Robert John Simons (42 results)

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Brand New. 57 pages. 11.69x8.27x0.13 inches. In Stock.

Softcover. Condition: Very Good with no dust jacket. Sound binding. Clean, bright pages. Wrappers have light handling wear. Contents: Willcox and Willcox, Double Davenports: descendants of James and Mary (Walker) Davenport of Boston. Nowers, Hannah (Raymond) Standley and her mother, Deborah Trask, of Beverly, Massachusetts. Winsser, A brother found: a clue to the ancestry of Mary (Barrett) Dyer, the Quaker martyr. Arthaud, Daniel and Tryphosa (Hadlock) Tarr of Mount Desert, Maine, and Newburyport, Massachusetts. Thompson, Isaac Buswell and Rebecca (Buswell) Smith of Husbands Bosworth, co. Leicester, and New England. Ullmann, Dan and Jemima (Alexander) Freeman of Massachusetts and New Hampshire, and some of their descendants (continued from 157:369). Anderson, The English origin of Matthew Gannett of Scituate, Massachusetts: a status report. Simons, The journal of Jonathan Willis: extracts from the diary of a Boston housewright, 1744-1747 (continued from 157:337). Wardlow, Family record of Ezra Leonard of Raynham and Oakham, Massachusetts. Myers, John and Elizabeth (James) Hyland of Scituate, Massachusetts, and some of their descendants (continued from 157:391). Reviews. 9.0" tall; 91 pages.

Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condition: Fine. Comic Book. Standard Format. Magazine Sized. First Printing. Staple Bound. Black//white cover art with black/white interior illustration. 24 pages and covers. VERY FINE. All corners pointed. Binding tight, without stress creases and square. Without tears, bumps, creases or chips. With slight fo```xing to top left corner. Not marked in any way and very clean, glossy and bright. All items carefully wrapped and sent boxed.

Hardcover. Condition: Good. No Jacket. 249 pp. ; illustrated with pen and ink drawings by Raymond Houhlihan; black cloth; no dustjacket ; name on front ep ; marks on contents page ; Contents; Why the boom? -- The Travail of WIlmer McLean -- House Divided -- Firsts -- The First Battle -- Mr. Lincoln's Beard -- The Blockade -- Music, Music -- War in the Air -- The Machine Gun -- A General's Grammar -- How Young They Were! -- Famous Onlookers -- Which War? -- John Brown Ignites a War -- The Widow Fritchie -- Imported Warriors -- The Rains Brothers -- Riots on the Home Front -- The Inner Man -- Was Stonewall Jackson a Hypochondriac? -- The Marvelous Ram Albermarle -- Some Oddities of This Odd War -- Spies at Work -- The Gettysburg Address -- The Hero of Gettysburg -- Sex in the Civil War -- The Submarine Hunley -- Lincoln's Subs -- What They Said About US Grant -- Dixie -- Symbols of the Lost Cause -- The Perfect Battle -- The Human Side of Robert E Lee -- Aftermath-at-Arms -- The Price in Blood -- The War is Not Over -- Atrocities -- The Folklore. ; some marks ; G. Book.

Hardcover. Condition: Near Fine. large hardcover in near fine condition.

Condition: As New. Unread book in perfect condition.

First Edition. Softcover. First Edition. One corner lightly bumped, else Near Fine in perfect-bound wrappers.

Soft cover. Condition: Very Good. 1st edition. VG+. 8vo, 64pp, stapled wrappers. This issue includes a review of two works by Robert Duncan, accompanied by a photo (Bertholf J104 & J109). This copy, from DuncanÕs collection, includes a handwritten cover letter to him from editor Louise Simons. Unmarked copy with light outer wear and bump to one corner. Not Signed.

Pictorial Illustrated Cover. Condition: Near Fine. Doug Beekman painted cover; Art by; John Buscema, Danny Bulandi, Ricado Villamonte, Armando Gil and Dave Simons; (illustrator). First Edition By This Publisher. 100 pages including covers; Published by Marvel Comics Group, New York, NY, USA, 1988; 1st Printing; Softcover, Trade Paperback, Graphic Novel; 330 Grams; As the Red Terror, a bizarre, magical dark force whose victims disappear without a trace, descends upon Aquilonia, King Conan sets out to destroy its source, evil, conquest-hungry sorcerer-priests from across the sea; This book was written as the definite end to the saga of Conan. In his mid-sixties, longtime king of Aquilonia, his beloved wife having died and his son now an adult, Conan has become weary of his now dull existence as a monarch. ROY THOMAS Adaption of the L. Sprague de Camp and Lin Cater story (based characters created by Robert E. Howard); Doug Beekman painted cover; Art by; John Buscema, Danny Bulandi, Ricado Villamonte, Armando Gil and Dave Simons; Light Scuffing to cover; Moderate Rubbing Wear to back cover, Size: 4to - over 9¾" - 12" tall. Book.

Condition: New.

Paperback. Condition: Brand New. 222 pages. 9.75x7.25x0.75 inches. In Stock.

Paperback. Condition: New. The work of Sam Peckinpah represents a high point in American cinema. This text is the first theoretical and critical attempt to place Peckinpah within the 2,000-year-old tradition of western tragedy. The tradition, enfolding the Greeks, Shakespeare and modern tragedians, is represented in Peckinpah's art in numerous ways, and the fact that he worked in the mode throughout his career distinguishes him from most American film directors. Films covered include Ride the High Country, Noon Wine, The Wild Bunch, Pat Garrett and Billy the Kid, and Bring Me the Head of Alfredo Garcia.

Condition: New.

Taschenbuch. Condition: Gut. 98 Seiten; Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch; ordnungsgemäß entwidmet. Sprache: Deutsch Gewicht in Gramm: 110.

Condition: New. In.

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: Fine. pages 248 + [6] pp. ; 23 cm ; LCCN 2007215003 ; ISSN 0021-4183, 1938-6036 ; pictorial stiff paper wrappers ; Contents: Clive Hart (1931-2016) / Fritz Senn -- "Obstructing the thoroughfare": A Report on the Dublin James Joyce Summer School, 3-9 July 2016 / Niels Caul -- "Real Adventures Must Be Sought Abroad": Swedish Students Encounter Dublin and the Dubliners / Angelica Granqvist -- Milly Bloom as Blind Spot in Ulysses / Katherine Ryan -- An Abode of Bliss: Plumtree's Potted Meat and the Allegory of the Theologians / Blake Leland -- The Stability of Laughter in A Portrait of the Artist as a Young Man, or Quis est in malo humore . ego aut vos? / James Nikopoulos -- "Ordovico or viricordo": Joyce's Road from Newman to Vico / John D. Schaeffer -- Credible Resonance, or Believable Euphony in the Joyce Oeuvre / Jefferey Simons -- Reviews and Notices of James Joyce in the United States, 1916-1920 / George Monteiro -- With Joyce in Saint Gérand-le-Puy: Maria Jolas's "Joyce en 1939-1940" in Translation / Neil R. Davison -- Current JJ Checklist / William S. Brockman -- Exhuming the Monks of Mount Melleray from "The Dead" / Kieran Quinlan -- A Source for the "Most Profound Sentence" in A Portrait of the Artist as a Young Man / Daniel Aureliano Newman -- Two Gallants / Robert Berry -- Joyce Smithy: A Curated Review of Joyce in Visual Art, Music, and Performance / Ollie Evans, Christa-Maria Lerm Hayes, Derek Pyle -- Medieval Invasions in Modern Irish Literature by Julieann Veronica Ulin (review) / Joseph Kelly -- Conspicuous Bodies: Provincial Belief and the Making of Joyce and Rushdie by Jean Kane (review) / Marcia K. Farrell -- Translatin Joyce: Global Transmissions in Ibero-American Literature ed. by Brian L. Price (review) / Jesús Isaías Gómez-López -- Haunted Historiographies: the Rhetoric of Ideology in Postcolonial Irish Fiction by Matthew Schultz (review) / Emer Nolan -- YEATS AND AFTERWORDS ed. by Joseph Valente and Marjorie Howes (review) / Anna Finn -- The Disappointed Bridge: Ireland and the Post-Colonial World by Richard Pine (review) -- Flann O'Brien & Modernism ed. by Julian Murphet, Rónán McDonald, and Sascha Morrell (review) / Paul Fagan -- Modernism and Christianity by Erik Tonning (review) / Jack Dudley -- Waywords and Meansigns: Recreating "Finnegans Wake" (In Its Whole Wholume) dir. by Derek Pyle (review) / Aodhán Kelly, Tom De Keyser -- Beckett in Brooklyn: The Brooklyn Academy of Music's Next Wave Festival Revival of Three One-Act Plays, "Not I," "Footfalls," and "Rockaby," by Samuel Beckett (review) / Richard J. Gerber -- Letters / Sidney Feshbach, Richard Barlow -- Modernism, Middlebrow and the Literary Canon: the Modern Library Series, 1917-1955 by Lise Jaillant (review) / Hannah McGregor ; FINE. Book.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Very Good. Hardcover. 8vo. Published by Ashgate, Aldershot, Hants, 2002. Ix, 178 pages. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. "Moderatus was an Elizabethan romance, probably the first published work of the sixteenth-century Welsh gentleman Robert Parry; it was produced in 1595 by the bookseller, publisher, and printer Richard Jones. In this volume John Simons offers in modern typography an edition of this now-scarce text, with explanatory notes and an extensive introduction that places the work in its historical context. He also presents what biographical information is known about the author of Moderatus and what is known of the book's publication history, and discusses such pertinent issues as the travel experience of Elizabethans, their knowledge of other languages than English, and their experience of translating and translations. Simons demonstrates how works like Moderatus do impel us to look more carefully at the inter-relationships of writers and readers and teach us a good deal about the habits of mind which those readers brought to more familiar texts." ; Non-Canonical Early Modern Popular Texts; 8.8 X 6.0 X 1.0 inches; 178 pages.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New. The work of Sam Peckinpah represents a high point in American cinema. This text is the first theoretical and critical attempt to place Peckinpah within the 2,000-year-old tradition of western tragedy. The tradition, enfolding the Greeks, Shakespeare and modern tragedians, is represented in Peckinpah's art in numerous ways, and the fact that he worked in the mode throughout his career distinguishes him from most American film directors. Films covered include Ride the High Country, Noon Wine, The Wild Bunch, Pat Garrett and Billy the Kid, and Bring Me the Head of Alfredo Garcia.

Condition: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Condition: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condition: New. pp. 1017.

Condition: New. pp. 1017.

Condition: New. pp. 1017.