Rothöhler Simon (67 results)

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

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Condition: As New. Unread book in perfect condition.

Taschenbuch. Condition: Gut. 1. Aufl. 79 S. ; Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber und kann entsprechende Merkmale aufweisen (Rückenschild, Instituts-Stempel.). Einband folienkaschiert. Sprache: Deutsch Gewicht in Gramm: 110.

Condition: New.

Paperback. Condition: new. Paperback. From moving images on the Internet to giant IMAX displays: The number of screens in the public and private sphere has increased significantly during the last two decades. While this is often taken to indicate the "death of cinema," this volume attempts to reconsider the limits and specifics of film and the traditional movie theater. It analyzes notions of spectatorship, the relationship between cinema and the "uncinematic," the contested place of installation art in the history of experimental cinema, and the characteristics of the high definition image. Further contributions discuss the ways in which cinema interacts with other arts and media such as theater and television. Contributors include Raymond Bellour, Victor Burgin, Vinzenz Hediger, Tom Gunning, Ute Holl, Ekkehard Knoerer, Thomas Morsch, Jonathan Rosenbaum and the editors. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: New. From moving images on the Internet to giant IMAX displays: The number of screens in the public and private sphere has increased significantly during the last two decades. While this is often taken to indicate the "death of cinema," this volume attempts to reconsider the limits and specifics of film and the traditional movie theater. It analyzes notions of spectatorship, the relationship between cinema and the "uncinematic," the contested place of installation art in the history of experimental cinema, and the characteristics of the high definition image. Further contributions discuss the ways in which cinema interacts with other arts and media such as theater and television. Contributors include Raymond Bellour, Victor Burgin, Vinzenz Hediger, Tom Gunning, Ute Holl, Ekkehard Knörer, Thomas Morsch, Jonathan Rosenbaum and the editors.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: new.

Condition: as new. Wie neu/Like new.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. From moving images on the Internet to giant IMAX displays: The number of screens in the public and private sphere has increased significantly during the last two decades. While this is often taken to indicate the "death of cinema," this volume attempts to reconsider the limits and specifics of film and the traditional movie theater. It analyzes notions of spectatorship, the relationship between cinema and the "uncinematic," the contested place of installation art in the history of experimental cinema, and the characteristics of the high definition image. Further contributions discuss the ways in which cinema interacts with other arts and media such as theater and television. Contributors include Raymond Bellour, Victor Burgin, Vinzenz Hediger, Tom Gunning, Ute Holl, Ekkehard Knörer, Thomas Morsch, Jonathan Rosenbaum and the editors.…

Condition: New. Num Pages: 208 pages, Illustrations (some col.), ports. (some col.). BIC Classification: APF. Category: (P) Professional & Vocational. Dimension: 174 x 199 x 23. Weight in Grams: 390. . 2012. Paperback. . . . .

Condition: New. pp. 208 Illus.

Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: New. Num Pages: 208 pages, Illustrations (some col.), ports. (some col.). BIC Classification: APF. Category: (P) Professional & Vocational. Dimension: 174 x 199 x 23. Weight in Grams: 390. . 2012. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Condition: Brand New. 208 pages. 7.80x6.69x0.87 inches. In Stock.

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Brand New. 328 pages. German language. 10.50x6.75x1.00 inches. In Stock.

Condition: New.

Condition: New. pp. 208.

Condition: New.

Condition: New.

Paperback. Condition: Brand New. German language. 6.69x4.72x0.70 inches. In Stock.

Condition: New.

Condition: As New. Unread book in perfect condition.

Taschenbuch. Condition: Neu. Neuware -Bei der Serie handelt es sich um ein modernes Phänomen - manche sagen auch: um ein 'Signum der Moderne'. Seit dem 19. Jahrhundert erlebt Serialität als Prinzip eine Konjunktur: in der Fabrik, im Labor der Experimentalwissenschaften, in der Kunst, im Fernsehen und heute auch im Digitalen. Aber wie sieht es mit der Theoriefähigkeit der Serie aus Diese Einführung nähert sich der Vielfalt serieller Phänomene aus medien- und kulturwissenschaftlicher Perspektive und stellt die theoretische Reflexion industrieller Serien (Charles Babbage, Karl Marx, Sigfried Giedion, Theodor W. Adorno), epistemischer Serien (Hans-Jörg Rheinberger, George Kubler), ästhetischer Serien (Katharina Sykora, Umberto Eco) und des seriellen Formenreichtums im - und 'nach' dem - Fernsehen (Raymond Williams, Stanley Cavell, Lorenz Engell) vor. 196 pp. Deutsch.…

Taschenbuch. Condition: Neu. Neuware - Vom YouTube-Fenster bis zur IMAX-Leinwand: Immer mehr Bildschirme, Displays und Leinwände durchziehen heute den privaten und öffentlichen Raum. Während die Proliferation des Bewegtbildes oft als Indiz für den 'Tod des Kinos' interpretiert wird, nimmt dieses Buchs erneut die Besonderheiten und Grenzen von Film und Kino in den Blick. Im Zentrum stehen die Position des Kinozuschauers ebenso wie die Transformationen des Kinos angesichts digitaler Distributionsformen, die Aneignung des Experimentalfilms durch installative Kunstformen und die Ästhetik des HD-Bildes. Weitere Beiträge untersuchen, auf welche Weise das Kino mit den übrigen Künsten und Medien wie Theater und Fernsehen interagiert, und welche Herausforderungen die momentane Situation für die Filmtheorie mit sich bringt. (Text in englischer Sprache).…