Rusk Jack (44 results)

paperback. Condition: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: new. Paperback. In a world of change we cling to constants that comfort us while catastrophes lure behind cut corners.We compartmentalize and channel our focus into cones of concentration when confronted with choices. Many might decide to do so with intention while others simply try to cope with the complexities. While we are no strangers to change, this current historical conjuncture presents extremities and emergencies that invite conjecture on normalcy and its fragility, challenges to status quos and rapid adaptation to revised realities.As everyday life is turned on its head, the home remains a physical and metaphorical locus of our greatest aspirations and deepest anxieties. A performative and pervasive space where fictions become realities and rearranging furniture and fixtures constitutes political acts with planetary consequences. Today's dense time offers us glimpses of a myriad of hybridized and alternative modes of domesticity that demand our shared attention and careful critical inquiry before they are once again lost to routine.I, Like Many Thingsis a story of contemporary life and architecture that begins with everyday domestic practices and the notion of "home" as a literal (and literary) space-a space which simultaneously structures and is structured by our relationship to each other and the world. To tell this story, twenty-six authors from far-flung fields and geographies collectively narrate four fluid chapters of a thick history of the present.Across four chapters and three visual catalogs,I, Like Many Thingspresents anecdotal stories, fictions, academic research, poetry, and visual essays. One chapter explores nascent and invasive virtual worlds. Another hones in on ongoing ecological collapse and climate disaster. A third chapter finds ground in social movements and political organizing, while a fourth ponders selfhood, imagination, and the possibilities of "off-time." As timely distractions between chapters, catalogs present past inquiries by us and open call participants.I, Like Many Thingsis for those to whom the pandemic was an exercise in spatial design. Those who consider themselves architects or designers and those who do not. Those of us who engage with, push back on, and negotiate the spaces we inhabit, consciously or unaware, expanding our collective field of action.I, Like Many Thingsinsists on the critical interdependencies of all social, political, and environmental struggles, and attempts to maneuver ambiguities, complexities, imaginaries, and chaos as stepping stones toward more integrative and sensitive spatial practices. It can be read as an unreliable guide to alternative ways in many directions.With contributions by Kyriacos Christofides, Meera Badran, Francesco Casetti, Stefano Masserini, Raqs Media Collective, Rachael Marie Scicluna, Michelle Millar Fisher, Lee Scrivner, Kathryn-kay Johnson, Nathalie Frankowski, Cruz Garca, Zachariah A. Michielli, Adonis Archontides, Jennifer C. Nash, Simone C Niquille, Simon Stryer, Patricia Domnguez, Athar Mufreh, Joshua Tan, Lusa Sol, Nikolaj Schultz, Ellen Blumenstein, Markus Miessen, Pinar Yoldas, Deirdre Barrett, Oxana Timofeeva, Martina Potlach, Shahla Alharthi, Leidy Karina Gomez Montoya, Andrea Sanchez Moctezuma, Rachel Ghindea, Athiba Balasubramanian, Konstantinos Ballis, Abhishek Ambekar, Katie Colford, William Beck, David Bruce, Dhruv Gulabchande, Edgar Papazian, Andrew Economos Miller, Chase Ireland, Anthony Iovino, Giada Puccinelli, Pete Pham, Sofia Guzman, Nick Massarelli, Sangji Han, Ethan Lethander, Helen Farley, Megan Panzano, Drew Doyle, Alondra Correa, Renata Cesar, Michelle Nguyen, Christina Zhang, Michelle Bunch, Rukshan Vathupola, Matthew Liu, Anishwar Tirupathur, Mari Kroin, Montgomery Balding, Jessica Jie Zhou , Miguel Aste Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: New.

Paperback. Condition: New.

Paperback. Condition: Brand New. 320 pages. 7.00x4.50x0.32 inches. In Stock.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New. In.

Condition: New.

Hardback. Condition: New. "Information" has become a core concept across the disciplines, yet it is still often seen as a unique feature of the Western world that became central only in the digital age. In this book, leading experts turn to China's textual tradition to show the significance of information for reconceptualizing the work of literary history, from its beginnings to the present moment.Contributors trace the organization of literary information across China's three millennia of history, examining the forms and practices of information management that have evolved alongside the increasing scale and complexity of textual production. They reimagine literary history as information processing, detailing the many kinds of storage, encoding, sorting, and transmission that constitute and feed back into China's long and ever-growing cultural tradition. The volume features state-of-the-field essays on all major forms of literary information management, from graphs to internet literature, and from commentaries to literary museums and archives. By shifting focus from individual works and their authors to the informatic schemata of literature, it identifies three scales of information management-the word, the document, and the collection-and surveys the forms that operate at each level, such as the dictionary, the anthology, and the library.Literary Information in China is a groundbreaking work that provides a systematic and innovative reassessment of literary history with implications that extend beyond the particular Chinese context, revealing how informatic practices shape literary tradition.

Hardcover. Condition: New.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New.

Hardcover. Condition: Brand New. 648 pages. 9.50x6.50x2.00 inches. In Stock.

Condition: NEW.

Condition: New. 2021. Hardcover. . . . . .

Paperback. Condition: new. Paperback. In a world of change we cling to constants that comfort us while catastrophes lure behind cut corners.We compartmentalize and channel our focus into cones of concentration when confronted with choices. Many might decide to do so with intention while others simply try to cope with the complexities. While we are no strangers to change, this current historical conjuncture presents extremities and emergencies that invite conjecture on normalcy and its fragility, challenges to status quos and rapid adaptation to revised realities.As everyday life is turned on its head, the home remains a physical and metaphorical locus of our greatest aspirations and deepest anxieties. A performative and pervasive space where fictions become realities and rearranging furniture and fixtures constitutes political acts with planetary consequences. Today's dense time offers us glimpses of a myriad of hybridized and alternative modes of domesticity that demand our shared attention and careful critical inquiry before they are once again lost to routine.I, Like Many Thingsis a story of contemporary life and architecture that begins with everyday domestic practices and the notion of "home" as a literal (and literary) space-a space which simultaneously structures and is structured by our relationship to each other and the world. To tell this story, twenty-six authors from far-flung fields and geographies collectively narrate four fluid chapters of a thick history of the present.Across four chapters and three visual catalogs,I, Like Many Thingspresents anecdotal stories, fictions, academic research, poetry, and visual essays. One chapter explores nascent and invasive virtual worlds. Another hones in on ongoing ecological collapse and climate disaster. A third chapter finds ground in social movements and political organizing, while a fourth ponders selfhood, imagination, and the possibilities of "off-time." As timely distractions between chapters, catalogs present past inquiries by us and open call participants.I, Like Many Thingsis for those to whom the pandemic was an exercise in spatial design. Those who consider themselves architects or designers and those who do not. Those of us who engage with, push back on, and negotiate the spaces we inhabit, consciously or unaware, expanding our collective field of action.I, Like Many Thingsinsists on the critical interdependencies of all social, political, and environmental struggles, and attempts to maneuver ambiguities, complexities, imaginaries, and chaos as stepping stones toward more integrative and sensitive spatial practices. It can be read as an unreliable guide to alternative ways in many directions.With contributions by Kyriacos Christofides, Meera Badran, Francesco Casetti, Stefano Masserini, Raqs Media Collective, Rachael Marie Scicluna, Michelle Millar Fisher, Lee Scrivner, Kathryn-kay Johnson, Nathalie Frankowski, Cruz Garca, Zachariah A. Michielli, Adonis Archontides, Jennifer C. Nash, Simone C Niquille, Simon Stryer, Patricia Domnguez, Athar Mufreh, Joshua Tan, Lusa Sol, Nikolaj Schultz, Ellen Blumenstein, Markus Miessen, Pinar Yoldas, Deirdre Barrett, Oxana Timofeeva, Martina Potlach, Shahla Alharthi, Leidy Karina Gomez Montoya, Andrea Sanchez Moctezuma, Rachel Ghindea, Athiba Balasubramanian, Konstantinos Ballis, Abhishek Ambekar, Katie Colford, William Beck, David Bruce, Dhruv Gulabchande, Edgar Papazian, Andrew Economos Miller, Chase Ireland, Anthony Iovino, Giada Puccinelli, Pete Pham, Sofia Guzman, Nick Massarelli, Sangji Han, Ethan Lethander, Helen Farley, Megan Panzano, Drew Doyle, Alondra Correa, Renata Cesar, Michelle Nguyen, Christina Zhang, Michelle Bunch, Rukshan Vathupola, Matthew Liu, Anishwar Tirupathur, Mari Kroin, Montgomery Balding, Jessica Jie Zhou Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: new.

Hardback. Condition: New. New copy - Usually dispatched within 3 working days.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. pp. 672.

Condition: New. KlappentextIn a world of change we cling to constants that comfort us while catastrophes lure behind cut corners. We compartmentalize and channel our focus into cones of concentration when confronted with choices. Many might de.

Condition: New. 2021. Hardcover. . . . . . Books ship from the US and Ireland.

Hardback. Condition: New. "Information" has become a core concept across the disciplines, yet it is still often seen as a unique feature of the Western world that became central only in the digital age. In this book, leading experts turn to China's textual tradition to show the significance of information for reconceptualizing the work of literary history, from its beginnings to the present moment.Contributors trace the organization of literary information across China's three millennia of history, examining the forms and practices of information management that have evolved alongside the increasing scale and complexity of textual production. They reimagine literary history as information processing, detailing the many kinds of storage, encoding, sorting, and transmission that constitute and feed back into China's long and ever-growing cultural tradition. The volume features state-of-the-field essays on all major forms of literary information management, from graphs to internet literature, and from commentaries to literary museums and archives. By shifting focus from individual works and their authors to the informatic schemata of literature, it identifies three scales of information management-the word, the document, and the collection-and surveys the forms that operate at each level, such as the dictionary, the anthology, and the library.Literary Information in China is a groundbreaking work that provides a systematic and innovative reassessment of literary history with implications that extend beyond the particular Chinese context, revealing how informatic practices shape literary tradition.