Ron Holman (27 results)

Paperback. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Hardcover. Condition: Good. 160p hardback with dustjacket (protected), bibliography, index, some slight marginal pencil marks, otherwise a very good copy from a Cambridge college library Language: English.

1st ed. A tidy copy in tight binding; dust jacket not price-clipped. A useful book for those planning to run a marathon Used - Like New. VG hardback in VG dustjacket Used - Like New. VG hardback in VG dustjacket.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Foreword by Ron Hill. This book covers in depth all aspects of the marathon for athletes.

Wraps. Condition: Very Good. Dust Jacket Condition: No d/w. 160pp; Illustrated; Size: 12mo. Book.

Condition: New.

Condition: As New. Unread book in perfect condition.

Soft Cover. Condition: Very Good. First Edition. Foreword by Ron Hill. This book covers in depth all aspects of the marathon for athletes.

Condition: Good.

Hardback. Condition: New. A visual and conceptual conversation between two leading US photo-artists famed for their mutual explorations of race, class and powerPublished with Grand Rapids Art Museum.Dawoud Bey and Carrie Mae Weems met in New York in the late 1970s, and over the next 45 years these close friends and colleagues have each produced unique and influential bodies of work around shared interests and concerns. This publication brings together over 140 photographs and video art from the 1970s through the 2010s by two of our most notable and influential photo-based artists.Since first meeting at the Studio Museum in Harlem five decades ago, Bey and Weems have maintained spirited and supportive mutual engagement while exploring and addressing similar themes: race, class, representation, and systems of power. Dawoud Bey and Carrie Mae Weems: In Dialogue brings their work together in five thematic groupings to shed light on their unique creative visions and trajectories, and their shared concerns and principles.Photographer Dawoud Bey (born 1953) had his first exhibition at the Studio Museum in Harlem in 1979. Since then, his work has been presented internationally to critical and popular acclaim. Recent large-scale exhibitions of his photographs have been presented at the San Francisco Museum of Modern Art, the Whitney Museum of American Art, the Art Institute of Chicago and Tate Modern, London. Bey's writings on his own and others' work are included in Dawoud Bey: Seeing Deeply and Dawoud Bey on Photographing People and Communities. He is a professor of art and Distinguished College Artist at Columbia College Chicago.Famed for her Kitchen Table Series, among other works, Carrie Mae Weems (born 1953) explores power, class, Black identity, womanhood, and the historical past and its resonance in the present moment. In addition to photography, Weems creates video, performance and works of public art, and organizes thematic gatherings which bring together creative thinkers across a broad array of disciplines. Her work has been exhibited across the world, at venues such as the Frist Center for the Visual Arts, the Solomon R. Guggenheim Museum, the Centro Andaluz de Arte Contemporáneo and the American Academy in Rome.

Soft cover. Condition: Good. Hamlin, Louise; Cajori, Charles; Szaszfai, Joseph; Grooms, Red; Burckhardt, Rudy (illustrator). 1st Edition. ISSN# 0895-4054. Has some minor staining to bottom of cover and a few pages. From the collection of New York poet, Tom Savage and may contain minor markings. We may request additional charges for international shipping, based on actual costs.

Hardback. Condition: New. A visual and conceptual conversation between two leading US photo-artists famed for their mutual explorations of race, class and powerPublished with Grand Rapids Art Museum.Dawoud Bey and Carrie Mae Weems met in New York in the late 1970s, and over the next 45 years these close friends and colleagues have each produced unique and influential bodies of work around shared interests and concerns. This publication brings together over 140 photographs and video art from the 1970s through the 2010s by two of our most notable and influential photo-based artists.Since first meeting at the Studio Museum in Harlem five decades ago, Bey and Weems have maintained spirited and supportive mutual engagement while exploring and addressing similar themes: race, class, representation, and systems of power. Dawoud Bey and Carrie Mae Weems: In Dialogue brings their work together in five thematic groupings to shed light on their unique creative visions and trajectories, and their shared concerns and principles.Photographer Dawoud Bey (born 1953) had his first exhibition at the Studio Museum in Harlem in 1979. Since then, his work has been presented internationally to critical and popular acclaim. Recent large-scale exhibitions of his photographs have been presented at the San Francisco Museum of Modern Art, the Whitney Museum of American Art, the Art Institute of Chicago and Tate Modern, London. Bey's writings on his own and others' work are included in Dawoud Bey: Seeing Deeply and Dawoud Bey on Photographing People and Communities. He is a professor of art and Distinguished College Artist at Columbia College Chicago.Famed for her Kitchen Table Series, among other works, Carrie Mae Weems (born 1953) explores power, class, Black identity, womanhood, and the historical past and its resonance in the present moment. In addition to photography, Weems creates video, performance and works of public art, and organizes thematic gatherings which bring together creative thinkers across a broad array of disciplines. Her work has been exhibited across the world, at venues such as the Frist Center for the Visual Arts, the Solomon R. Guggenheim Museum, the Centro Andaluz de Arte Contemporáneo and the American Academy in Rome.

Condition: New.

Hardcover. Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: Very good.

Softcover. Condition: Very Good. Magazine. Cover by Jean Holabird. Folio. Stapled illustrated wrappers. Very good with soiling to the front wraps and creases at some corners. The Poetry Project literary magazine guest edited by Tony Towle. Contributors to this issue include Michael Scholnick, Bob Rosenthal, Lynne Tillman, Tom Savage, Gary Lenhart, Paul Violi, Tom Weigel, Ted Greenwald, Jim Brodey, George Tysh, Ron Padgett, Jeff Wright,Greg Masters, Bob Holman, and John Yau along with many others.

Soft cover. Condition: Fine. 1st edition. Near Fine. 4to, ~92pp, stapled wrappers. Scarce 1980 issue of this seminal little magazine, includes poems by dozens of clamoring experimentalists. Unmarked copy, minor wear and toning. Not Signed.

Hardback. Condition: New. A visual and conceptual conversation between two leading US photo-artists famed for their mutual explorations of race, class and powerPublished with Grand Rapids Art Museum.Dawoud Bey and Carrie Mae Weems met in New York in the late 1970s, and over the next 45 years these close friends and colleagues have each produced unique and influential bodies of work around shared interests and concerns. This publication brings together over 140 photographs and video art from the 1970s through the 2010s by two of our most notable and influential photo-based artists.Since first meeting at the Studio Museum in Harlem five decades ago, Bey and Weems have maintained spirited and supportive mutual engagement while exploring and addressing similar themes: race, class, representation, and systems of power. Dawoud Bey and Carrie Mae Weems: In Dialogue brings their work together in five thematic groupings to shed light on their unique creative visions and trajectories, and their shared concerns and principles.Photographer Dawoud Bey (born 1953) had his first exhibition at the Studio Museum in Harlem in 1979. Since then, his work has been presented internationally to critical and popular acclaim. Recent large-scale exhibitions of his photographs have been presented at the San Francisco Museum of Modern Art, the Whitney Museum of American Art, the Art Institute of Chicago and Tate Modern, London. Bey's writings on his own and others' work are included in Dawoud Bey: Seeing Deeply and Dawoud Bey on Photographing People and Communities. He is a professor of art and Distinguished College Artist at Columbia College Chicago.Famed for her Kitchen Table Series, among other works, Carrie Mae Weems (born 1953) explores power, class, Black identity, womanhood, and the historical past and its resonance in the present moment. In addition to photography, Weems creates video, performance and works of public art, and organizes thematic gatherings which bring together creative thinkers across a broad array of disciplines. Her work has been exhibited across the world, at venues such as the Frist Center for the Visual Arts, the Solomon R. Guggenheim Museum, the Centro Andaluz de Arte Contemporáneo and the American Academy in Rome.

Practical sports-science guidance for those striving for success in competition. 8vo. 171pp. Paperback. Very good condition.

Practical sports-science guidance for those striving for success in competition. 8vo. 160pp. Paperback. Ex-library, with a couple of stamps inside. Fair/good condition.

Hardback. Condition: New. A visual and conceptual conversation between two leading US photo-artists famed for their mutual explorations of race, class and powerPublished with Grand Rapids Art Museum.Dawoud Bey and Carrie Mae Weems met in New York in the late 1970s, and over the next 45 years these close friends and colleagues have each produced unique and influential bodies of work around shared interests and concerns. This publication brings together over 140 photographs and video art from the 1970s through the 2010s by two of our most notable and influential photo-based artists.Since first meeting at the Studio Museum in Harlem five decades ago, Bey and Weems have maintained spirited and supportive mutual engagement while exploring and addressing similar themes: race, class, representation, and systems of power. Dawoud Bey and Carrie Mae Weems: In Dialogue brings their work together in five thematic groupings to shed light on their unique creative visions and trajectories, and their shared concerns and principles.Photographer Dawoud Bey (born 1953) had his first exhibition at the Studio Museum in Harlem in 1979. Since then, his work has been presented internationally to critical and popular acclaim. Recent large-scale exhibitions of his photographs have been presented at the San Francisco Museum of Modern Art, the Whitney Museum of American Art, the Art Institute of Chicago and Tate Modern, London. Bey's writings on his own and others' work are included in Dawoud Bey: Seeing Deeply and Dawoud Bey on Photographing People and Communities. He is a professor of art and Distinguished College Artist at Columbia College Chicago.Famed for her Kitchen Table Series, among other works, Carrie Mae Weems (born 1953) explores power, class, Black identity, womanhood, and the historical past and its resonance in the present moment. In addition to photography, Weems creates video, performance and works of public art, and organizes thematic gatherings which bring together creative thinkers across a broad array of disciplines. Her work has been exhibited across the world, at venues such as the Frist Center for the Visual Arts, the Solomon R. Guggenheim Museum, the Centro Andaluz de Arte Contemporáneo and the American Academy in Rome.

[12] pp.; 27.8 x 21.4 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Zine like catalogue for the UNbearables Arts Festival held across multiple venues in New York City, April 1 - April 30, 2001. Venues included ABC No Rio, Fusion, Bullet Space, A Gathering of the Tribes, Fire Patrol No. 5, Spectra Digital Arts Gallery, Doom, and others. Curated by Les Klein, Debra Smith, Luc Lerouge, Rod Costa, Jean Voguet. Artists included Matthew Courtney, Bruce Weber, Steven Englander, Matt Heyner, Blaise Siwula, Sean Meehan, John Farris, Andrew Castrucci, Miguel Algarin, Tracey Morris, Bob Holman, Pedro Pietri, David Henderson, Butch Morris, Julio Gonzalez, Steve Cannon, The Pan Group, Annie Coridon, Bernard Francois, Guillaume Gouilly-Frossard, ALICE, Hernani Cor, Ingrid Ar, Jean-Pierre Ducamin, Jim Feast, Ron Kolm, Quintin Gonzales, Holger Maass, Kevin Mutch, Togo Love, Victor Acevedo, Ron English, Michelle Jacobson, Paul Gregoire, Johanne Babin, Jo Rouyn, J. Fiset Japon, Demilouvre, Tuli Kupferberg, and others. Very Good. Light rubbing of covers and bumping at spine, otherwise clean and unmarked.

Soft cover. Condition: Good. CD still enclosed and never opened. From the collection of New York poet, Tom Savage and may contain minor markings from the poet in the book. We may request additional monies for international shipping, based on actual costs. Cover and/or pages may be lightly soiled/faded/discolored due to age or minor damage. This is the original collectible book, not a printed on demand book.