Robert Pinchon (25 results)

Encuadernación de tapa blanda. Condition: Bueno. Bessiere, Gérard; Patrick Jacquemont, Robert Jorens, Jean-Pierre Jossua, Henri Péninou, Michel pinchon, Bernard Quelquejeu, Hyacinthe Vulliez. Manifiesto de la libertad cristiana. Madrid, Ediciones Cristiandad, 1976. Características: Rústica en buen estado. 140 p. (18 x 11 cms.). Peso: 240 grs. (6349 NVO).

Couverture souple. Condition: Bon. Un volume in8 , broché , (13,2 x 20,3 cm), 66 pages , non coupé , hommage au maire de Rouen signé par l'auteur . Robert Pinchon , né à Rouen, journaliste , critique , ami de Maupassant. Dédicacé par l'auteur.

Couverture souple. Condition: Très bon. Edition originale. In-8° , broché , 253 pages , nombreuses illustrations.

Soft cover. Condition: Very Good. Marcel Couchaux; Alfred Dunet; Charles Frechon; Narcisse Guilbert; Pierre Le Trividic; Maurice Louvrier; Robert Pinchon (illustrator). 1st Edition. A very good copy. Date in ink atop front endpage, else the text, which is in French and English, is wholly unmarked, pristine, and the binding is bright and fresh in appearance, with no creasing to the spine. The seven artists presented are: Marcel Couchaux; Alfred Dunet; Charles Frechon; Narcisse Guilbert; Pierre Le Trividic; Maurice Louvrier; and Robert Pinchon. A sharp copy. [Please note: Due to the size and weight of the volume extra shipping may be required depending on the destination and speed of delivery requested. Quotations gladly provided.].

Broché. Condition: Etat moyen. in-12 Description :121 pp. Tampons. Couverture salie avec des pliures. Langue : Français Nb de volumes : 1.

Softcover. Condition: Good. Éd., revue et corrigée. 648 p. Ex-Library. 23 cm. Stamped on title page and front edge. Edges and end-papers foxing.

Condition: Buone. italiano Condizioni dell'esterno: Discrete con difetti, segni d'uso Condizioni dell'interno: Buone.

Couverture souple. Condition: Bon état. In-4 broché 25 cm sur 15,5. 225 pages. Nombreuses illustrations en noir et blanc, dont certaines hors texte. Couverture avec rousseurs marginales. Dos avec légères déchirures, sans gravité. Bon état d'occasion.

Softcover. Condition: Good. Éd., revue et corrigée. 640 p. Ex-Library. 23 cm. Stamped on title page and front edge.

Condition: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Couverture souple. Condition: bon. RO20264956: 1994. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 684 PAGES - dos insolé. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française.

Couverture souple. Condition: bon. R200082456: VERS 1995. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 687 pages. Protégé par couverture en bon état. . . . Classification Dewey : 440-Langues romanes. Français.

Soft cover. Condition: Good. Robert-A. Pinchon (illustrator). Faded spine with several stress lines - sewn binding still strong and square. Small chip on front at tail of spine. In every other respect in fine condition. Presque TBE / VG- Illustrations de Robert-A. Pinchon, 225 pages. Book.

Cloth. Condition: Very Good Indeed. Robert A. Pinchon (illustrator). A scarce copy of Guy De Maupassant's short stories based in his beloved Normandy. With illustrations by Robert A. Pinchon; an introduction by Henri Defontaine; and a preface by Roland Dupuis. With colour and black and white plates, and numerous vignette illustrations. Translated into Esperanto, a constructed international language and the most widely spoken constructed language in the world In a cloth binding with gilt title and design detail to the front board, and gilt title detailing to the spine. Externally, generally smart with minor bumping to the extremities, and slight discolouration to the spine and extremities. The front hinge is a little strained. Internally, firmly bound with bright, clean pages. Very Good Indeed. book.

Broché. Condition: Bon. Pinchon Robert-A. (illustrator). 1 volume broché, 210 pages [2], avec des illustrations hors-texte de Robert-A. Pinchon. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ).

Broché, couverture blanche imprimée en noir & rouget et ornée d'une photographie en couleurs [l'Abbaye aux Hommes à Caen - cliché d'Yves Salmon), in-8, 20x14, illustrations en noir de Robert-A. Pinchon en planches hors texte, état quasi neuf. 316 pages. Réimpression de l'édition ancienne publiée vers 1936-1937 par les Éditions et Impressions Paul Duval, Elbeuf-Paris, de la Collection Images d'Art, Defontaine à Rouen.

In-4 de 128 pages. Vingt-cinq illustrations de Robert-A. Pinchon en hors-texte et in-texte. Tirage à mille exemplaires. Un des 890 sur beau papier vélin (N°446). Parfait état intérieur. Broché, couverture imprimée et illustrée en noir (vue du pont transbordeur et la ville au loin). En excellent état.

Rouen, H. Defontaine, (1937). Un vol. au format pt in-4 (238 x 172 mm) de 179 pp., broché. Edition originale de ce texte qui obtint le Prix des Vikings en 1938. Il est agrémenté d une carte en frontispice ainsi que de fines illustrations à pleine page de Pinchon. Infimes altérations en marge du premier plat. Du reste, très belle condition.

OUEN, Editions Henri Defontaine,1947 - In-8° - Broché, couverture beige ornée d'une vignette en noir avec titre en noir et rouge -(1)f.Illustré d'une vignette, Carte à pleine page et de dessins HT des Chateaux - 179 pages - Exemplaire non coupé, Comme neuf Livres.

Pas de couverture. Condition: Bon. GRAVURE ANCIENNE JEUNE FEMME D'après le dessin de Robert PINCHON CIRCA 1926 impression par Paul Marmy à Paris, couleurs Lorilleux & Cie, tirage sur papier idéal couché des papeteries Prioux (Gravure authentique du XXe siècle-original print) Dimensions de la feuille : 31,5 cm x 23,5 cm environ Dimension de la gravure au coup de planche : 22 x 18 cm environ Etat : superbe estampe (ref-R3638).

Pas de couverture. Condition: bon. RO40040986: 1943. In-4. En feuillets. Etat d'usage, Livré sans Couverture, Dos satisfaisant, Quelques rousseurs. 8 pages. Texte sur deux colonnes. Petite annotation sur le 1er plat. 2 photos disponibles. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues.

édition originale. Belle épreuve d'un tirage à 50 exemplaires sur vergé, signée et numérotée. Ancien tampon de prix au dos. 35 x 27 cm.

"Belle épreuve en couleurs d'un tirage à 25 exemplaires sur vergé, signée et numérotée. Ancien tampon de prix au dos.

"Belle épreuve en couleurs d'un tirage à 15 exemplaires sur vergé, signée et numérotée. Ancien tampon de prix au dos.

[At the Sign of the Rose Leaf, a Turkish House. A Comedy of Morals (bad) in one act in Prose, Presented for the first time in Paris in 1875]. First edition. Tall 8vo., endpaper, blank, half-title, frontispiece of 3 coloured lithographs as a moveable: a window tipped in, title in black and red with a red crescent, pp-9-69, [4pp.], endpaper, in the original folded cream paper wrapper, stylized facsimile holograph titles and a fleuron in pink on the upper portion, later glacine?, French text. Number 205 of 160 copies on Ingres numbered 66 to 225, from a complete run of 225, all numbered, with the first ten on papier ancien, the next 20 on Ingres rose and 35 on Montgolfier. Paris [Nice], n.p. [Andre? Bottin], 28 November 1945. £1,250.00 Crisp, clean copy, slight endemic browning, wrapper a trifle worn, glacine a tad shabby, the leaf on which the moveable is mounted is starting. Rare in both commerce and institutions, Harvard, has #6 from the e?dition de te?te (Nordmann copy and subsequently JMSD's other copy) and #55. Dutel 938, Pia 2, Pierrat pp-32-3. Provenance: Emmanuel Pierrat's copy. Pierrat considers this clandestinely printed ? Salauderie' to be the celebrated libertine's '. most sulphurous.', it satirizes a bourgeois couple's experiences in a brothel that they take to be the resi- dence of the Turkish ambassador and his harem. Characterised by an invented, almost Dadaist, lan- guage that Pierrat describes as an '.imaginary, argotic vocabulary.' , it is a famous ?pochade naturaliste' that remained unpublished for many years because of the two known manuscripts being ' .strictly guarded by bibliophiles.' (until that is another copy was found). This titillating, comedic play was performed and written by Pinchon and Maupassant and their friends Octave Mirbeau, Maurice Leloir and others. Pinchon played ?The Toque' , ?The Captain' , a ?Hunchback' , ?An Englishman' and a ?Cesspit emptier' . Maupassant dragged up to play a ? loose woman' under the alias of ?Joseph Prunier'. The moveable depicts a 'salon with Oriental hangings' which is one of the two locations. The other being a brothel parlour in which a double lithographic pair of card curtains open to reveal another lithograph of a man with a huge smile and bearing a huge tumescent penis which is being stroked by one of two women dressed in harem pants and veils (eight assisted with the second performance). Flaubert, the great giant of French letters, saw it and remarked afterwards to Emile Zola that it was 'refreshing' . The eight harem girls included Valtesse de la Bigne and Suzanne Lagier who left be- fore the end (p-241 Saran Alexandrian -Histoire de la Litte?rature E?rotique ,1989) and are known as the great courtesan/model for Zola's ?Nana' and a singer respectively. Nana's inclusion is a case of art imitating life imitating art perhaps. Pierrat notes that Maupassant also named his skiff La Feuille de Rose and that rather ironically perhaps he died in a medical institution in the wealthy Parisian district of Passy, that is today the Turkish Ambassador's seat. 220025.