Romantics (17 results)

Paperback. Condition: Brand New. 120 pages. 9.00x6.00x0.28 inches. In Stock.

Paperback. Condition: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Soft cover. Condition: Very Good. 97 pages. Jean-Francois Revel "Proust & the Snobs" / Hugh Tinker "Race & Neo-Victorianism" / Walter Laqueur "A Reflection On Violence" / Sidney Hook "The Rights Of The Victims" /John Toft "The Zombie* (story) / Michael Howard "Realists & Romantics" / Francois Boby "D'Annunzio & Mussolini".

First Edition. Near fine paperback copy; edges very slightly dust-dulled and nicked. Remains particularly and surprisingly well-preserved overall; tight, bright, clean and especially sharp-cornered.; 8vo 8" - 9" tall; 223 pages; Physical description. : 223 p. : ill. (chiefly col. ) ; 30 cm. Subject: Museum der Bildenden Kunste (Leipzig, Germany) - Exhibitions. Painting, German - Exhibitions. Painting, Modern - 19th century - Germany - Exhibitions. Painting, German - 19th century - Exhibitions. Art, German - Exhibitions. Art, Modern - 19th century - Germany - Exhibitions. Painting - 19th century - Germany - Exhibitions Painting - Germany - 19th century - Exhibitions. Painting - Germany - 19th century - Public collections. Summary: Despite the vast number of Americans who claim German ancestry, there is neither a major collection of 19th-Century German painting in the U. S. Nor have there been any exhibitions focusing on this subject. This volume aims to redress that balance. Although many will not be familiar with the great artists included in this volume, Caspar David Friedrich, Louis Corinth and Max Klinger are well-known names whose works form the core of the permanent collection of the Museum of Fine Arts in Leipzig, Germany. 3 Kg.

First Edition. Fine paperback copy. Particularly well-preserved; tight, bright and clean. Physical description; 296 p. : illustrations (chiefly colour), portraits ; 30 cm. Notes; Catalogue of an exhibition held at Tate Britain, London, 5 February - 11 May 2003 ; Minneapolis Institute of Arts, Minneapolis, 8 June - 7 September 2003 ; The Metropolitan Museum of Art, New York, 7 October 2003 - 4 January 2004. Includes bibliographical references (p. 286-291) and index. Subjects; Géricault, Théodore 1791-1824. Delacroix, Eugène 1798-1863. Constable, John 1776-1837 ; Exhibitions. Romanticism in art ; Exhibitions. Romanticism in art Great Britain ; Exhibitions. Romanticism in art France ; Exhibitions. Art, British 19th century ; Exhibitions. Art, French 19th century ; Exhibitions. Painting, British 19th century ; Exhibitions. Painting, French 19th century ; Exhibitions. 3 Kg.

Condition: NEW.

Paperback. Condition: Brand New. reissue edition. 195 pages. 9.00x6.25x0.75 inches. In Stock.

First Edition. Near fine paperback copy; edges very slightly dust-dulled and nicked. Remains particularly and surprisingly well-preserved overall; tight, bright, clean and especially sharp-cornered.; 8vo 8" - 9" tall; 223 pages; Physical description. : 223 p. : ill. (chiefly col. ) ; 30 cm. Subject: Museum der Bildenden Kunste (Leipzig, Germany) - Exhibitions. Painting, German - Exhibitions. Painting, Modern - 19th century - Germany - Exhibitions. Painting, German - 19th century - Exhibitions. Art, German - Exhibitions. Art, Modern - 19th century - Germany - Exhibitions. Painting - 19th century - Germany - Exhibitions Painting - Germany - 19th century - Exhibitions. Painting - Germany - 19th century - Public collections. Summary: Despite the vast number of Americans who claim German ancestry, there is neither a major collection of 19th-Century German painting in the U. S. Nor have there been any exhibitions focusing on this subject. This volume aims to redress that balance. Although many will not be familiar with the great artists included in this volume, Caspar David Friedrich, Louis Corinth and Max Klinger are well-known names whose works form the core of the permanent collection of the Museum of Fine Arts in Leipzig, Germany. 1 Kg.

First Edition. Fine paperback copy. Particularly well-preserved; tight, bright and clean. Physical description; 296 p. : illustrations (chiefly colour), portraits ; 30 cm. Notes; Catalogue of an exhibition held at Tate Britain, London, 5 February - 11 May 2003 ; Minneapolis Institute of Arts, Minneapolis, 8 June - 7 September 2003 ; The Metropolitan Museum of Art, New York, 7 October 2003 - 4 January 2004. Includes bibliographical references (p. 286-291) and index. Subjects; Géricault, Théodore 1791-1824. Delacroix, Eugène 1798-1863. Constable, John 1776-1837 ; Exhibitions. Romanticism in art ; Exhibitions. Romanticism in art Great Britain ; Exhibitions. Romanticism in art France ; Exhibitions. Art, British 19th century ; Exhibitions. Art, French 19th century ; Exhibitions. Painting, British 19th century ; Exhibitions. Painting, French 19th century ; Exhibitions. 1 Kg.

Paperback. Condition: Brand New. reissue edition. 195 pages. 9.00x6.25x0.75 inches. In Stock.

Condition: New.

Paperback. Condition: Brand New. 224 pages. 9.00x6.00x0.57 inches. This item is printed on demand.

Record. Good record and jacket. Open tearing held with tape on jacket top edge. Light shelfwear on jacket corners. No sleeve.

Record. Very Good record and jacket. Shelfwear on jacket corners. Small open tears on spine.

Record. Very Good+ record and jacket. Shelfwear on front and rear panel. Ink mark on rear panel.

audioCD. Condition: Befriedigend. Seiten; HÃlle beschÃdigt, CD in gutem Zustand, Artikel stammt aus Nichtraucherhaushalt! NB1-13257 Sprache: Deutsch Gewicht in Gramm: 500.

1 page. 8vo. 1 page. 8vo. A pair of letters from brother-humorists James Smith (1775-1839) and Horatio Smith (1779-1849), authors of the celebrated parody anthology "Rejected Addresses" (1812) which included imitations of Byron, Wordsworth, Southey, Coleridge, Scott, et al, "undoubtedly the best known collection of parodies published in the period" (Romantic Parodies, 1797-1831, #12). The letter of James Smith reads: "My dear Madam, I feel much mortified that an engagement on the 8th of May will deprive me of the pleasure which Shakespear and you never fail to excite. Pray present my compliments to Mr. Bartley." The letter of Horatio Smith reads: "The prize to Miss Ellen Gee in the last Mag having been copied into the papers here, has become so popular that I have been tempted to follow up the idea with something a little more enigmatical, which, if you do not think it infra dig; may be inserted in the next number" Toned, mounted. WITH: Autograph Letter Signed ("Horatio Smith"), 1 p, 8vo, Brighton, 14 October 1828, toned, tipped to verso of same mount.