Rosenberg Adolph (4 results)

Paperback. Condition: Very Good. 1st. 66 pages, colour illustrations; 30 cm. Catalogue of an exhibition held November 1971, at Marlborough, London; and February to March 1972, at Marlborough, Zurich. Firm binding, unmarked. Spine bumped at the heel. Age toning, edges lightly soiled. *** Features Adolph Gottlieb's "Burst" paintings. Text by .critic and friend Harold Rosenberg. Size: 4to.

Condition: Good. 4to. Vertical Oblong. 66 pp. Soft Cover. With clear acetate dust jacket. Color illustrations throughout. Very Good. Minor shelf wear. Edges of catalogue slightly curled.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author.Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA) (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-1977). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

Condition: Gut. 4°. 501; 489; VIII, 502 Seiten. Nur die Einbände mit leichten Gebrauchsspuren. Die Rücken an den Kapitalen teil etwas bestoßen. Sonst SEHR gutes Exemplar dieser DREI Bände. . - Die Kunstgeschichte reicht bis zum Jahr 1893. Sprache: Deutsch Gewicht in Gramm: 3600 Originalhalbleinenbände mit vergoldeten Rückentiteln 25 cm.

Condition: Very good condition. First edition. First edition. Folding prospectus, forming a large poster when unfolded (central folds). Scarce poster-prospectus for the 1949 Kootz Gallery exhibition of the "Intrasubjectives," marking an early formation of Abstract Expressionism. Exhibition prospectus for the Kootz Gallery presentation of the "Intrasubjectives," documenting an early moment in the emergence of what would later be termed Abstract Expressionism. The publication announces and frames the work of artists including Willem de Kooning, Arshile Gorky, Robert Motherwell, Jackson Pollock, Ad Reinhardt, and Mark Rothko, at a stage before the movement had acquired its later critical designation. Texts by Harold Rosenberg accompany the presentation, situating the group within a developing discourse of postwar abstraction. The design-by William Baziotes, Hans Hofmann, and Adolph Gottlieb-reflects the close alignment between artistic production and exhibition graphics characteristic of the New York avant-garde of the late 1940s. . Folding prospectus, forming a large poster when unfolded (central folds).