Rolfe Leonard (7 results)

136 pp.; 27.8 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at The Jewish Museum San Francisco, San Francisco, March 7 - June 27, 2004. Traveled to Laguna Art Museum, Laguna Beach, July 24 - October 3, 2004 and Contemporary Art Center of Virginia, Virginia Beach, June 9 - September 4, 2005. Curated and with an introduction by John Baldessari and Meg Cranston. Essay by Thomas McEvilley. Artists included: Reverend Ethan Acres, Jo Harvey Allen, Terry Allen, Eleanor Antin, Brienne Arrington, David Askevold, Lillian Ball, Cindy Bernard, Andrea Bowers, Delia Brown, Edgar Bryan, Angela Bulloch, Chris Burden, Mary Ellen Carroll, Erin Cosgrove, Michael Craig-Martin, Jeremy Deller, Sam Durrant, Jimmie Durham, Nicole Eisenman, Katharina Fritsch, Jonathan Furmanski, Jeremy Gilbert-Rolfe, Liam Gillick, James Gobel, Jack Goldstein, Scott Grieger, Andreas Gursky, James Hayward, Micol Hebron, Damien Hirst, Rebecca Horn, Darcy Huebler, Christian Jankowski, Larry Johnson, Mike Kelley, Marky Kelly, Martin Kersels, Nicholas Kersulis, Martin Kippenberger, Rachel Lachowicz, Norm Laich, Liz Larner, Louise Lawler, Barry Le Va, William Leavitt, Roy Lichtenstein, Jen Liu, Thomas Locher, Daria Martin, T. Kelly Mason, Rita McBride, Paul McCarthy, Carlos Mollura, JP Munro, Jennifer Nelson, Eric Niebuhr, Leonard Nimoy, Albert Oehlen, Catherine Opie, Tony Oursler, Jorge Pardo, Simon Patterson, Hirsch Perlman, Luciano Perna, Renée Petropoulos, Raymond Pettibon, Paul Pfeiffer, Nicolette Pot, Richard Prince, Rob Pruitt and Jonathan Horowitz, David Reed, Victoria Reynolds, Gerhard Richter, Susan Rothenberg, Nancy Rubins, Glen Walter Rubsamen, Allen Ruppersberg, Ed Ruscha, Pauline Stella Sanchez, Kim Schoenstadt, Jim Shaw, Gary Simmons, Alexis Smith, Yutaka Sone, Thaddeus Strode, Diana Thater, Mungo Thomson, Thorvaldur Thorsteinsson in collaboration with Helena Jonsdottir, Jeffrey Vallance, John Waters, Marner Weber, William Wegman, Lawrence Weiner, Benjamin Weissman, James Welling, Eric Wesley, John Wesley, Franz West, and Chris Wilder. Includes an index of artists. Very Good / Fine. Light rubbing of cover corners and dust soiling to text block edge. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. pp. 204. 8vo. D/W, slightly faded & frayed.

Hardback in Dust Wrapper. Condition: Very Good. Dust Jacket Condition: Very Good. Condition Notes: Unlaminated dust wrapper a little edgeworn and faded. Previous owners' name to the first blank. Blanks and endpapers tanned; First edition (first printing). Hardback. Dust wrapper over red boards with gilt titles to the spine; Measures 8ĵ" x 5½" (0.6 kg); pp 204; || The book is on the shelf, ready to be appropriately packed, and posted from the pastoral paradise of Peasedown St. John, Bath, by a real bookseller in a real book shop - with my personal guarantee and beady eye on the Consumer Contracts Regulations. REMEMBER! Buying my copy means the book shop Jack Russells get their supper! My Book #108411 ||.

Hardcover. Condition: Good. Cover and edges show heavy wear. Pages are clean and intact. Has some heavy dirtiness on the outside from handling.

Hardcover. Condition: Brand New. 364 pages. 9.60x6.40 inches. In Stock.

hardcover. Condition: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

First edition / Limited Edition: One of only 290 copies. 16 x 24 cm. 76 pages. Hardcover / Original cloth. Excellent, near Fine condition of a very rare book. [The Centenary Edition of the Letters of Frederick William Rolfe: II]. contains Rolfe's letters to Leonard Moore, edited and with an introduction by Cecil Woolf and Rabbi Bertram W. Korn. Leonard Parker Moore (1876 - 1959) was a literary agent. A partner of Christy & Moore and of the Lecture Agency, Ltd., his clients included George Orwell (from 1932 to 1950), Gordon Campbell, Mary Butts, Georgette Heyer (for nearly 30 years from 1922), Carola Oman, Marco Pallis, Catherine Cookson, Jane Mander, Ruby M. Ayres, Gareth Jones, Wilfred Grenfell, and Ruth Collie. Injured in the leg in the First World War, Moore worked as a journalist before becoming a literary agent. He was the brother of the novelist Henry Moore. (Wikipedia) Frederick William Rolfe, better known as Baron Corvo, and also calling himself 'Frederick William Serafino Austin Lewis Mary Rolfe', (22 July 1860 25 October 1913), was an English writer, artist, photographer and eccentric. Rolfe was born in Cheapside, London, the son of a piano manufacturer. He left school at the age of fourteen and became a teacher. He taught briefly at The King's School, Grantham, where the then headmaster, Ernest Hardy, later principal of Jesus College, Oxford, became a lifelong friend. He converted to Roman Catholicism in 1886 and was confirmed by Cardinal Manning. With his conversion came a strongly-felt vocation to the priesthood, which persisted throughout his life despite being constantly frustrated and never realised. In 1887 he was sponsored to train at St Mary's College, Oscott near Birmingham and in 1889 was a student at the Scots College in Rome, but was thrown out by both due to his inability to concentrate on priestly studies, his "reputation as a pederast", and his erratic behaviour. At this stage he entered the circle of the Duchess Sforza Cesarini, who, he claimed, adopted him as a grandson and gave him the use of the title of "Baron Corvo". This became his best-known pseudonym; he also called himself "Frank English", "Frederick Austin" and "A. Crab Maid", among others. More often he abbreviated his own name to "Fr. Rolfe" (an ambiguous usage, suggesting he was the priest he had hoped to become). Rolfe spent most of his life as a freelance writer, mainly in England but eventually in Venice. He lived in the era before the welfare state, and relied on benefactors for support. But he had an argumentative nature and had a tendency to fall out spectacularly with most of the people who tried to help him and offer him room and board. Eventually, out of money and out of luck, he died in Venice from a stroke on 25 October 1913. He was buried on the Isola di San Michele, Venice. Rolfe's life provided the basis for The Quest for Corvo by A.J.A. Symons, an "experiment in biography" regarded as a minor classic in the field. This same work reveals that Rolfe had an unlikely enthusiast in the person of Maundy Gregory. Rolfe was entirely comfortable with his homosexuality and associated and corresponded with a number of other gay Englishmen. Early in his life he wrote a fair amount of idealistic but mawkish poetry about boy martyrs and the like. These and his Toto stories contain pederastic elements, but the young male pupils he was teaching at the time unanimously recalled in later life that there had never been any hint of impropriety in his relations with them. As he himself matured, Rolfe's settled sexual preference was for late adolescents. Towards the end of his life he made his only explicit reference to his specific sexual age preference, in one of the Venice letters to Charles Masson Fox, in which he declared: "My preference was for the 16, 17, 18 and large." Grant Richards, in his Memories of a Misspent Youth (1932), recalls "Frederick Baron Corvo" at Parson's Pleasure in Oxford where scholars could bathe naked "surveying the yellow flesh tints of youth with unbecoming satisfaction". Those of whom it is either speculated or surmised that they had sexual relations with Rolfe Aubrey Thurstans, Sholto Osborne Gordon Douglas, John 'Markoleone', Ermenegildo Vianello and the other Venetian gondoliers were all sexually mature young men between the ages of sixteen and twenty-one (with the exception of Douglas, who was considerably older). The idealised young men in his fiction were of a similar age. In 1904, soon after his ordination as a Roman Catholic priest, the convert Robert Hugh Benson formed a chaste but passionate friendship with Rolfe. For two years this relationship involved letters "not only weekly, but at times daily, and of an intimate character, exhaustingly charged with emotion." There was a falling out in 1906, and Benson satirised Rolfe in his novel The Sentimentalists. Rolfe returned the favor a few years later, putting a caricature of Benson named "Bobugo Bonsen" in a book named Nicholas Crabbe. Their letters were subsequently destroyed, probably by Benson's brother. Rolfe sought to characterise the relationships in his fiction as examples of 'Greek love' between an older man and an ephebe, and thus endow them with the sanction of the ancient Hellenic tradition familiar to all Edwardians with a classical education. (Wikipedia) Sprache: english.