Robert Hubert, Signed (8 results)

Trade Paperback. Condition: Very Good. Book shows light wear to covers only. Binding is solid and square, text/interior is clean and free of marking of any kind. 239 pages. Inscribed by Editor, 1984. Keywords: Barl Barth, Barmen, Wuppertal, Ruhr Valley, Nazi Philosophy, German Church Leaders, Support for Hitler, Nazism, German Evangelical Church, German Protestant Church, Barmen Declaration, Lutheran, Reformed, United Church Confessions. Signed by Editor.

Hubert Robert (illustrator). New York: Tor Books:, 2006. First edition, Hardcover, SIGNED, Fine in Fine dust jacket, 352 pp. Cover artwork by: Hubert Robert A Count Saint-Germain novel. That is to say - a vampire novel. Signed and dated by the author on the title page. First edition, Hardcover, SIGNED, Fine in Fine dust jacket,

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Robert Silverberg(Foreword) Hubert Rogers(Cover Artist) (illustrator). First Edition. With Folded Hands and Searching Mind (First Edition) LTD by Jack Williamson Signed A sharp tight copy. Bright dust jacket. Not price-clipped. Stated First Edition. Volume 7 of The Collected Stories of Jack Williamson. #65 / 75 numbered, signed, and slipcased copies. Signed by Williamson on an illustrated limitation page. BOOK.

Cloth. Condition: Near Fine. Dust Jacket Condition: Very Good. Hubert Rogers [jacket] (illustrator). First Edition. Chicago: Shasta Publishers, 1953. First Edition [stated]. Signed by Heinlein on the flyleaf. Jacket design by Hubert Rogers. Octavo, 317 pp. Black cloth-backed red boards, gilt spine imprinting. timeline endpapers. Some soiling of top page edges and endpapers, original owner's signature, otherwise Near Fine book in a VG jacket with a small amount of spine darkening, light occasional soil, micro-shelfwear at places. Sharp and handsome (see scan). A seminal work, an early portion of Heinlein's "Future History" series (so named later by John W. Campbell] which was second only to Isaac Asimov's Foundation series in competition for the Hugo Award for Best All-Time Series. Contains the novel-length "If This Goes On.", plus the short stories "Coventry" and Misfit", all three of which were formally included in the original Future History aggregation, "The Past Through Tomorrow" (1967). Not one of the subscriber's copies with tipped-in signature page; this was signed on the flyleaf for the original science fiction enthusiast whose name is on the ffep, though Heinlein's signature was by request stand-alone and not personalized to him. Provenance to purchaser. L101. Signed by Author(s).

First Edition. L'HISTOIRE MERVEILLEUSE DE LA LOUISIANE, Editions De La Maison Francaise, 1941, first edition, base of spine a bit tanned, else fine in wraps in nice glassine dust-wrapper chipped at the spine ends. Signed by the author. Of 200 copies, this is #5/50 in Sur Papier Texte. Text in French.

Soft cover. Condition: Very Good. 1st Edition. Bound in wraps with 60 pages and plates. A presentation copy signed by about 15 of the artists as photographed. Perhaps not Levee. Juin, Hubert - Pierre Alechinsky, Francois Arnal, Gianni Bertini, Martin Barre, Huguette Arthur Bertrand, Camille. Oscar Chelimsky, Corneille, Jacques Doucet, Roger Edgard Gillet, Robert Lapoujade, John Levee, Maryan, Wilfrid Moser, Louis Nallard, Kumi Sugai. An unsigned working copy is also included. Signed by Illustrator(s).

Number 60 of 150 copies signed by the artist; 8vo; German language printed in black letter, 15 original etchings by Hubert Sommerauer; publisher's black textured leather binding lettered in gilt, original blue board slip-case, a near-fine copy. The sixteenth limited edition publication by Wolfram Benda's Bear Press.

Condition: Good. 8vo. 4 vols. 15 cx 22cm. Printed on laid paper. 4 engraved title pages, 2 portraits and 202 plates. Marbled art nouveau calf bindings signed by A. Cretin-Pellion [Beaune, France]. (v. 1) [1 f.] xvi, 99 pp., plus 48 plates; (v. 2) [1 f.] 112 pp., plus 49 pls.; (v. 3) [1 f.] 106 pp., plus 50 pls.; (v. 4) [1 f.] 168 pp., plus 61 pls.; .OCLC Number / Unique Identifier:1097847182; For the earlier edition published by Lattré in 1789: Landwehr VI, 349 ; Cohen-De Ricci. pp. 456-457 ; Praz 357; Gordon Ray, Art of the French Illustrated Book, no. 23.À partir de 1765, Hubert-François Bourguignon d'Anville, dit Gravelot (1699-1773), donne des dessins sur le thème des emblèmes et allégories destinés à paraître chaque année sous la forme d'Almanachs iconologiques. À sa mort, en 1773, l'éditeur Lattré fait appel à Charles-Nicolas Cochin (1715-1790) qui, jusqu'en 1781, poursuit l'entreprise selon l'esprit voulu par Gravelot. L'ensemble des planches est ensuite repris pour former le traité qu'avait annoncé Gravelot dès la parution du premier Almanach de 1765 et publié sous le titre d'Iconologie par figures, d'abord au format in-12, chez Lattré, en 1789, puis au format in-8, chez Le Pan, en 1791.L'illustration se compose de deux portraits des artistes interprétés par Gaucher d'après La Tour et Monnet, quatre titres-frontispices et 202 jolies figures hors texte de Gravelot et Cochin gravés par Choffard, Aliamet, Bacquoy, de Ghendt, Legrand, Masquelier, Saint-Aubin, etc.Cohen, 456 - Gordon N. Ray, pp. 25-30 et 49-50 - Ch. Michel, Charles-Nicolas Cochin et le livre illustré au XVIIIe siècle, Genève, Droz, 1987, pp. 311-317.