Robert William Rix (18 results)

Paperback. Condition: New. In late eighteenth- and early nineteenth-century British literature, Scandinavia emerged as a setting for Gothic terror. This book explores the extensive use of Nordic superstition as it provided a vocabulary for Gothic texts, examining the cultural significance these references held for writers exploring Britain's northern heritage. In Gothic publications, Nordic superstition sometimes parallels the representations of Catholicism, allowing writers to gloat at its phantasms and delusions. Thus, runic spells, incantations, and necromantic communications (of which Norse tradition afforded many examples) could replace practices usually assigned to Catholic superstition. Yet Nordic lore did more than merely supplant hackneyed Gothic formulas; it presented readers with an alternative conception of 'Otherness'. Nordic texts-chiefly based on the Edda and the supernatural Scandinavian ballad tradition-were seen as pre-Christian beliefs of the Gothic (i.e., Germanic) peoples, including the Anglo-Saxons. The book traces the development of this Nordic Gothic, situating it within wider literary, historical, political, and cultural contexts.A significant context explored in the book is the conflict between the respective supporters of Celtic and Germanic heritage in the British Isles. The critical interventions of the Hugh Blair, John Pinkerton, Thomas Percy and others are important for understanding the role Norse tradition came to play. Among supporters of the Gothic/Germanic past, the Norse ancestors' undaunted confrontation with fear was hailed as a testament to the bravery and boldness of the race. In turn, the terror discovered in Norse tradition was made to do cultural work as an ethno-political intervention in favour of Anglo-Saxon heritage in Britain. Another context for the Nordic imaginary is the commercial book market. British writers often teetered between approaching Nordic superstition with genuine antiquarian interest and exploiting it for the shock effects it afforded. With respect to the dual investment in Nordic material, a central focus is the Danish ballad material included in Matthew Gregory Lewis' The Monk and his Tales of Wonder. Other writers who are discussed include Thomas Gray, Thomas James Mathias, William Wordsworth, Anna Seward, Walter Scott, and Ann Radcliffe. The book will also introduce readers to lesser-known authors.

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Paperback or Softback. Condition: New. Nordic Terrors: Scandinavian Superstition in British Gothic Literature. Book.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. In late eighteenth- and early nineteenth-century British literature, Scandinavia emerged as a setting for Gothic terror. This book explores the extensive use of Nordic superstition as it provided a vocabulary for Gothic texts, examining the cultural significance these references held for writers exploring Britain's northern heritage. In Gothic publications, Nordic superstition sometimes parallels the representations of Catholicism, allowing writers to gloat at its phantasms and delusions. Thus, runic spells, incantations, and necromantic communications (of which Norse tradition afforded many examples) could replace practices usually assigned to Catholic superstition. Yet Nordic lore did more than merely supplant hackneyed Gothic formulas; it presented readers with an alternative conception of 'Otherness'. Nordic texts-chiefly based on the Edda and the supernatural Scandinavian ballad tradition-were seen as pre-Christian beliefs of the Gothic (i.e., Germanic) peoples, including the Anglo-Saxons. The book traces the development of this Nordic Gothic, situating it within wider literary, historical, political, and cultural contexts.A significant context explored in the book is the conflict between the respective supporters of Celtic and Germanic heritage in the British Isles. The critical interventions of the Hugh Blair, John Pinkerton, Thomas Percy and others are important for understanding the role Norse tradition came to play. Among supporters of the Gothic/Germanic past, the Norse ancestors' undaunted confrontation with fear was hailed as a testament to the bravery and boldness of the race. In turn, the terror discovered in Norse tradition was made to do cultural work as an ethno-political intervention in favour of Anglo-Saxon heritage in Britain. Another context for the Nordic imaginary is the commercial book market. British writers often teetered between approaching Nordic superstition with genuine antiquarian interest and exploiting it for the shock effects it afforded. With respect to the dual investment in Nordic material, a central focus is the Danish ballad material included in Matthew Gregory Lewis' The Monk and his Tales of Wonder. Other writers who are discussed include Thomas Gray, Thomas James Mathias, William Wordsworth, Anna Seward, Walter Scott, and Ann Radcliffe. The book will also introduce readers to lesser-known authors.

Paperback. Condition: new. Paperback. In late eighteenth- and early nineteenth-century British literature, Scandinavia emerged as a place where Gothic terror took place. This book explores the extensive use of Nordic superstition in providing a vocabulary for Gothic texts as well as the cultural significance it had for writers attempting to understand Britain's northern roots. In Gothic publications, Nordic superstition sometimes parallels the representations of Catholicism, allowing writers to gloat at its phantasms and delusions. Thus, the casting of runes, runic spells and incantations, and necromantic communications (of which Norse tradition afforded many examples) could replace practices usually assigned to Catholic superstition. On terms of its cultural importance, however, Nordic lore did more than just fill in for hackneyed Gothic formulas. It is a key argument in the book that Nordic superstition presented less of an abject 'Other'. Nordic texts (primarily excerpts from the Edda and supernatural Scandinavian ballads) were seen as examples of the pre-Christian beliefs of what was known as the 'Gothic' (i.e., Germanic) peoples, which included the Anglo-Saxons. The book will trace the development of what can be called 'Gothic Gothicism' and situate this mode of writing in its wider literary, historical, political, and cultural contexts. In late eighteenth- and early nineteenth-century British literature, Scandinavia emerged as a setting for Gothic terror. This book explores the extensive use of Nordic superstition as it provided a vocabulary for Gothic texts, examining the cultural significance these references held for writers exploring Britain's northern heritage. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Paperback. Condition: New. In late eighteenth- and early nineteenth-century British literature, Scandinavia emerged as a setting for Gothic terror. This book explores the extensive use of Nordic superstition as it provided a vocabulary for Gothic texts, examining the cultural significance these references held for writers exploring Britain's northern heritage. In Gothic publications, Nordic superstition sometimes parallels the representations of Catholicism, allowing writers to gloat at its phantasms and delusions. Thus, runic spells, incantations, and necromantic communications (of which Norse tradition afforded many examples) could replace practices usually assigned to Catholic superstition. Yet Nordic lore did more than merely supplant hackneyed Gothic formulas; it presented readers with an alternative conception of 'Otherness'. Nordic texts-chiefly based on the Edda and the supernatural Scandinavian ballad tradition-were seen as pre-Christian beliefs of the Gothic (i.e., Germanic) peoples, including the Anglo-Saxons. The book traces the development of this Nordic Gothic, situating it within wider literary, historical, political, and cultural contexts.A significant context explored in the book is the conflict between the respective supporters of Celtic and Germanic heritage in the British Isles. The critical interventions of the Hugh Blair, John Pinkerton, Thomas Percy and others are important for understanding the role Norse tradition came to play. Among supporters of the Gothic/Germanic past, the Norse ancestors' undaunted confrontation with fear was hailed as a testament to the bravery and boldness of the race. In turn, the terror discovered in Norse tradition was made to do cultural work as an ethno-political intervention in favour of Anglo-Saxon heritage in Britain. Another context for the Nordic imaginary is the commercial book market. British writers often teetered between approaching Nordic superstition with genuine antiquarian interest and exploiting it for the shock effects it afforded. With respect to the dual investment in Nordic material, a central focus is the Danish ballad material included in Matthew Gregory Lewis' The Monk and his Tales of Wonder. Other writers who are discussed include Thomas Gray, Thomas James Mathias, William Wordsworth, Anna Seward, Walter Scott, and Ann Radcliffe. The book will also introduce readers to lesser-known authors.

Paperback. Condition: new. Paperback. In late eighteenth- and early nineteenth-century British literature, Scandinavia emerged as a place where Gothic terror took place. This book explores the extensive use of Nordic superstition in providing a vocabulary for Gothic texts as well as the cultural significance it had for writers attempting to understand Britain's northern roots. In Gothic publications, Nordic superstition sometimes parallels the representations of Catholicism, allowing writers to gloat at its phantasms and delusions. Thus, the casting of runes, runic spells and incantations, and necromantic communications (of which Norse tradition afforded many examples) could replace practices usually assigned to Catholic superstition. On terms of its cultural importance, however, Nordic lore did more than just fill in for hackneyed Gothic formulas. It is a key argument in the book that Nordic superstition presented less of an abject 'Other'. Nordic texts (primarily excerpts from the Edda and supernatural Scandinavian ballads) were seen as examples of the pre-Christian beliefs of what was known as the 'Gothic' (i.e., Germanic) peoples, which included the Anglo-Saxons. The book will trace the development of what can be called 'Gothic Gothicism' and situate this mode of writing in its wider literary, historical, political, and cultural contexts. In late eighteenth- and early nineteenth-century British literature, Scandinavia emerged as a setting for Gothic terror. This book explores the extensive use of Nordic superstition as it provided a vocabulary for Gothic texts, examining the cultural significance these references held for writers exploring Britain's northern heritage. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condition: New. In late eighteenth- and early nineteenth-century British literature, Scandinavia emerged as a setting for Gothic terror. This book explores the extensive use of Nordic superstition as it provided a vocabulary for Gothic texts, examining the cultural significance these references held for writers exploring Britain's northern heritage. In Gothic publications, Nordic superstition sometimes parallels the representations of Catholicism, allowing writers to gloat at its phantasms and delusions. Thus, runic spells, incantations, and necromantic communications (of which Norse tradition afforded many examples) could replace practices usually assigned to Catholic superstition. Yet Nordic lore did more than merely supplant hackneyed Gothic formulas; it presented readers with an alternative conception of 'Otherness'. Nordic texts-chiefly based on the Edda and the supernatural Scandinavian ballad tradition-were seen as pre-Christian beliefs of the Gothic (i.e., Germanic) peoples, including the Anglo-Saxons. The book traces the development of this Nordic Gothic, situating it within wider literary, historical, political, and cultural contexts.A significant context explored in the book is the conflict between the respective supporters of Celtic and Germanic heritage in the British Isles. The critical interventions of the Hugh Blair, John Pinkerton, Thomas Percy and others are important for understanding the role Norse tradition came to play. Among supporters of the Gothic/Germanic past, the Norse ancestors' undaunted confrontation with fear was hailed as a testament to the bravery and boldness of the race. In turn, the terror discovered in Norse tradition was made to do cultural work as an ethno-political intervention in favour of Anglo-Saxon heritage in Britain. Another context for the Nordic imaginary is the commercial book market. British writers often teetered between approaching Nordic superstition with genuine antiquarian interest and exploiting it for the shock effects it afforded. With respect to the dual investment in Nordic material, a central focus is the Danish ballad material included in Matthew Gregory Lewis' The Monk and his Tales of Wonder. Other writers who are discussed include Thomas Gray, Thomas James Mathias, William Wordsworth, Anna Seward, Walter Scott, and Ann Radcliffe. The book will also introduce readers to lesser-known authors.

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Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In late eighteenth- and early nineteenth-century British literature, Scandinavia emerged as a setting for Gothic terror. This book explores the extensive use of Nordic superstition as it provided a vocabulary for Gothic texts, examining the cultural significance these references held for writers exploring Britain's northern heritage.

Taschenbuch. Condition: Neu. Nordic Terrors | Scandinavian Superstition in British Gothic Literature | Robert William Rix | Taschenbuch | Englisch | 2024 | Anthem Press | EAN 9781839990458 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.