Published by Routledge, 2019
Seller: Katsumi-san Co., Cambridge, MA, U.S.A.
Trade Paperback Original. Condition: Very Good-. Cover has some wear; tight, text clean. Paginated [999]-1347, illustrated [ifo drsr].
Seller: Anybook.com, Lincoln, United Kingdom
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Add to basketCondition: Fair. Volume 5. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9780415891844.
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Language: English
Published by Taylor & Francis Group, 2014
ISBN 10: 1138825271 ISBN 13: 9781138825277
Seller: Books Puddle, New York, NY, U.S.A.
Condition: New. pp. 322.
Language: English
Published by Taylor & Francis Ltd, 2014
ISBN 10: 1138825271 ISBN 13: 9781138825277
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Language: English
Published by Routledge 2015-04-27, 2015
ISBN 10: 1138825271 ISBN 13: 9781138825277
Seller: Chiron Media, Wallingford, United Kingdom
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Seller: Ria Christie Collections, Uxbridge, United Kingdom
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Language: English
Published by Taylor and Francis Ltd, GB, 2014
ISBN 10: 1138825271 ISBN 13: 9781138825277
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
First Edition
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Add to basketPaperback. Condition: New. 1st. Exhibition environments are enticingly complex spaces: as facilitators of experience; as free-choice learning contexts; as theaters of drama; as encyclopedic warehouses of cultural and natural heritage; as two-, three- and four-dimensional storytellers; as sites for self-actualizing leisure activity. But how much do we really know about the moment-by-moment transactions that comprise the intricate experiences of visitors? To strengthen the disciplinary knowledge base supporting exhibition design, we must understand more about what 'goes on' as people engage with the multifaceted communication environments that are contemporary exhibition spaces. The in-depth, visitor-centered research underlying this book offers nuanced understandings of the interface between visitors and exhibition environments. Analysis of visitors' meaning-making accounts shows that the visitor experience is contingent upon four processes: framing, resonating, channeling, and broadening. These processes are distinct, yet mutually influencing. Together they offer an evidence-based conceptual framework for understanding visitors in exhibition spaces. Museum educators, designers, interpreters, curators, researchers, and evaluators will find this framework of value in both daily practice and future planning. Designing for the Museum Visitor Experience provides museum professionals and academics with a fresh vocabulary for understanding what goes on as visitors wander around exhibitions.
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
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Seller: Revaluation Books, Exeter, United Kingdom
US$ 126.22
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Add to basketPaperback. Condition: Brand New. reprint edition. 321 pages. 8.75x6.00x0.75 inches. In Stock.
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Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Language: English
Published by Taylor and Francis Ltd, GB, 2014
ISBN 10: 1138825271 ISBN 13: 9781138825277
Seller: Rarewaves.com UK, London, United Kingdom
First Edition
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Add to basketPaperback. Condition: New. 1st. Exhibition environments are enticingly complex spaces: as facilitators of experience; as free-choice learning contexts; as theaters of drama; as encyclopedic warehouses of cultural and natural heritage; as two-, three- and four-dimensional storytellers; as sites for self-actualizing leisure activity. But how much do we really know about the moment-by-moment transactions that comprise the intricate experiences of visitors? To strengthen the disciplinary knowledge base supporting exhibition design, we must understand more about what 'goes on' as people engage with the multifaceted communication environments that are contemporary exhibition spaces. The in-depth, visitor-centered research underlying this book offers nuanced understandings of the interface between visitors and exhibition environments. Analysis of visitors' meaning-making accounts shows that the visitor experience is contingent upon four processes: framing, resonating, channeling, and broadening. These processes are distinct, yet mutually influencing. Together they offer an evidence-based conceptual framework for understanding visitors in exhibition spaces. Museum educators, designers, interpreters, curators, researchers, and evaluators will find this framework of value in both daily practice and future planning. Designing for the Museum Visitor Experience provides museum professionals and academics with a fresh vocabulary for understanding what goes on as visitors wander around exhibitions.
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Language: English
Published by Routledge 2012-12-19, 2012
ISBN 10: 0415891841 ISBN 13: 9780415891844
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Language: English
Published by Taylor & Francis Group, 2014
ISBN 10: 0415891841 ISBN 13: 9780415891844
Seller: Books Puddle, New York, NY, U.S.A.
Condition: New. pp. 336.
Seller: Ria Christie Collections, Uxbridge, United Kingdom
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Language: English
Published by Taylor & Francis Group, 2014
ISBN 10: 0415891841 ISBN 13: 9780415891844
Seller: Biblios, Frankfurt am main, HESSE, Germany
Condition: New. pp. 336.
Seller: Revaluation Books, Exeter, United Kingdom
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Add to basketHardcover. Condition: Brand New. 1st edition. 232 pages. 9.10x1.00x6.30 inches. In Stock.
Language: English
Published by Taylor & Francis Group, 2014
ISBN 10: 1138825271 ISBN 13: 9781138825277
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. pp. 322 This item is printed on demand.
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
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Add to basketPAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Language: English
Published by Taylor & Francis Ltd, 2014
ISBN 10: 1138825271 ISBN 13: 9781138825277
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
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Add to basketPaperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Exhibition environments are enticingly complex spaces: as facilitators of experience; as free-choice learning contexts; as theaters of drama; as encyclopedic warehouses of cultural and natural heritage; as two-, three- and four-dimensional storytellers; as sites for self-actualizing leisure activity. But how much do we really know about the moment-by-moment transactions that comprise the intricate experiences of visitors To strengthen the disciplinary knowledge base supporting exhibition design, we must understand more about what 'goes on' as people engage with the multifaceted communication environments that are contemporary exhibition spaces. The in-depth, visitor-centered research underlying this book offers nuanced understandings of the interface between visitors and exhibition environments. Analysis of visitors' meaning-making accounts shows that the visitor experience is contingent upon four processes: framing, resonating, channeling, and broadening. These processes are distinct, yet mutually influencing. Together they offer an evidence-based conceptual framework for understanding visitors in exhibition spaces. Museum educators, designers, interpreters, curators, researchers, and evaluators will find this framework of value in both daily practice and future planning. Designing for the Museum Visitor Experience provides museum professionals and academics with a fresh vocabulary for understanding what goes on as visitors wander around exhibitions. 336 pp. Englisch.