Robin Byrd (6 results)

GAM. Condition: Brand New. brdgm edition. 160 pages. 10.00x7.00x0.79 inches. In Stock.

Kartoniert / Broschiert. Condition: New. Explores photography s influence on our perception of the world Engagemes with the power of visual narratives Exhibitions and events on the topic Explores photography s influence on our perception of the world Engagemes with the power of visual narrat.

Kartoniert / Broschiert. Condition: New. Bedeutung der Fotografie fuer unsere Wahrnehmung der Welt Kritisches Hinterfragen visueller Narrative Zahlreiche Ausstellungen und Veranstaltungen zum Thema Bedeutung der Fotografie fuer unsere Wahrnehmung der Welt Kritisches Hinterfragen visueller Narr.

Condition: New. Klappentext Danger Zones details 35 different urban backdrops for your Mutants & Masterminds campaign. These ready-to-use locations range from city staples like the bank, coffee shop, and hotel to more colorful sites like the amusement p.

Condition: Good. Signature by Robin Byrd, using her well-known turn of phrase: "To Tim, "Baby, Bang My Box", Love Always, Robin Byrd" [photo 1]. Signed at opening reception for a new gallery in NYC's Soho, 1991, where Miss Bird taped a segment for her NYC Public Access Cable show. Included is a postcard invite to the exhibition [photo 4]. PROVENANCE: During the event (which I catered) I said I'd like her autograph but had nothing to sign - she grabbed the first piece of paper she saw, an entry form for a juried exhibition [photo 2 and 3]. So here's Robin Byrd's signature on the back of a solicitation for "Fine art of the male form". CONDITION: Legal-size copier paper, folded and pinned up in my studio for quite a few years. The part with her signature is tanned, but not much more than any 35-year-old copier paper would be. MORE INFO: If you want to read more about Robin Byrd, check out The Hollywood Reporters' story on the new HBO documentary - it paints a vivid (and rather sweet) picture of the woman described by The New York Times as "a kitsch lady liberty for the city that never sleeps".

[2] pp.; 56 x 21.5 cm.; duotone; edition size unknown; unsigned and unnumbered; offset-printed Double sided oversized flyer / poster / calendar for Yam Festival events presented at Smolin Gallery, New York, May 1 - 31, 1963. Design credited to George Brecht and Robert Watts. Calendar notes events held daily through the course of the month of May. Also indexes "Yam Day" events staged on May 11 - 12 at the Hardware Poet's Palyounse featuring works by George Brecht, Robert Watts, Ben Patterson, Dick Higgins, Mary Ashley, Robert Ashley, Philip Krumm, Carolyn Fozznick, Robert Breer, Earle Brown, Joseph Byrd, John Cage, Barney Childs, Philip Corner, Lucia Dlugosqewski, Robert Filliou, Malcolm Goldstein, Al Hansen, Spencer Holst, Terry Jennings, Ray Johnson, Jill Johnston, Joe Jones, Alison Knowles, Arthur Køpcke, Takehisa Kosugi, Gary Kuehn, Peter Longazo, George Maciunas, Jackson Mac Low, Robert Morris, Robin Page, Yvonne Rainer, Diter Rot [Dieter Roth], Tomas Schmit, Robert Swisshelm, James Tenney, Stan Van Der Beek, James Waring, Diane Wakoski, Emmett Williams, Christian Wolff, and La Monte Young. Reference : No. 75 in "Extra Art : A Survey of Artists' Ephemera 1960 - 1999" by Steven Leiber, Ralph Rugoff, Anne Moeglin-Delcroix, Todd Alden, Ted Purves. San Francisco / Santa Monica, CA : California College of Arts and Crafts [CCAC] / Smart Art Press, 2001, pp. 68. Fair / Poor. Folded once as issued. Losses along edges and closed separation along fold. Discoloration along fold. Moving away from edges the work is in Good condition. See image for accurate rendering of condition issues. Sold "as-is.".