Robert Indiana, Signed (53 results)

Soft cover. Condition: New. Hawkins, Robert (illustrator). 1st Edition. This is the 32 page full color 8.5 x 11 perfect bound catalog for the Robert Hawkins art show, I Faked the Ghosts of Winchester House!" exhibited at Village Works Gallery and Bookstore in the East of NYC from October 8 to October 31, 2021. All catalogs are numbered, dated and signed by the artist, Robert Hawkins. "Robert Hawkins is not a big famous artist because he has resisted all attempts to make him that. And, up to a point, that was necessary and right. But now that he has a large, madcap, ferociously witty, and startlingly original body of work behind him; now that he has gone through his self-crucifixion phase and resurrected himself from the dead; now that he has allowed the smile to follow quickly the scowl; now, I think, it's time he can relax and enjoy making artwork on his own roving, druidical, picaroon, anarchic, swashbuckling terms." Glenn OBrien. Signed by Author(s).

Hardcover. [96p] monograph of homoerotic photography, one of 3,000 copies, personal inscription signed and dated 2010 by the photographer, fine first edition in cloth boards and unclipped dust jacket.

Soft cover. Condition: Very Good. Robert Indiana (illustrator). 1st Edition. 8vo. Trade paperback with white covers and black lettering cover designed by Robert Indiana. Not paginated. 64 pages of prose diary, followed by 93 pages of poems .Inscribed 'With Best Wishes from Joe [Tilson] 24th May 1974' The cover has minimal wear and dsictoloration due to age, else very good. Kitaj illustrated this book in a series of 14 silk screens which were housed in a large portfolio. Both Tilson and Kitaj were artists who were represented by Marlborough Art Gallery , London, in the 1960's and early 70's and would have known each other and mixed in the same circles,Size 20 x 13.5cm (9 x 5.25 inches). Signed by Author(s).

Hardcover. Condition: Fine. 1st Edition. First Edition, first printing. Signed by Robert Indiana on a loosely laid-in bookplate. Large, approx. 10.5x8.5 inches. Unread in unmarked grey cloth covers with red stamping. Dust jacket is mark-free and protected with a clear archival sleeve. Fine in all respects. Books are poly bagged, covered with layers of bubble wrap and shipped in boxes. Signed by Author(s).

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Robert Indiana (illustrator). 1st Edition. First edition / First printing. Signed on the title page by the Robert Creeley. White printed cloth designed by the artist Robert Indiana. Fine in fine dust jacket. Signed by Author(s).

Hardcover. Condition: Very Good +. Dust Jacket Condition: Very Good. Square 4to. No date. Unpaginated. Two hardcover books with dust jackets in illustrated slipcase. Survey of recent paintings and sculptures by Robert Indiana. Each signed and inscribed as follows: "The Star of Hope Vinalhaven 2002 for Patricia Love Bob". Love Art Numbers text in English, The Marilyn Paintings text in French. Love Art Numbers dust jacket with some minor impressions on front panel as if it was used as a writing surface. Jacket on The Marilyn Paintings is fine. Slipcase with light wear and soiling. Contents clean and tight with no marks or inscriptions. PayPal accepted. Signed by Author(s).

Hardcover. Condition: Very Good. No Jacket. 1st Edition. [2005]. 4to. INSCRIBED by Robert Indiana at his private home "The Star of Hope", dated 2006 -- a rarity for the famously reclusive artist who passed away in 2018. Color plate on black cloth, no dust jacket as issued. Light wear to hinges, but otherwise a pristine copy. In protective mylar jacket. Inscribed by Author(s).

Soft cover. Condition: Near Fine. Dust Jacket Condition: No Dust Jacket. First Edition. 59 Clean, Unmarked Pages. Softcover. First Edition. Inscribed To David Ray By Robert Indiana On Title Page. With Note Sheet With Printed Name And Nyc Address (In Indiana's Hand). Near Fine. Inscribed By Robert Indiana.

Soft cover. Condition: Near Fine. Signed on first page "For Bob(?) My Best, Bob" additionally on the last page is a notation "2 Spring Street NYC 10012" with a phone number. Presumably contact information with the artist. A fine copy in stapled wraps. Signed by Illustrator(s).

Couverture souple. Condition: Très bon état. Tapis en laine rouge jaune et noir tufté à la main, 61 x 61 cm. Signé & numéroté 883/999 sur le certificat au dos. Modèle créé en 1964. in-plano.

Paperback. Condition: Very Good. 1st. 63 pages, illustrations (some colour); 23 x 24 cm. Edition of 2500 copies. Catalogue of an exhibition held at the Institute of Contemporary Art, University of Pennsylvania, Philadelphia, from April 17 to May 27, 1968; aand at other venues. *** PRESENTATION COPY. Signed by Robert Indiana, with a personalized inscription/inside front cover, dated 3.VI.68. Light shelfwear to wraps, minor soiling. The catalogue accompanying Pop artist Robert Indiana's first major museum retrospective, with his iconic LOVE logo on the front cover. Collectible. Size: Oblong. SIGNED. Collectible.

Softcover. Condition: Fine. Second edition, and first enlarged and corrected edition with much new material not in the first edition. Large quarto. Circa 250pp. Illustrated. Thick embossed acetate wrappers over pictorial wrappers with plastic, screw-bound spine. Slight foxing on topedge, still a fine copy. Inscribed by Robert Indiana at one of his contributions in the text: "For Matt, my best, R. Indiana. Dartmouth. 28.VII.'70." A wonderful exhibition catalogue of the contemporary art collection of Dr. Peter Ludwig, placed on permanent loan to the Wallraf-Richartz Museum. The collection contains important work by Josef Albers, Carl Andre, Arman, Beuys, Peter Blake, John Chamberlain, Jim Dine, Dubuffet, Robert Graham, Richard Hamilton, Robert Indiana, Jasper Johns, Ellsworth Kelly, Kitaj, Yves Klein, Sol LeWitt, Lichtenstein, Lindner, Morris Louis, Marisol, Nevelson, Kenneth Noland, Oldenburg, Rauschenberg, Gerhard Richter, George Segal, Serra, Stella, Tapies, Tinguely, Twombly, Vasarely, Warhol, Wesselmann et al. The catalogue is lavishly produced, printed on various textures of paper from thin styrofoam to heavy brown paper to acetate sheets. All of the artists works are reproduced in full color on full-page, tipped-in plates. In addition, each artist represented is photographed on an acetate overlay preceding the artists works.

First Edition. INSCRIBED by Tobin "For Norman and Muriel with Love at Christmas 1977." Additionally INSCRIBED by RLBT in color illustrated card 19" x 25" (folded 9 1.2" x 12 1/2"). Folio; 59pp . Color and black & white illustrations. Faint foxing to foredge, else a fine copy in black leatherette; 'Robert Indiana' stamped in silver at lower corner of cover. Exhibition catalog for the second one-man retrospective of Indiana's works, which traveled to five museums between September 1977 at the University Art Museum in Austin concluding at The Art Center in South Bend IN in July 1978. Features full-page color illustrations of Indiana's Highball on the Redball Manifest (1963); Art (1972): The Demuth American Dream No. 5 (1963): The Dietary (1962); Year of Meteors (1961); The Metamorphosis of Norma Jean Mortenson (1967); and Decade: Autoportrait (1965, 1972-75) and numerous b/w illustrations. Includes a chronology and checklist of Indiana's work. Robert L. B. Tobin was a notable San Antonio philanthropist (the Tobin Wing at the McNay Art Museum was opened in his honor in 1988). Tobin underwrote 'Don Carlos' for the opening celebration of HemisFair, the official World's Fair, in 1968 where he served as Cultural Vice-President. Robert Indiana was commissioned to create the official poster for HemisFair, during which the largest collection of Indiana's work to date was installed at the McNay Art Museum. With Tobin's involvement with HemisFair, and his close ties to the McNay, it is perhaps during this time that Tobin's friendship with Robert Indiana began to flourish. In the coming years, Tobin became one of Robert Indiana's largest collectors and a number of his paintings and graphics are included in this exhibition.

2 Bände. 29 x 29 cm. Je ca. 60 n.n. S., illustriert. Originalleinwandbände in Schuber. Original edition. - With an introduction in English and French. - Both volumes with mulziline dedications from Robert Indiana to his long-time friend the Swiss graphic designer Michel (Fritscher). -Part of the original package envelope with hand written addresses of the addressee and senderfrom Indiana and with the artists "Love" stamp of the US Post Office. With the invitation card to the exhibition. - Slipcase with pressed marks on the front cover. Originalausgabe. - Mit einer Einleitung in Englisch und Französisch. - Beide Bände mit mehrzeiliger handschriftlicher Widmung von Robert Indiana an seinen langjährigen Freund Michel (Fritscher), Schweizer Grafiker. - Beiliegende Teil der Originalverpackung mit der handschriftlichen Empfänger- und Absenderadresse von Indiana zusätzlich mit der "Love"-Briefmarke der U.S. Post versehen. Dazu die Einladungskarte zur Eröffnung der Ausstellung. - Schuber mit Stauchspur auf dem Vorderdeckel. Sprache: englisch.

1981. Die 4-seitigen Briefkarte mit der Reproduktion einer Arbeit von Alan Magee. - An einen Schweizer Freund. Mit Glückwünschen und einer kurzen Erwähnung des Todes von Ilya Bolotowsky. Der New Yorker Maler verstarb am 22. November des gleichen Jahres. Sprache: n.

28 x21cm. 64 S. Mit vielen meist s/w. Abbildungen. Originalbroschur. Original edition. - Published on the occasion of the same-named exhibition. - With hand written dedication from Robert Indiana "for Michael" (Fritscher), Vinalhaven 1984". - The Swiss graphic designer Michel Fritscher met Robert Indiana in the arly 1960s in New York. One corner slightly bent. Originalausgabe. - Erschien zur gleichnamigen Ausstellung als Katalog. - Mit handschriftlicher Widmung von Robert Indiana "for Michael" (Fritscher), Vinalhaven 1984". - Michel Fritscher, Schweizer Grafiker, lernte Robert Indiana in den frühen 1960er Jahren in New York kennen. - Eine Ecke leicht bestossen. Sprache: englisch.

30,5x23 cm. 4 Blatt Fotokopien in Briefumschlag. The four-page photocopy of an article about the artist and his workshop in Vinalhaven. - With hand written dedication to the Swis graphic designer Michel Fritscher, who was befriended with Indiana since the mid-1960s. Envelope with seals, stickers, hand-written. Die 4 Blatt Fotokopien mit einem Artikel über den Künstler und sein Atelier in Vinalhaven. - Mit handschriftlicher Widmung an den Schweizer Grafiker Michel Fritscher, der seit Mitte der 60er Jahren mit Indiana befreundet war. - Der Briefumschlag mit Stempeln, Aufklebern und Handschrift. Sprache: englisch.

30,5x23,5 cm. 179 S. Mit vielen farbigen Abbildungen. Originalleinwand mit Schutzumschlag. Original edition. - Catalogue of the biggest exhibition outside of the USA. -With hand written dedication and small drawing from Robert Indiana for his long-time Swiss friend Michel Fritscher. - With package envelope for the book with a hand signed "Costums Declaration" from Indiana. - One corner slightly worn. - Originalausgabe. - Katalog zur grössten Museumsausstellung ausserhalb der USA. - Mit handschriftlicher Widmung und kleiner Zeichnung von Robert Indiana für seinen Schweizer Freund Michel Fritscher. - Beiliegend Originalverpackung des Buches mit handsignierter "Costums Declaration" von Indiana. - Eine Ecke bestossen. Sprache: englisch.

23,5 x 23,5 cm. 23 p., illustrated. Original binding. Original edition. - With hand written dedication from Robert Indiana "For Michel my best, Bob". - With the hand written envelope from the artist. Sprache: englisch.

Hard Cover. Dust Jacket Condition: Very Good. First Edition. HBDJ, Stated 1st Edition, 1st Printing, 1978, black cloth lettered on front & spine, cover light rub, wear, Interior nice, tight clean, light Wear, 180 pgs, F-/F-, DJ light wear Scuff & tiny Chips Extremities, photo of author on back of DJ, 8vo, Inner Flap DJ Small Crease, blank endpapers light FoX , Just as the Genius of Man exercised control over minds of men in Shaping the Affairs of past, so shall its presence be known & felt in Future, at Age 55 on Chance return Trip to Site of His childhood in Iowa , author discovered the existence of key to one of lifes Great Mysteries. this is His Story, This book is unusual-- it describes a technique of systematic dream monitoring, which breaks down into three phases. This is a system of dream analysis from which he derives a philosophy which has sustained him through life's tragedies. Signed by Author.

First Edition. Copy number 2 of 100 deluxe numbered copies signed by composer Virgil Thomson, Jack Larson the librettist, Jack Gutman the translator to German, and artist Robert Indiana who designed this bookÕs cover. 294 pages. The musical score with printed music, and libretto in both English and German versions. 9 by 12. Fine in a very good lightly used original publisherÕs paper slipcase. ÒThis was Thomson's third and final opera. He wrote it on commission from the Ford Foundation for the Metropolitan Opera (Met), but the Met never produced the opera. The first performance was at Lincoln Center, New York City on April 20, 1972, by the music department of the Juilliard School with John Houseman as stage director, Gerhard Samuel as the conductor and Alvin Ailey as the choreographer.Ó.

Kein Einband. Condition: Sehr gut. Dust Jacket Condition: Sehr gut. ROBERT INDIANA - Signed - HOPE Vinalhaven - 2015 *** Screenprint in colors on wove paper. *** Signed in pencil lower left. *** Numbered in pencil lower left - Special TP (Trial Proof) edition TP 1/2. *** Indianas HOPE series continues his exploration of powerful, single-word statements. Created during the 2008 U.S. presidential election, the artwork was closely associated with Barack Obama's campaign, embodying themes of hope and change. * The HOPE Vinalhaven edition is part of a series in which Indiana adapted the HOPE motif with geographical and cultural references, emphasizing a universal message tailored to different locations. * Much like LOVE, HOPE has been reproduced in prints, sculptures, and large-scale installations worldwide. Indiana once stated, "HOPE is the successor to LOVE", *** Published by Robert Indiana and co-published by American Image Art for the Obama Victory Fund. *** Professionally framed in our own frame-shop, floating in a custom-made, acid-free passe-partout, in a deep, hand-crafted, exclusive wooden frame with Plexiglas® Optical HC, scratch-resistant and UV-protected. Framed approx. 90 x 75 cm. ** Robert Indiana (1928 - 2018) gained worldwide recognition as a leading figure of the Pop Art movement, best known for his iconic LOVE design, which became a cultural symbol. His art draws inspiration from commercial signage, typography, and American culture, often incorporating bold colors, text, and numbers to create works that are both visually striking and deeply symbolic. His influence extends beyond fine art, as his designs have been adapted into sculptures, postage stamps, and large-scale public works. ***** Pop Art movement emerged in the 1950s and 1960s, transforming everyday objects, advertising, and mass media into bold, colorful artworks. Artists like Andy Warhol, Roy Lichtenstein, Keith Haring, David Hockney, Robert Rauschenberg, Alex Katz, Allen Jones, Jim Dine, Mel Ramos, Julian Opie, Sigmar Polke, and Robert Indiana blurred the line between commercial and fine art *** Worldwide deliveryis also offered, providing a seamless acquisition process for international buyers *** For further details regarding pricing, authentication, handmade framing, and global delivery options, please contact us ***. Signatur des Verfassers.

Kein Einband. Condition: Sehr gut. Dust Jacket Condition: Sehr gut. ROBERT INDIANA - Signed - Screenprint Picasso - 1997 *** Signed in pencil along right edge. *** Numbered in pencil at the lower right - Special PP edition PP 19/30. *** From The American Dream Portfolio. *** Published by Marco Fine Arts Contemporary Atelier, El Segundo, California. *** Professionally framed in our own frame-shop, floating in a custom-made, acid-free passe-partout, in a deep, hand-crafted, exclusive wooden frame with Plexiglas® Optical HC, scratch-resistant and UV-protected. Framed approx. 75 x 75 cm. ** Robert Indiana (1928 - 2018) gained worldwide recognition as a leading figure of the Pop Art movement, best known for his iconic LOVE design, which became a cultural symbol. His art draws inspiration from commercial signage, typography, and American culture, often incorporating bold colors, text, and numbers to create works that are both visually striking and deeply symbolic. His influence extends beyond fine art, as his designs have been adapted into sculptures, postage stamps, and large-scale public works. ***** Pop Art movement emerged in the 1950s and 1960s, transforming everyday objects, advertising, and mass media into bold, colorful artworks. Artists like Andy Warhol, Roy Lichtenstein, Keith Haring, David Hockney, Robert Rauschenberg, Alex Katz, Allen Jones, Jim Dine, Mel Ramos, Julian Opie, Sigmar Polke, and Robert Indiana blurred the line between commercial and fine art *** Worldwide deliveryis also offered, providing a seamless acquisition process for international buyers *** For further details regarding pricing, authentication, handmade framing, and global delivery options, please contact us ***. Signatur des Verfassers.

Kein Einband. Condition: Sehr gut. Dust Jacket Condition: Sehr gut. ROBERT INDIANA - Signed - Screenprint Marilyn Monroe - 1997 *** Signed in pencil along right edge. *** Numbered in pencil at the lower right - Special PP edition PP 19/30. *** From The American Dream Portfolio. *** Published by Marco Fine Arts Contemporary Atelier, El Segundo, California. *** Professionally framed in our own frame-shop, floating in a custom-made, acid-free passe-partout, in a deep, hand-crafted, exclusive wooden frame with Plexiglas® Optical HC, scratch-resistant and UV-protected. Framed approx. 75 x 75 cm. ** Robert Indiana (1928 - 2018) gained worldwide recognition as a leading figure of the Pop Art movement, best known for his iconic LOVE design, which became a cultural symbol. His art draws inspiration from commercial signage, typography, and American culture, often incorporating bold colors, text, and numbers to create works that are both visually striking and deeply symbolic. His influence extends beyond fine art, as his designs have been adapted into sculptures, postage stamps, and large-scale public works. ***** Pop Art movement emerged in the 1950s and 1960s, transforming everyday objects, advertising, and mass media into bold, colorful artworks. Artists like Andy Warhol, Roy Lichtenstein, Keith Haring, David Hockney, Robert Rauschenberg, Alex Katz, Allen Jones, Jim Dine, Mel Ramos, Julian Opie, Sigmar Polke, and Robert Indiana blurred the line between commercial and fine art *** Worldwide deliveryis also offered, providing a seamless acquisition process for international buyers *** For further details regarding pricing, authentication, handmade framing, and global delivery options, please contact us ***. Signatur des Verfassers.

INDIANA, Robert. Numbers. Containing 10 screenprints by Robert Indiana. By Robert Creeley. Illustrated with 10 screenprints. Large Folio, bound in original tan printed wrappers. Stuttgart und Duesseldorf, Edition Domberger, 1968. The extremely rare large folio edition, which is not to be confused with the more commonly found 4to edition. One of 250 copies signed by Indiana and Creeley. The text is both in English and German and accompanies the 10 celebrated color screenprints by Indiana. Indiana's bold series of numbers, spanning from one to nine and zero are simultaneously enriched and mellowed by the hand-made neutrality of Creeley's accompanying verses printed in black (English) and red (German) on thick brown paper. Complete sets of the large prints are now rare. In immaculate condition. Sheehan, Robert Indiana Prints 56. Castleman, A Century of Artists Books 211.

Kein Einband. Condition: Sehr gut. This rare screenprint by Robert Indiana, dates from 1962 and represents one of the earliest and most iconic examples of Indiana s graphic language. *** Hand-signed in pencil by the artist on the reverse ( visible through the transparent plexiglass back of the custom frame ) *** The back of the artwork also features the handwritten word LOVE , mirroring the front and emphasizing the concepts circularity and visual impact *** The work is a Vorzugsausgabe (special edition), directly from Estate of Robert Indiana, ensuring authenticity and provenance. *** Executed in bold black and white, the work features a central star encircled by the stenciled text STABLE 16 OCTOBER 62, with the artist s name INDIANA prominently placed at the bottom. *** The strong, stencil-like typography is a hallmark of Indiana s visual vocabulary, drawing from American road signs, advertisements, and vernacular design. *** STABLE refers to the legendary Stable Gallery in New York, where Indiana exhibited alongside other leading figures of the Pop Art movement. This period marked the breakthrough of Indiana s career, establishing him as a key voice in American Pop through his exploration of language, symbols, and national identity. *** The graphic simplicity of the star and lettering is charged with layered meaning: a reflection on American ideals, power, and the cultural landscape of the 1960s. The work anticipates Indiana s later masterpieces, including his world-famous LOVE series, by demonstrating his ability to distill complex ideas into universal symbols with striking visual clarity. *** The work is professionally framed to museum standards, in a custom, handcrafted black wooden frame with double Plexiglas® Optical HC, offering UV protection, scratch resistance, and minimal reflection. Size framed approx. 70 x 55 cm *** Robert Indiana (1928 2018) was a leading figure in American pop art. His work is rooted in bold language and graphic simplicity, often combining words, numbers, and vivid colors. Indianas LOVE image, first created in 1964, became a cultural phenomenon and was later adapted into sculptures and stamps. Despite or because of its visual simplicity, Indianas work reflects complex themes of American identity, politics, and personal philosophy. *** His art is featured in the permanent collections of the Museum of Modern Art (MoMA), the Whitney Museum of American Art, the San Francisco Museum of Modern Art, and the Tate Modern in London, among others. *** SHIPPING: Worldwide shipping available *** CONDITION: in very good condition ***. Signatur des Verfassers.

Kein Einband. Condition: Sehr gut. This vibrant silkscreen titled 6666 was created by American Pop artist Robert Indiana in 1969. *** Hand-signed and dated by the artist in pencil at the top right. *** This is an Artist s Proof (A.P. 1/24), aside from the standard edition of 100, *** Printed in bold red, green, and blue tones, and published by the esteemed Edition Domberger in Stuttgart. The print also bears the embossed stamp Edition Domberger Stuttgart , attesting to its authenticity and high production quality. *** Professionally framed. Floating presentation within (acid-free) white passe-partout, in an exclusive hand-made white wooden frame with Plexiglas® Optical HC, scratch-resistant and UV-protected. Framed approx. : 52 x 52 cm. Work measures 36 × 30 cm *** 6666 exemplifies Robert Indiana s fascination with numbers, typography, and visual symmetry. Four large numerals 6, 6, 6, and 9 are arranged in a diamond-shaped grid, each encased in a circular form that radiates with bold Pop Art contrast. The combination of geometric balance, saturated color, and symbolic ambiguity invites multiple interpretations: from playful graphic rhythm to deeper numerological or conceptual undertones. Indiana s use of numbers transcends their literal meaning, transforming them into powerful visual icons. *** Robert Indiana (1928 2018) was a central figure in American Pop Art, celebrated for his text-based works and iconic imagery. Best known for his LOVE series, Indiana used words and numbers as vehicles for exploring themes of identity, American culture, commercialism, and the power of language. His bold, graphic style bridges the line between visual art and signage, making his work immediately recognizable and deeply influential. *** Robert Indiana s work is held in major collections around the world, including the Museum of Modern Art (MoMA) in New York, the Whitney Museum of American Art, the Smithsonian American Art Museum, and the Tate Modern in London. His prints and multiples remain highly sought after for their clarity, symbolism, and cultural resonance. ***** Worldwide deliveryis offered, providing a seamless acquisition process for international buyers *** CONDITION: in very good condition *****. Signatur des Verfassers.

Kein Einband. Condition: Sehr gut. Dust Jacket Condition: Sehr gut. ROBERT INDIANA - "Indianapolis Museum of Art 1970 ** Screenprint in colors on wove paper. Signed and dated by Robert Indiana in yellow pencil, lower right. Special edition with handwritten dedication along lower edge : For George H.A.Clowes (George Clowes was a significant US art collector) - in yellow lower left. Professionally framed in bespoke white wooden frame, hand-made, with PLEXIGLAS Optical HC, scratch-resistant and UV-protected. Framed approx. 95 x 70 cm** This work by Robert Indiana is a design for the Inaugural Exhibitions 25.10.1970 at The Indianapolis Museum of Art. Robert Indiana: Master of Pop Art & Iconic Typography Robert Indiana (1928 2018) was an American Pop Art pioneer, best known for his bold, typographic works that blend graphic design, literature, and political themes. His most famous creation, "LOVE" (1965), became an enduring symbol of modern art, appearing in prints, sculptures, and even a U.S. postage stamp. Indiana s work explores themes of American identity, consumerism, and social justice, using vibrant colors and striking typography. His influence extends beyond fine art into pop culture and public spaces, making his works highly collectible and internationally recognized. Indiana s work is featured in major museums, including the Museum of Modern Art (MoMA), the Whitney Museum, and the Smithsonian American Art Museum. His influence extends beyond fine art, as his designs have been adapted into sculptures, postage stamps, and large-scale public works. ***** Pop Art movement emerged in the 1950s and 1960s, transforming everyday objects, advertising, and mass media into bold, colorful artworks. Artists like Andy Warhol, Roy Lichtenstein, Keith Haring, David Hockney, Robert Rauschenberg, Alex Katz, Allen Jones, Jim Dine, Mel Ramos, Julian Opie, Sigmar Polke, and Robert Indiana blurred the line between commercial and fine art ***** SHIPPING: Worldwide shipping available *** CONDITION: in very good condition *****. Signatur des Verfassers.

Kein Einband. Condition: Sehr gut. Dust Jacket Condition: Sehr gut. ROBERT INDIANA ** Screenprint The Santa Fe Opera . Signed and dated by Robert Indiana in pencil, lower right. Numbered lower left AP 1/50. From a selective AP (Artists proof) edition of 50, outside the regular edition. Professionally framed. Exclusive white wooden frame with PLEXIGLAS Optical HC, which is scratch-resistant and UV-protected. Framed approx. 100 x 70 cm. ** Robert Indianas "The Santa Fe Opera" (1976) is a striking limited-edition screenprint, created to commemorate the 20th anniversary of the Santa Fe Opera (1957 1976). Known for his bold typographic designs and vibrant color palettes, Indiana infused this work with his signature Pop Art style, celebrating both the cultural significance of opera and his lifelong fascination with graphic symbolism and text-based compositions ** The artwork prominently features the number 20, surrounded by a circular arrangement of famous composers and operatic works, including Strauss, Verdi, Mozart, Cavalli, and Thomson ** Robert Indiana (1928 2018) gained worldwide recognition as a leading figure of the Pop Art movement, best known for his iconic LOVE design, which became a cultural symbol. His art draws inspiration from commercial signage, typography, and American culture, often incorporating bold colors, text, and numbers to create works that are both visually striking and deeply symbolic. ** Indiana s work is featured in major museums, including the Museum of Modern Art (MoMA), the Whitney Museum, and the Smithsonian American Art Museum. His influence extends beyond fine art, as his designs have been adapted into sculptures, postage stamps, and large-scale public works. ***** Pop Art movement emerged in the 1950s and 1960s, transforming everyday objects, advertising, and mass media into bold, colorful artworks. Artists like Andy Warhol, Roy Lichtenstein, Keith Haring, David Hockney, Robert Rauschenberg, Alex Katz, Allen Jones, Jim Dine, Mel Ramos, Julian Opie, Sigmar Polke, and Robert Indiana blurred the line between commercial and fine art *** Worldwide deliveryis also offered, providing a seamless acquisition process for international buyers ***. Signatur des Verfassers.

Kein Einband. Condition: Sehr gut. Dust Jacket Condition: Sehr gut. ROBERT INDIANA - Signed Original Screenprint "LOVE - Zinnia" - AP edition - 1982 - Nicely framed ca.75 x 75 cm. ** Screenprint in colors on Fabriano paper. Signed and dated by Robert Indiana in pencil, lower right. Special A.P. (artist proof) edition, in pencil lower left. LOVE - in Colour Zinnia - for the portfolio A Garden of Love. 1982. Co-published by Prestige Art Ltd., New York. Printed by Edition Domberger, Germany, with their blindstamp. Professionally framed in bespoke white wooden frame, hand-made, with PLEXIGLAS Optical HC, scratch-resistant and UV-protected. Sheet size 68 x 68 cm. Framed approx. 75 x 75 cm. Literature : Catalogue raisonné Sheehan 126-131. *** Robert Indiana's LOVE is one of the most recognizable icons of American Pop Art, embodying the bold, graphic aesthetic of the movement. Originally created in 1964 for the Museum of Modern Art s Christmas card, the design quickly became a cultural phenomenon, later adapted into a U.S. postage stamp and a series of monumental public sculptures. * As a prime example of hard-edged abstraction, LOVE features flat, vibrant colors with crisp, geometric edges, a style that gained prominence in the 1960s. The artwork s universal message of love and unity resonated deeply with the era s social and political movements, becoming an enduring symbol of peace and optimism. * A Garden of Love is one of many reinterpretations of the original LOVE design, incorporating six variations inspired by flowers Rose, Phlox, Tulip, Lily, Zinnia, and Lilac paying homage to the flower power movement. Indiana s adaptation of LOVE across different languages, mediums, and formats solidifies its status as a timeless emblem of hope, connection, and cultural revolution. * Indiana s work is featured in major museums, including the Museum of Modern Art (MoMA), the Whitney Museum, and the Smithsonian American Art Museum. His influence extends beyond fine art, as his designs have been adapted into sculptures, postage stamps, and large-scale public works. ***** Pop Art movement emerged in the 1950s and 1960s, transforming everyday objects, advertising, and mass media into bold, colorful artworks. Artists like Andy Warhol, Roy Lichtenstein, Keith Haring, David Hockney, Robert Rauschenberg, Alex Katz, Allen Jones, Jim Dine, Mel Ramos, Julian Opie, Sigmar Polke, and Robert Indiana blurred the line between commercial and fine art ***** SHIPPING: Worldwide shipping available *** CONDITION: in very good condition *****. Signatur des Verfassers.