Roberto Matta Echaurren (21 results)

Condition: Good. Good condition. German. (sculptures, art, exhibitions) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Condition: New. No Jacket. 1st Edition. First edition 1997. Published in conjunction with the exhibition by Boca Raton Museum of Art. Large softcover without DJ as issued. Condition as new, square, tight and clean book, no edgewear, corners not bumped, spine not creased, no names, no underlinings, no highlights, no bent page corners, not a reminder. Oblong folio, 40 pages, illustrated throughout.…

Paperback. Condition: Good. Book shows some shelf & handling wear, including minor edge wear and cover scuffing. Pages are slightly worn. Interiors are intact with unmarked text/pictures. Good reading copy.

Vintage catalog for an exhibition held from April 16 through May 5, 1951, at Sidney Janis Gallery in New York. Single leaf, folded twice to make four pages. Near Fine.

softcover. Condition: Collectible; Very Good. First Edition; First Printing. 21 full page color plates plus text Illustrations. Introduction in English by Alain Sayag. Published on the occasion of the exhibition at Jeffrey H. Loria & Co and at Maxwell Davidson Gallery, March 25- April 26, 1997. ; Tight, clean and crisp. A hint of light shelf wear to wraps, otherwise in Very Good condition. No inscriptions. No remainder mark. Not ex-library. …

Softcover. Condition: Gut. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, kaum Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, few traces of use. L1010 Sprache: Deutsch Gewicht in Gramm: 200.

hardcover. Condition: Gut. 88 Seiten; 9780933856714.3 Gewicht in Gramm: 1.

524 pp.; 24.5 x 20 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Museen der Stadt, Köln, Germany, May 20 - August 16, 1981. Texts by Laszlo Glozer, Hugo Borger, Karl Ruhrberg, and Kasper Koenig. Artists include Laszlo Glozer, Hugo Borger, Karl Ruhrberg, Kasper Koenig, Georges Roualt, Marc Chagall, Oskar Kokoschka, Man Ray, Salvador Dali, Yves Tanguy, Constantin Brancusi, Otto Freundlich, Henry Moore, Max Beckmann, Oskar Schlemmer, Paul Klee, Julius Bissier, Fritz Winter, Kurt Schwitters, Wassily Kandinsky, Georges Vantongerloo, Jean Arp, Alberto Magnelli, Sophie Taeuber-Arp, Max Bill, Richard Paul Lohse, Camille Graeser, Julio Gonzalez, Henri Laurens, Pablo Picasso, Piet Mondrian, Joan Miró, Alexander Calder, Fernand Léger, Stuart Davis, László Moholy-Nagy, Max Ernst, Marcel Duchamp, André Masson, Roberto Echaurren Matta, Wilfredo Lam, Mark Tobey, Robert Motherwell, Arshile Gorky, Joseph Cornell, Giorgio de Chirico, Giorgio Morandi, Ivan Le Lorraine Albright, Eugene Berman, Paul Delvaux, Horace Pippin, Abraham Rattner, Stanley Spencer, Dorothea Tanning, Hans Bellmer, Balthus, Jean Hélion, Georges Braque, Jean Fautrier, Jean Dubuffet, Antonin Artaud, Henri Michaux, Alberto Giacometti, Wols (Wolfgang Schulze), Francis Picabia, René Magritte, Karel Appel, Constant (Constant Nieuwenhuys), Henry Heerup, Carl-Henning Pedersen, Willi Baumeister, Werner Heldt, Ernst Wilhelm Nay, Hans Hartung, Lucio Fontana, Jackson Pollock, David Smith, Clyfford Still, Barnett Newman, Henri Matisse, Bram Van Velde, Jean Bazaine, Serge Poliakoff, Maria Helena Veira da Silva, Nicolas De Staël, Pierre Soulages, Jean-Paul Riopelle, Sam Francis, Georges Mathieu, César Domela, Fritz Glarner, Josef Albers, Auguste Herbin, Ellsworth Kelly, Norbert Kricke, Reg Butler, Lynn Chadwick, Pietro Consagra, Etienne Martin, Herbert Ferber, Bernhard Heiliger, Barbara Hepworth, Berto Lardera, Luciano Minguzzi, Mirko (Mirko Basaldella), Eduardo Paolozzi, Theodore Roszak, Nicolas Schoeffer, Hans Uhlmann, Alberto Burri, Giuseppe Capogrossi, Emilio Vedova, K.R.H. Sonderborg, Karl Otto Götz, Bernard Schultze, Emil Schumacher, Francis Bacon, Germaine Richier, Asger Jorn, Hans Hofmann, Franz Kline, Willem de Kooning, Arnulf Rainer, Antonio Saura, Antoni Tapies, Eduardo Chillida, Mark Rothko, Cy Twombly, Edward Hopper, Jasper Johns, Robert Rauschenberg, Richard Hamilton, Bernard Réquichot, Raymond Hains, Jacques Mahé de la Villéglé, François Dufrene, Yves Klein, Arman (Armand Fernandez), Christo, Jean Tinguely, Niki de Saint-Phalle, Daniel Spoerri, Mimmo Rotella, Piero Manzoni, Jan J. Schoonhoven, Heinz Mack, Otto Piene, Günther Uecker, Jesus-Raphael Soto, Gotthard Graubner, Yaakov Agam (Jacob Gipstein), Pol Bury, Frank Joseph Malina, Paul Talman, Diter Rot [Dieter Roth], Diter Rot [Dieter Roth], John Cage, George Brecht, Wolf Vostell, Robert Filliou, Nam June Paik, Allan Kaprow, Jim Dine, George Segal, Claes Oldenburg, Ad Reinhardt, Frank Stella, Kenneth Noland, Morris Louis, Roy Lichtenstein, John Chamberlain, James Rosenquist, Mark di Suvero, Andy Warhol, Robert Morris, Donald Judd, Dan Flavin, Robert Ryman, Agnes Martin, Larry Poons, Sol LeWitt, Carl Andre, Paul Thek, Horace Clifford Westermann, Richard Artschwager, Edward Kienholz, Öyvind Fahlström, William N. Copley, Georg Baselitz, Frank Auerbach, David Hockney, Larry Bell, John McCracken, Edward Ruscha, Bruce Nauman, John Baldessari, Hermann Nitsch, Günter Brus, Otto Muehl, Joseph Beuys, Sigmar Polke, Gerhard Richter, A.R. Penck [Ralf Winkler], Jörg Immendorff, Blinky Palermo, Ulrich Rückriem, Richard Tuttle, Salon de la Jeune Peinture, Walter de Maria, Richard Long, Michael Heizer, Jan Dibbets, Robert Smithson, Michelangelo Pistoletto, Pino Pascali, Pier Paolo Calzolari, Mario Merz, Luciano Fabro, Jannis Kounellis, Giulio Paolini, Giuseppe Penone, Giovanni Anselmo, James Lee Byars, Franz Erhard Walther, Gilbert & George, Robert Barry, Douglas Huebler, Joseph Kosuth, Lawrence Weiner, On Kawara, Panamarenko, Jean Le Gac, Christian Boltanski, Daniel Buren, Malcolm Morley, Hanne Darboven, Richard Serra, Reiner Ruthenbeck, Eva Hesse, Vito Acconci, Dan Graham and Marcel Broodthaers. Includes exhibition checklist and index of illustrations. Text in German. Good. Yellowing and dusting of covers, rubbing of cover edges, and bumping of bottom edge of recto. Dust soiling to text block edge, contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders. …

Condition: good. A good reading copy. May contain markings or be a withdrawn library copy.

Condition: Very Good.

Condition: gut. 2002. Matta in America: Paintings and Drawings of the 1940s In englischer Sprache. pages.

Condition: Good. 8vo. Single, tri-folded glossy print. Very Good, very minor marking and creasing. Color plates. Provenance: from the Estate of Judy Stone (1924 -2017), The San Francisco Chronicle's movie critic who for two decades was a passionate and articulate advocate for the world of cinema outside Hollywood. Judy Stone started at the San Francisco Chronicle in 1961, putting in 10 years as editor of the Datebook section. She began reviewing films for the paper in 1971, favoring arthouse films. She was the youngest of four politically minded children whose eldest brother was the great reporter and gadfly I. F. Stone.She won the Novikoff Award given for "enhancing the public's appreciation of world cinema." Among her publications are "The Mystery of B. Traven" and "Eye on the World," a collection of her interviews with filmmakers from the 1960s to the 1990s.…

30 x 13 cm. Condition: Gut. 6 Blatt Softcover, Broschur in gutem Zustand. Außen mit nur leichten Lager- oder Gebrauchspuren innen tadellos. Bitte beachten Sie unsere Bilder. Daniel Cordier MBE (* 10. August 1920 in Bordeaux; + 20. November 2020 in Cannes) war ein französischer Widerstandskämpfer, Kunsthändler, Historiker und Autor. Im November 1956 eröffnete Cordier im achten Pariser Arrondissement seine erste Galerie und arbeitete fortan als Kunsthändler. Nach einer ersten Ausstellung zu Claude Viseux stellte er gemeinsam mit Jean Dewasne, Jean Dubuffet und Roberto Matta aus. Acht Jahre lang stellte er viele Künstler aus, von denen er etliche selbst entdeckt hatte und unterstützte. 1964 musste er die Galerie schließen; aus wirtschaftlichen Gründen und wegen des mangelnden Interesses an zeitgenössischer Kunst in Frankreich. Cordier betrieb zwischen 1959 und 1963 auch in Frankfurt am Main eine Galerie, in der Taunusanlage 21; er stellte dort u. a. aus: Carl Buchheister, Dado, Karl Otto Götz, Roberto Matta, Henri Michaux, Manolo Millares, Louise Nevelson und Bernard Schultze. Ab 1964 organisierte Cordier große Ausstellungen. PG-O164 Sprache: Deutsch Gewicht in Gramm: 45 Auflage 1000 Exemplare hier die Nummer 80. …

Condition: Near Fine. First Edition. First Edition. Square octavo. Exhibition catalogue from Matta's 1956 show at Chicago's Allan Frumkin Gallery, introduced by poetic text from Matta on the body and games. Contents: [12] pages, reproducing 9 of Matta's drawings (b&w) and concluding with descriptive catalog of 27 exhibited works. Red wrappers crisp and clean, with small stain to final page; a near fine copy of an uncommon catalogue.…

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Couverture souple. Condition: Neuf. Dust Jacket Condition: Neuf. prima edizione. Matta. Roberto Sebastian Matta, Gordon Matta-Clark, Pablo Echaurren. Ediz. italiana e inglese a cura di Danilo Eccher Editore: Italy: Silvana Editoriale (2013) ISBN 10: 8836626556 ISBN 13: 9788836626557 Nuovi Brossura Quantità: 1 Prezzo: EUR 84,00 Descrizione libro: Italy: Silvana Editoriale, 2013. Brossura. Condizione libro: nuovo. Il volume, edito in occasione della 55° Biennale di Venezia, è dedicato all'opera dei Matta, una famiglia di artisti che, con Roberto Sebastian Matta e suoi figli Gordon Matta-Clark e Pablo Echaurren Matta, ha segnato mezzo secolo di storia dell'arte, tra Francia, gli Stati Uniti e l'Italia. Roberto Sebastian Matta (Santiago del Cile, 1911 - Civitavecchia, 2002) è stato una figura storica del Novecento: con le sue tele e le sue sculture ha preso parte al Surrealismo e influenzato gli artisti americani dell'Espressionismo Astratto. I suoi due figli si sono affermati nel panorama artistico contemporaneo attraverso linguaggi espressivi profondamente diversi: di Gordon Matta- Clark (New York, 1943-1978) si ricordano i - gli edifici tagliati -, mentre le tele di Pablo Echaurren Matta (Roma, 1951) nell'utilizzare formule che rimandano alla cultura di massa, inducono a riflettere criticamente sulla società dei consumi. Il saggio di Danilo Eccher propone una lettura critica dell'opera dei tre artisti, condotta attraverso le generazioni, il tempo e la geografia. Autore/i a cura di / edited by Danilo Eccher Editore Silvana Editoriale Luogo Milano Anno 2013 Pagine 192 Misura 23x28 (cm) Illustrazioni 105 ill. a colori - 105 color ills Legatura brossura olandese - paperback Conservazione nuovo - new Lingua italiano/inglese - Italian/English Peso 1400 (gr) ISBN 8836626556 EAN-13 9788836626557. - Lnaguage : English and Italian text Size: 230 x 280 Mm.…

Paperback. Condition: new. New Copy. Customer Service Guaranteed.

senza rilegatura. Condition: ottimo. Litografia a 5 colori misure: cm 89x66 Pittore e architetto cileno. Di famiglia benestante si laurea nel 1931 in architettura presso l'università di Santiago del Cile. Nel '34 si trasferisce a Parigi dove collabora con Le Corbusier (La Chaux-de-Fonds 1887 - Roccabruna 1965). Con Andrè Breton e Salvator Dalì si unisce al gruppo del Surrealismo sviluppando un suo modus operandi nel quale forme spesso astratte creano composizioni cariche di immaginazione. I suoi primi lavori hanno titoli quali: Morfologie Psicologiche o Inscape. Successivamente parte per Londra per lavorare con Walter Gropius (Berlino 1883 - Boston 1969) e qui entra in contatto con Henry Moore (Castleford 1898 - Much Hadham 1986) e René Magritte (Lessines 1898 - Bruxelles 1967). Durante la Seconda Guerra Mondiale è a New York. Nel 1949 è a Roma, viaggia spesso tra la Francia e l'Italia, a Tarquinia dove trasforma un convento nell'Autoapocalipse, una casa realizzata riciclando scarti di vecchie automobili. Tiratura a 99 esemplari. Firma a matita in basso a destra, esemplare n 13/99. Ottima impressione stampata su foglio con filigrana Arches France. Ampi margini. Al verso tracce di vecchio montaggio altrimenti perfetto stato di conservazione. Bibliografia: Roland Sabatier, Matta catalogue raisonné de l'oeuvre grave (1943-1974), Ed Sonet, 1975; Germana Ferrari, Matta index dell'opera grafica 1969-1980, Roma, Staderini, 1980. …

Sin Encuadernar. Condition: Muy bien. Bello grabado firmado y numerado a lápiz por Matta (44/175). Sin título y sin fechar. Medidas: 27,5x45 (apaisado). Buen estado. Firmado por el autor.

Lausanne: Editions Meyer, 1962. In-fol. en feuilles sous chemise et étui: 39.5 x 47 cm, 62-[1] pp. Texte inédit illustré de 22 eaux-fortes originales du peintre surréaliste d'origine chilienne Roberto S. Matta (1911-2002) dont 16 en couleurs, toutes signées au crayon par l'artiste, parmi lesquels trois sont tirées à double page et 10 à pleine page. Edition originale tirée à seulement 125 exemplaires. Celui-ci, un des 80 sur vélin de Rives (no. 35). Chemise en toile grise, étui assorti, étiquette de titre au dos. A l'état de neuf.…