Robert Vanderbilt (48 results)

Condition: like_new. Fast Free Shipping â" Excellent condition book with clean cover and pages. Barely handled, with minimal wear. An outstanding copy, close to enjoy!

Hardcover. Condition: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condition: Near Fine. 1st Edition. First Edition, First Printing of this Collection of 12 Short Stories. Featured are The Victorian Hangman by Edward D Hoch, The Zenobia Hatt Prize, Somewhere Else by David Pierce, A New Man by William G Tapply, Judgments by Heidi Vanderbilt, The Jury Box by Allen J Hubin, Prodigal Grandson by Elizabeth Byrd, The Problem by JW Whitehead, The Sunday Bird by Maria de Montserrat, The School of Ten Bells by Thomas Adcock, A Good Deed by Robert Barnard and the Dakar Run by Clark Howard. In Near Fine Condition.

SingleIssueMagazine. Condition: Good+ to Very Good-. Vol. 89, No. 5, Whole No. 530. Edited by Eleanor Sullivan. Photo cover of Roseanne Barr. Includes "Nil by Mouth, Inspector Ghote" by H. R. F. Keating; "The Growl" by Billie Sue Mosiman; "The Teddy Bear" by Isaac Asimov; "Case History #15: Melinda" by Tama Janowitz; "Another Bottle of Petrus" by David Freeman; "Taking Care of Miss Mollie" by Nell Lamburn; "Career Move" by D. R. Bensen; "Last Call at the Belly-Up" by Heidi Vanderbilt; "The Only Sure Way" by Jeffry Scott; "Access Violation" by Roger Gallagher; "No Lover of Cats" by Elizabeth W. Burgamy; "The Gypsy Wizard" by Edward D. Hoch; "The Ten-Dollar Bill" by Robert Twohy. Edge nicks and wear; glue-shrink; minor tears; tanning; label ghosts. Book.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Paul Vanderbilt, Photos (illustrator). Octavo, hardcover, gift note on endpaper else VG in lightly edgeworn beige pictorial dj with small chip at top. First edition. 315 pp. Richly illustrated history of Wisconsin. First printing. Book.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Kagan, Abby (jacket design); Henri, Robert (front jacket portrait of Gertrude Vanderbilt Whitney); Nesser, Helaine (front jacket photographs); Carlsen, Leif (author photograph) (illustrator). 1st Edition. Fine unread condition textured maroon boards, dark maroon spine, and gold spine lettering contained in a fine condition non price-clipped photographic and color illustrated dust jacket. Includes Author Dedication; Preliminary Page Quote by Goethe; Preface; Epilogue; Acknowledgments and Index. Illustrated with two sections of black-and-white photographic plates. "Until Gertrude Vanderbilt Whitney opened her studio on Eighth Street in Manhattan in 1914 - which almost two decades later evolved into the Whitney Museum - contemporary American artists had little or no outlet for their work. Throughout the nineteenth century, as America expanded its borders from coast to coast, tilling the land and building industry were far greater priorities for Americans than art. Yet, especially in the latter half of the century, vast fortunes were amassed by many who built themselves extraordinary mansions that cried out to be embellished with works of art. In those days, however, the only palce art was to be found and collected was Europe. American artists more often than not sought inspiration and recognition in Europe. Thus, at the dawn of the new century the relatively few museums and galleries in the United States focused primarily, if not exclusively, on foreign art. It was, therefore, all the more remarkable when Gertrude Vanderbilt Whitney, scion of America's wealthiest family and herself a sculptor, opened her own studio in Greenwich Village for exhibitions of contemporary American artists. After twenty-two years on Eighth Street, the Whitney moved uptown to Fifty-fourth Street next to the Museum of Modern Art. With the Whitney's ever expanding collection and growing attendance, space once again became an issue. When a desirable plot of land was located and purchased on Madison Avenue and Seventy-fifth street in 1964, the famed architect Marcel Breuer was commissioned to build the new Whitney Museum. The imposing granite structure of the Whitney Museum of American Art, as we know it today, opened its doors in 1966 and has become one of America's most prominent cultural institutions. When Gertrude died in 1942, her daughter Flora Miller took over as head of the Whitney. Like her mother, she dedicated her all - her time and fortune - to the museum. In 1977, the third generation Whitney woman, Flora Biddle, Gertrude Vanderbilt Whitney's granddaughter, became president. As time went on, the size and scope of the Whitney and its increasing financial demands led it to pass from a family-run museum to a trustee-run business. The Whitney Women and the Museum They Made is a tale in which high ideals, extraordinary altruism, and great dedication increasingly come face to face with large egos, big business, intrigue, and the harsh realities of today's world. Flora Biddle's sensitive and insightful memoir is, despite all these obstacles and problems, a success story of three generations of forceful, indomitable women." - from the inner front and rear jacket flaps.

Paperback. Condition: Very Good. No other edition offers extensive textual apparatus such as explanatory notes, plot summaries, particularly vital as stories are complex and interwoven. The Sultan Schahriar's misguided resolution to shelter himself from the possible infidelities on his wives leads to an outbreak of barbarity in his kingdoms and a reign of terror in his court, stopped only by the resourceful Scheherazade. The tales with which Scheherazade nightly postpones the muderous intent of the sultan have entered our language and our lives like no other collection of narratives before or since. Sinbad, Aladdin, Ali Baba: all make their spectacular entrance on to the stage of English literary history in the Arabian Nights Entertainments (1704-17). The stories contained in this `store house of ingenious fiction' initiate a pattern of literary reference and influence which today remains as powerful and intense as it was throughout the eighteenth and nineteenth centuries. This edition reproduces in its entirety the earliest English translation of the French orientalist Antoine Galland's Mille et une Nuits. This remained for over a century the only English translation of the story cycle, influencing an incalculable number of writers, and no other edition offers the complete text supplemented by full textual apparatus. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condition: Brand New. 1st edition. 208 pages. 9.50x8.50x1.00 inches. In Stock.

Paperback. Condition: Good. Has some light general reading/shelfwear - otherwise this is a clean, tight copy. Quick dispatch from the UK. Book.

Soft cover. Condition: Near Fine. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. Photographs by Edward Weston. Edited by Peter C. Bunnell and David Featherstone. Essays by Robert Adams, Amy Conger, Andy Grundberg, Therese Thau Heyman, Estelle Jussim, Alan Trachtenberg, Paul Vanderbilt, Mike Weaver and Charis Wilson. Includes notes on the contributors. Designed by Desne Border. 144 pp., with numerous black-and-white illustrations. 9-1/2 x 7-1/2 inches. Near Fine (light wear to the extremities; former owner's name in ink on inside front cover, else Fine).

Soft cover. Condition: Near Fine. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. Photographs by Edward Weston. Edited by Peter C. Bunnell and David Featherstone. Essays by Robert Adams, Amy Conger, Andy Grundberg, Therese Thau Heyman, Estelle Jussim, Alan Trachtenberg, Paul Vanderbilt, Mike Weaver and Charis Wilson. Includes notes on the contributors. Designed by Desne Border. 144 pp., with numerous black-and-white illustrations. 9-1/2 x 7-1/2 inches. Near Fine (light wear to the extremities; interior bright and clean).

The story of "Vanderbilt" Brown, who spent 3 years as a POW in Japanese camps during WWII. This is a stated First Edition copy; red cloth over boards. The copy has been read but is in excellent condition with no markings or tears. Dust jacket has some fading on the spine and edge-wear and small tears along the edges, but is fully intact. This is a great copy for a collector.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Paperback. Condition: New. In shrink wrap. Looks like an interesting title!

1st edition, hardback, 8vo, 126pp, owner's bookplate of Richard Sachs, inscription on endpaper from the editor ('Johnnie'), otherwise clean and sound, Very Good / Very Good dustwrapper.

Condition: Gut. 1. Aufl. 480 S. Innerhalb Deutschlands Versand je nach Größe/Gewicht als Großbrief bzw. Bücher- und Warensendung mit der Post oder per DHL. Rechnung mit MwSt.-Ausweis liegt jeder Lieferung bei. Sprache: Deutsch Gewicht in Gramm: 721 Gebundene Ausgabe, Maße: 14.6 cm x 4.4 cm x 21.4 cm.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. SIGNED First Edition Hardcover- red cloth w/ black stamped spine- in FINE Condition in FINE Dustjacket. SIGNED on front free endpaper by Robert E. Simon, Jr (1914-2015), real estate entrepreneur best known for developing Reston Town Center. NOT personalized or inscribed. Other than Mr. Simon's signature, INTERIOR PRISTINE: clean, tight, bright, an unread copy. Suitable for gifting, collection or archive. Carefully shipped. Signed by Author(s).

Soft cover. Condition: Very Good. 1st Edition. Plates And Text. Brown Wrappers. Covers Dusty, Some Wear, 1" Of Spine Chipped Away At Bottom; Ownership Signature Of California Photographer And Artist Robert Hawley. Worldcat Shows Two Institutional Holdings.

Hardcover. Condition: Good. Dust Jacket Condition: Fair. First Edition. Hard cover is bumped to spine ends and has very small indent to bottom edge. DJ is sunned to spine edge, it has edgewear with small tears. Don Permenter has dedicated and signed on the FEP. 203 pages. Seller Ref: M13015. Signed by Don Permenter.

Condition: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Many rational people shudder at what passed for critical discourse in the 2016 U.S. elections. In this timely 2nd Edition of Why We Argue (and How We Should): A Guide to Political Disagreement in an Age of Unreason, Scott Aikin and Robert Talisse double-down on their call for the necessity of proper argumentation, for one's own cognitive health and for the health of democracy. The lively style that ran through the 1st Edition is retained in the 2nd, with examples drawn from Trump, Clinton, their spokespeople, and other candidates. Other updates to the 2nd Edition include an augmented chapter on online discourse, a new chapter on televised debate, expanded "For Further Thought" sections, and a more robust companion website.

Buch. Condition: Neu. Neuware - In this novel approach to law and literature, Robert Barsky delves into the canon of so-called Great Books, and discovers that many beloved characters therein encounter obstacles similar to those faced by contemporary refugees and undocumented persons. The struggles of Odysseus, Moses, Aeneas, Dante, Satan, Dracula and Alice in Wonderland, among many others, provide surprising insights into current discussions about those who have left untenable situations in their home countries in search of legal protection. Law students, lawyers, social scientists, literary scholars and general readers who are interested in learning about international refugee law and immigration regulations in home and host countries will find herein a plethora of details about border crossings, including those undertaken to flee pandemics, civil unrest, racism, intolerance, war, forced marriage, or limited opportunities in their home countries.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. Full Page Photographic Plates Throughout (illustrator). First Edition. 137 Pp. Blue Cloth Stamped In Silver. First Edition. One Of 1000 Copies Designed By Richard Ellis And Published Under His Supervision At The Haddon Craftsmen Press, And Signed By Ellis On The Colophon. Additionally, With A Long Inscription By Ellis To Robert Hathaway, Also Signed By Ellis, And With Robert "Bob" Hathaway's Calligraphic Ownership Information On Front Pastedown. Lightly Used Book, No Damage Or Fraying. Except Two Short Tears To Last Page . Dj Worn At Edges With Short Splits At Spine And Flap Folds. Richard Williamson Ellis Was Born In Washington, D.C., In 1895. After Being Introduced To And Inspired By The Acclaimed Typographer, Bruce Rogers, Ellis Began Collecting The Books Of Master Printers, As Wells As Their Letters, Pamphlets, Ephemera, Broadsides, And Proofs. In 1924, Ellis Launched His Own Press, The Georgian Press, Initially Located On Fifth Avenue In New York. In 1927, Ellis Moved The Georgian Press To A Renovated Barn In Westport, Connecticut, Where He Stayed Until 1933. Ellis Printed Some Fifty Books. Although Some Of Them Carried His Own Imprint, The Majority Of Books Produced At Georgian Were Printed For Publishers And Private Collectors. At Georgian Press, Ellis Became Associated With Many Of The Famous Printers, Publishing Houses, Bookshops, And Private Collectors Of The Day Such As Cheshire House, Random House, Rimington And Hooper, And Doubleday, Doran And Company. In 1930, Ellis First Collaborated With The Limited Edition Book Club, With Whom He Would Establish A Lifelong Relationship. Despite Ellis' Artistic Success And Fame At Georgian Press, Financial Difficulties Exacerbated By The Depression Forced Ellis To Close His Business And Sell The Press In 1933 To George Macy, Founder Of The Limited Edition Book Club And The Heritage Club. In 1935, He And His Wife Esther Moved To Camden, New Jersey, Where Ellis Took A Position With Haddon Craftsmen. Ellis' Time At Haddon Craftsmen Ended In 1942. From 1942 To 1944 He Worked For Kingsport Press In Kingsport, Tennessee. In 1945, Ellis Moved To New York As A Consulting Book Printer. Ellis Worked At Curtis Publishing In Philadelphia From 1947 To 1956 Working On The Firm's Popular Magazines, The Saturday Evening Post, Ladies' Home Journal, Country Gentlemen, Jack And Jill, And Holiday. After Leaving Curtis, Ellis Once Again Struck Out On His Own. Ellis' Final Work Was Commissioned By The Free Library Of Philadelphia And Was Completed While Ellis Was In His Eighties: Pennsylvania German Fraktur Of The Free Library Of Philadelphia. Publication Of The Book Marked The End Of A Sixty-Year Career In Book Designing And Printing. During His Lengthy Career, Ellis Gained Recognition Amongst His New York And Philadelphia Colleagues As A Master Of Fine Printing. Ellis Died On October 9, 1982, In Philadelphia. Signed by Illustrator(s).

hardcover. Condition: Sehr gut. 1. Aufl. 480 Seiten Warum ereignen sich die meisten Unfälle an sonnigen, trockenen Tagen? Warum geht es auf der anderen Spur immer schneller? Sollten Frauen grundsätzlich Vorfahrt haben? Was wir schon immer über das Autofahren wissen wollten - dieses Buch gibt Auskunft. Wir verbringen mehr Zeit im Straßenverkehr als am Esstisch. Wir geben mehr Geld fürs Autofahren aus als für unsere Nahrung. Und schon 1902 stellte die 'New York Times' fest, dass Verkehrstote längst zu alltäglichen Vorfällen mit nur geringem Nachrichtenwert geworden sind. 'Der Straßenverkehr ist uns so vertraut geworden, dass wir ihn gar nicht mehr wahrnehmen.' Basierend auf neuesten Studien aus Psychologie, Soziologie, Neurologie und Medizin sowie Interviews mit Verkehrsexperten aus der ganzen Welt zeichnet Vanderbilt das zum Teil verblüffende Bild einer Parallelwelt auf unseren Straßen - lehrreich, unterhaltend, erschreckend und amüsant zugleich. Ein Muss für jeden, der das Haus verlässt. 9783455500356 Wir verkaufen nur, was wir auch selbst lesen würden. Sprache: Deutsch Gewicht in Gramm: 715.