa Fe Used Books

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    Condition: Used - Very good

    US$ 44.45

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    hardcover. Condition: Very Good. First Edition. Signed and inscribed by artist. Spiral bound. Clean, binding strong, light wear.

  • Language: English

    Published by G. P. Putnam's Sons, New York NY, 1963

    • Hardcover

    Seller: OddReads, Harper, TX, U.S.A.OddReads

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    Condition: Used - Good

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    Hardcover. Condition: Good. Dust Jacket Condition: Good. edgeworn dust jacket; usual library markings.

  • Published by Popular Library, N.Y., 1963

    • Softcover
    • First Edition

    Seller: Wagon Tongue Books, Linden, AB, CanadaWagon Tongue Books

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    Condition: Used - Very good

    US$ 8.88

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    Paper. Condition: Very Good +. First Thus. A courtroom novel from the `Editors' Choice' series. 349 pages plus book adverts which include one for `To Kill a Mockingbird '.

  • Language: English

    Published by Booktrader, Denmark, 1993

    8798453904 / 9788798453901

    • Softcover
    • Signed

    Seller: Smith Family Bookstore Downtown, Eugene, OR, U.S.A.Smith Family Bookstore Downtown

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    Condition: Used - Very good

    US$ 100.00

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    Trade Paperback. Condition: Very Good. number201/700. inscribed by Robert Cenedella and includes a loose limited edition print XXV/L (25 of 5) pencil signed and numbered by Robert Cenedella inserted. book shows light exterior wear. print is as new. Signed by Author(s).

  • Published by RCenedella Gallery, 2005

    • Softcover
    • Signed

    Seller: Black Cat Books, Shelter Island, NY, U.S.A.Black Cat Books

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    Condition: Used - Very good

    US$ 75.00

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    Soft cover. Condition: Very Good. Signed by Robert Cenedella on the table of contents page with a small drawing. Paperback, spiral-bound. Signed by Author(s).

  • Condition: Used

    US$ 57.09

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    Farbig illustrierter Kunstkatalog (20 SS. 8°, zweisprachig Deutsch-Englisch, Einband vorne und hinten leichter Wasserrand) der Galerie am Scheunenviertel Berlin 1994, sonst gut erhalten.

  • Published by Fitzgerald Gallery New York, NY, 1965

    • Softcover

    Seller: Specific Object / David Platzker, New York, NY, U.S.A.Specific Object / David Platzker

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    US$ 350.00

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    3 vol. : [4] pp. ; [2] pp. ; [5] pp.; 1 vol. : 21.6 x 14.7 cm. cm ; 2 vol. : 28 x 21.6 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Set of three parts documenting the exhibition one-man "Yes Art : The Cultural Miracle" held at Fitzgerald Gallery, New York, October 19 - November 6, 1965 by Robert Cenedella. Exhibition was composed of 57 individual works attributed to various artists all pseudonyms for Cenedella. This grouping of materials consists of color one fold, four page, announcement; a two page press release; and a five page exhibition checklist. Exhibition was a parody of Pop, Op and Abstract Expressionist art. "It is an impossibility to write about YES ART and convey all that it is and is not. The next paragraphs can only serve as a guide as to what YES ART means and does not mean. One must see YES ART, because it is of course the works of art that are YES ART's real statement. Although YES ART is a frank outgrowth of Abstract. Pop and Op art movements, YES ART is vitally different, because it transcends itself in each form and thus becomes itself, a sensual, uninhibited, beautiful and above all affirmative express of the times we live in or don't live in. It has been called a freak out of nowhere, going nowhere, staying as it has to in no place by itself." -- from first two paragraphs of the press release. "Manifestoes flyer, a new aesthetic expression know as Yes Art opened last week at Fitzgerald Gallery. It might be described as a kind of counter-Pop, that puts Andy Warhol square in the enemy camp. "Yes Art is a sensual, uninhibited, beautiful and above all affirmative expression of the times we live in or don't live in says the manifesto. 'A Yes Artist doesn't necessarily have to see anything or paint anything to create a painting. A work of art can be made merely by coming across an object that strikes an artist's fancy, and by signing it, he can make it into art.' Sure to it's manifesto, the gallery shows a single Brillo carton signed by Dillon Dillon for $1,000, plus fold-your-own for $4.95. Further variations on the Brillo theme are a stippled, Seurat-type painting called 'Brillo Pointilliste,' a cubist work called 'Brillo Descending a Staircase, and a Brillo trademark does in needlepoint by the wire of the Brillo Company treasurer, Mrs. John Loeb. . The gallery will give S&H Green Stamps (known as "the camp stamp") with every purchase . 'It's kind of a humorous protest against the promotional aspect of art today,' said Ed Fitzgerald, the gallery's director. 'The promotion, not the painting, is what counts. Some galleries today are simply circuses. So ours is a Yes circus. There's no reason to scratch eyes and pull hair. If we can get back at them in their own way, OK." -- Grace Glueck, "No! Says Yes Art," The New York Times, October 24, 1965. Very Good. Light overall wear to color brochure; press release with light overall wear; checklist with light overall wear with three small ink markings on checklist.

  • Published by RCenedella Gallery, New York, 2002

    • Manuscript / Paper Collectible

    Seller: Bolerium Books Inc., San Francisco, CA, U.S.A.Bolerium Books Inc.

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    Pamphlet. 24p., color illustrations, staplebound pamphlet. Very Good. Seemingly unrecorded catalogue of Cenedella?s lithographs, screenprints, giclées, and posters. Accompanied by four articles?one by Cenedella (Yes Art Manifesto), and the other three reprints of articles about him (including Bryan Miller?s write up in the New York Times about ?2001?A Stock Odyssey,? about a painting that was sold as stock shares). Typeset in Comic Sans. The final entry is for a painting on the 9/11 World Trade Center attack, noting that the painting was displayed in 2002, but the copyright date on the back cover is given as 2001.