Rubin William Ed (116 results)

paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Fair. No Jacket. Former library book; Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. With dust jacket. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Acceptable. Jumbo-sized. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library.

Condition: Very Good. illustrated edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. illustrated edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

paperback. Condition: Good. Condition Notes: Moderate edge wear. Binding good. May have marking in text. We sometimes source from libraries. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Good.

Soft cove. Condition: Good. No jacket. Covers lightly worn from handling, clean and unmarked inside.

softcover. Condition: Very Good with no dust jacket. First Edition; First Printing. First Edition; First Printing. Square, sound binding. Clean, slightly off-white pages. Wrappers have light handling wear including some curling. Parody of literary criticism journal. Contents: Michelangelo Bermudas, "Intertextuality"; Leonard Scott-Mongos, "B/S: An Essay by Rodeo Barkis"; "Earl," "Rhapsody in Ugly"; Leman, Loch, ed., "Selections from the Noron Reader"; Iowa Ollive, "Variations on a Theme by Betsy Bell" and much more. 9.5" tall; 123 pages. …

paperback. Condition: very good. Illustrated with 117 plates, 34 in color. 208 pages. Slim 4to, orange pictorial wrappers. New York: Museum of Modern Art, (1982). Rather sunned edges/spine, light corner wear on front cover. An internally clean, very good copy. De Chirico, Giorgio (illustrator).

Softcover, 496 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

paperback. Condition: Very Good. Hardcover. Very Good / Good dust jacket. Free of any markings and no writings inside. Minor shelf-wear. Some paper loss and wear around edges of DJ. For any additional information or pictures, please inquire.

Soft cover. Condition: Good. 416 pages, with Comparative Chronology, List of Plates, Catalog by John Rewald. Published in connection with an exhibition at the New York Museum of Modern Art of the same title. Essays by the editor (director of the Department of Painting and Sculpture at MOMA) and eight other scholars, including ones devoted to landscape paintings, lithographs, watercolors, and various aspects of Cézanne's development and his influence. Art reproductions include b&w cuts and plates, some color plates. Large (9" x 11") trade paperback, printed on semi-glossy stock, wraps a little curled, inside of covers age-tanned, light shelf wear, foxing to fore-edge and along top margins of wraps. Pages unmarked. Heavy book, may incur shipping surcharge.…

Hardcover. Condition: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

Soft cover. Condition: Very Good. 1st Edition. Stiff pictorial wraps. Covers mildly tanned, with light creasing to top back cover corner. Slight loss/repair to front flyleaf. 184 pp., illus., b&w photographs (portfolio of Louis Armstrong). Book.

Condition: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Condition: New.

Hardcover with dustjacket, 208 pages; good condition; light rubbing to dj; light brown spotting to outer pages edges and some of the interior page edges; 1 page creased at lower right corner. Foreign shipping may be extra.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Good +/NO DUSTJACKET. New York, NY: Museum of Modern Art. Good +/NO DUSTJACKET. (1980). . Paperback. Sm 4to., 464 pp., cover light shelf wear to edges and corners, corners lightly curled and bumped, spine creased, otherwise quite good; former owner's name penned on half-title page, otherwise pages clean and unmarked. Includes errata slip . Black & White/Color Illus. (illustrator).…

Hardbound. Navy cloth with white lettering; grey dw with color illustration and black lettering; 496 pp. profusely illustrated in color and bw. Includes 11 critical essays, with topics including self-portraits, Marie-Therese Walter, Dora Maar, Francoise Gilot, and much more; with extensive text and an index of illustrations; an amazingly informative catalogue from the exhibition. "Portraiture has managed to flourish in modern painting in spite of the popularization of photography, the decline of traditional patronage, and modernism's increasing emphasis on abstraction. However problematic modern styles have been for representational art, painters have continued to discover new possibilities in the imaging of the human face. This book explores the challenge of the modernist portrait through the multiple solutions proposed by its foremost protagonist and, in so doing, becomes the first volume ever published on the subject of Picasso and portraiture. The hundreds of works reproduced here - most of them unfamiliar, some virtually unknown - demonstrate the remarkable range of Picasso's experimentation in all its stylistic and psychological diversity. The book opens with an authoritative, broad-ranging essay by William Rubin; the nine essays that follow - all by major contemporary scholars and critics - examine different periods and aspects of Picasso's career and clarify personal relationships between the artist and his subjects. It closes with an essay by Mr. Rubin on the late portraits. Numerous photographs, some never before published and many by outstanding photographers, present the portrait subjects as seen through the eye of the camera. This book, published to accompany a major exhibition at The Museum of Modern Art, New York, opening in April 1996, no doubt will long remain the definitive work on its subject."--Jacket. VG, minor wear to dj edges and ex-library spine label and stamp/marking to title page, otherwise clean.…

Oversized paperback. Condition: As new. The Museum of Modern Art, 1996. 496pp., color, black and white illustrations throughout. 4to. Uncreased spine, as new oversize softcover. Pablo Picasso (illustrator).

Softcover exhibition cataog, 208 pages; very good condition; clean and crisp; no internal marks. 12-page stapled pamphlet from the exhibition laid in.