Sackeroff Sam (40 results)

Condition: Like New. Never used! Light wear to corners/edges from shelving.Never used! Light wear to corners/edges from shelving.

hardcover. Condition: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

paperback. Condition: Very Good. JUMBO. Jumbo-sized. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK.

Condition: New. Brand new.New.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Printing. Crisp, clean pages except for a thin yellowish line in the margin of the copyright page; no other owners' marks; square, tight binding, hard cover showing only a tiny wrinkle at the spine head; dust jacket has a pair of pressure marks at the upper front, and one of these has caused shallow surface rippling at the upper right front, otherwise sound and now protected in a clear, removable sleeve. 269pp + full-page plates at front and rear; color throughout. Published in conjunction with an exhibition at the Jewish Museum, New York, in 2021.…

paperback. Condition: Good. JUMBO. Jumbo-sized. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK.

paperback. Condition: Acceptable. JUMBO. Jumbo-sized. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condition: Used Very Good. Used very good oversized case-wrapped hardcover museum exhibit catalog. Minor wear to the corners. 4to. (9.25 x 0.8 x 11.75 inches) Clean text free of marks or underlining. Includes an introduction and a bibliography. 179 pp. Fast shipping in a secure book box mailer with tracking. Across drawing, painting and sculpture, Jim Dine creates and recreates his self-portrait This book accompanies the recent Galerie Templon exhibition of the work of American artist Jim Dine (born 1935), which explores the autobiographical excavation at the heart of his work today. Here the focus lies on three self-reflective series from the past three years, each in a different medium. Drawing the Minutes and Me employ pencils, paper and oil on canvas to create a shifting typography of the artist. The titular work of the exhibition, Three Ships, is a set of monumental bronze sculptures studded with branches, ropes and dozens of tools: one of his most beloved motifs. With short personal texts by the artist and photos documenting him at work at the Kunstgiesserei St. Gallen foundry, Three Ships is a testament to Dine's transformative versatility, which sweeps across seven decades and shows no sign of abating.…

Condition: New.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

paperback. Condition: New. Pap.

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: New. New. Shrink-wrapped. Paperback.

Condition: New.

Condition: New.

Paperback. Condition: new. Paperback. The radical changes that occurred in the three years between January 1962 and December 1964 had a profound effect on creative life in the city and around the world, altering not only the fine arts but everything from performance to music to design. Together with these creative innovations, the period from 1962 through 1964 saw a shift in the centre of artistic gravity from Europe to the United States and the rise of a new leadership in the arts, centred on a number of New York-based curators, gallerists, and other impresarios. Inspired by the scale and format of the widely read, image-forward magazines of the time such as Life and Look, this lavishly illustrated oversize paperback traces a detailed itinerary of artists and curators, experimental exhibitions and groundbreaking happenings, as well as historical and political events that transformed society during this explosive moment. From the important "New Realists" exhibition at Sidney Janis Gallery in 1962 to the award of the International Grand Prize in Painting to the New York-based artist Robert Rauschenberg at the Venice Biennale in 1964, the city saw a flood of new approaches to art making, as well as fertile encounters among creators across mediums and disciplines. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. In English.

Hardback. Condition: New. A strikingly original exploration of the profound impact of World War II on how we understand the art that survived it By the end of World War II an estimated one million artworks and 2.5 million books had been seized from their owners by Nazi forces; many were destroyed. The artworks and cultural artifacts that survived have traumatic, layered histories. This book traces the biographies of these objects-including paintings, sculpture, and Judaica-their rescue in the aftermath of the war, and their afterlives in museums and private collections and in our cultural understanding. In examining how this history affects the way we view these works, scholars discuss the moral and aesthetic implications of maintaining the association between the works and their place within the brutality of the Holocaust-or, conversely, the implications of ignoring this history.  Afterlives offers a thought-provoking investigation of the unique ability of art and artifacts to bear witness to historical events. With rarely seen archival photographs and with contributions by the contemporary artists Maria Eichhorn, Hadar Gad, Dor Guez, and Lisa Oppenheim, this catalogue illuminates the study of a difficult and still-urgent subject, with many parallels to today's crises of art in war.   Published in association with the Jewish Museum, New York  Exhibition Schedule:Jewish Museum, New York (Opens August 2021). …

Hardcover. Condition: As new. Quarto. Hardcover. Illustrated paper wraps with black titles. 179 pages : chiefly illustrations (color illustrations) ; 31 cm. "This book accompanies the recent Galerie Templon exhibition of the work of American artist Jim Dine (born 1935), which explores the autobiographical excavation at the heart of his work today. Here the focus lies on three self-reflective series from the past three years, each in a different medium. Drawing the Minutes and Me employ pencils, paper and oil on canvas to create a shifting typography of the artist. The titular work of the exhibition, Three Ships, is a set of monumental bronze sculptures studded with branches, ropes and dozens of tools: one of his most beloved motifs. With short personal texts by the artist and photos documenting him at work at the Kunstgiesserei St. Gallen foundry, Three Ships is a testament to Dine's transformative versatility, which sweeps across seven decades and shows no sign of abating"--.…

Paperback. Condition: New.

Condition: New.

Hardcover. Condition: Brand New. 280 pages. 11.00x8.00x0.10 inches. In Stock.

paperback. Condition: New. Special order direct from the distributor.

351 pp.; 31.1 x 24.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the Museum of Modern Art, New York, February 14 - May 15, 2016. Traveled to Museo Nacional Centro de Arte Reina Sofia, Madrid, October 4, 2016 - January 9, 2017. Organized by Christophe Cherix and Manuel J. Borja-Villel, with assistance by Francesca Wilmott. Texts by Christophe Cherix, Benjamin H.D. Buchloh, Cathleen Chaffee, Jean-François Chevrier, Kim Conaty, Thierry de Duve, Rafael Garcia, Doris Krystof, Christian Rattemeyer, Sam Sackeroff, Teresa Velázquez and Francesca Wilmott. With a conversation between Maria Gilissen Broodthaers and Yola Minatchy. Includes exhibition history, selected bibliography, catalogue of the exhibition, and illustrated works. New / Fine. In publisher's issued shrink wrap as issued. Due to size and weight of this publication additional shipping charges will be required for international orders.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: NEW.

Rilegato. Condition: new. New York, Jewish Museum, 22 luglio 2022 - 8 gennaio 2023. A cura di Celant G. Milano, 2022; ril., pp. 344, 400 ill. b/n e col., cm 26,5x35,5. Un momento cruciale dell'arte e della cultura a New York in uno spettacolare volume fotografico di grande formato I cambiamenti radicali che avvennero nei tre anni compresi tra il gennaio 1962 e il dicembre 1964 ebbero un profondo effetto sulla vita creativa della città di New York e del mondo, modificando profondamente tutto il mondo dell'arte, dalle arti visive in senso stretto alle performance, dalla musica al design. Insieme a queste innovazioni creative, il periodo dal 1962 al 1964 vide uno spostamento del centro di gravità artistica dall'Europa agli Stati Uniti e l'ascesa di una nuova leadership nelle arti, incentrata su un certo numero di curatori, galleristi e altri impresari di New York. Ispirato nella grafica e nel formato alle riviste dell'epoca, molto lette e ricche di immagini, come "Life" e "Look", questo volume oversize riccamente illustrato traccia un itinerario dettagliato di artisti e curatori, mostre sperimentali e avvenimenti innovativi, analizzando parallelamente gli eventi storici e politici che trasformarono la società durante questo momento cruciale ed esplosivo. Dall'importante mostra "New Realists" alla Sidney Janis Gallery nel 1962 all'assegnazione del Gran Premio Internazionale di Pittura all'artista newyorkese Robert Rauschenberg alla Biennale di Venezia nel 1964, la città vide un'ondata di nuovi, rivoluzionari approcci al fare arte, così come fertili incontri tra i creatori attraverso mezzi e discipline diversi. Ideato e curato da Germano Celant, questo volume contiene interviste di Celant con Christo e Jim Dine e tributi di Claudia Gould e Michael Rock; lo sviluppo dell'ampia cronologia mese per mese è stata supervisionata da Sam Sackeroff, Lerman-Neubauer Associate Curator al Jewish Museum, collaboratore al catalogo insieme a importanti studiosi internazionali e multidisciplinari. Libro.…