Robert J Scanlan (7 results)
Published by Hearthstone Books, 1991
- Hardcover
- Signed
Seller: Ruth Kern Books, Phoenix, AZ, U.S.A.Ruth Kern Books
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Add to basketHardcover. Condition: Near Fine. Dust Jacket Condition: Good. Inscribed by Author(s).
Queen of the Cosmos : Interviews with the Visionaries of Medjugorje. [Mirjana -- Ivanka -- Vicka -- Ivan -- Jacov -- Marija -- Father Philip -- Father Slavko -- Notes]
Connell, Jan (Janice T.) [intro., Robert L. Faricy, S. J., 1926-; notes, David Manuel; blurbs, Michael Scanlan, Tomislav Pervan]
- Softcover
Seller: Joseph Valles - Books, Stockbridge, GA, U.S.A.Joseph Valles - Books
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Soft cover. Condition: Very Good. 13th printing; blue and white stiff paper wrappers ; crease at spine ; ISBN: 1557250189 ; LCCN: 90-61665 ; OCLC: 28631857 ; 150 pp. ; VG. Book.
- Softcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
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Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory…', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.
- Softcover
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
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Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory…', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.
- Softcover
Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.Rarewaves USA United
Contact seller5-star sellerCondition: New
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Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory…', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.
- Softcover
Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
Contact seller5-star sellerCondition: New
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Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory…', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.
Published by Artforum, 2005
- Softcover
- Magazine / Periodical
Seller: castlebooksbcn, Barcelona, B, Spaincastlebooksbcn
Contact seller4-star sellerCondition: Used - Near fine
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Add to basketEncuadernación de tapa blanda. Condition: Muy bien. Dust Jacket Condition: Muy bien. Issue edited by Tim Griffin. Essays "Passages: Daniel Birnbaum on Harald Szeemann," by Daniel Birnbaum; "Books: Mel Bochner on Donald Judd," by Mel Bochner; "Books: Pamela M. Lee on Andrea Fraser," by Pamela M. Lee; "Film: Keith Sanborn on Chris… Marker," by Keith Sanborn; "Film: Daniel Birnbaum on 'The Ister,'" by Daniel Birnbaum; "Performance: Matt Saunders on Jonathan Meese's 'Mother Parsifal,'" by Matt Saunders; "Performance: Johanna Burton on Tracy + the Plastics," by Johanna Burton; "Slant: Joe Scanlan on Social Space and Relational Aesthetics," by Joe Scanlan; "On Site: Robert Lumley on the Fondazione Merz," by Robert Lumley; "Top Ten," by Josephine Meckseper; "Being There: Art and the Politics of Place," by Anne M. Wagner; "The Lay of the Land: An Experiment in Art and Community in Thailand," by Daniel Birnbaum; "Tristan da Cunha," by Tacita Dean; "Navigating the New Territory: Art, Avatars, and the Contemporary Mediascape," by David Joselit; "A Text About High Desert Test Sites," by Lisa Anne Auerbach and Andrea Zittel; "True Beauty: A Talk with the Center for Land Use Interpretation's Matthew Coolidge," by Jeffrey Kastner; "Remote Possibilities: A Roundtable Discussion on Land Art's Changing Terrain," by Claire Bishop, Lynne Cooke, Pierre Huyghe, Pamela M. Lee, Rirkrit Tiravanija, Andrea Zittel, and Tim Griffin (moderator); "El Diario del Fin del Mundo: A Journey that Wasn't"; "1000 Words: Catherine Yass," by Mark Godfrey; "World Apart: The Films of Jia Zhangke," by J. Hoberman; "An Eye for an Ear: Art and Music in the Twentieth Century," by Harry Cooper; "Openings: Roberto Cuoghi," by Alison M. Gingeras. Reviews by Jeffrey Kastner, Johanna Burton, Robert Rosenblum, Lane Relyea, Michael Fried, Michael Wilson, Brian Sholis, Emily Hall, Donald Kuspit, Lisa Pasquariello, Elizabeth Schambelan, Martha Schwendener, Jan Avgikos, Barry Schwabsky, Domenick Ammirati, RoseLee Goldberg, James Yood, Patricia Briggs, Glen Helfand, Maria Porges, Bruce Hainley, Jan Tumlir, Christopher Miles, Jennifer Allen, Massimo Carboni, Marco Meneguzzo, Cathryn Drake, Jean-Max Colard, Miriam Rosen, Nina Möntmann, Noemi Smolik, Wolf Jahn, Sven Lütticken, Liutauras Psibilskis, Ronald Jones, Martin Herbert, Rachel Withers. Cover: Andrea Zittel.
