Sarah E Thompson (220 results)

Condition: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condition: As New. Unread book in perfect condition. Dávila, Sergio; Marvel Various (illustrator).

Condition: New. Dávila, Sergio; Marvel Various (illustrator).

Ring-bound. Condition: As New.

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Gordon, Steven; Albers, Dan (illustrator).

Condition: As New. Unread book in perfect condition. Dávila, Sergio; Marvel Various (illustrator).

Condition: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. First printing of the first edition, 15 volumes of Stanford short stories were published between 1946 and 1964. Edited by Wallace Stegner and Richard Scowcroft, these annual volumes include 175 stories written in creative writing classes [Stegner Fellowship] at Stanford University. Stegner has written prefaces in volumes 1-4, 7-8, and 12. 'Short Stories 1952' is volume vi; Hardcover in dust jacket, light brown cloth, red-lettered spine. 160pp. Top edge creased to pages 151-160, light tanning to top edge and spine of jacket, else book and dust jacket in fine condition.…

Paperback. Condition: Very Good-. Paperback. Slight nick to edge of back cover, else very good condition: binding sound, text clean, light shelfwear. Oversize. 48 pages. Hard-to-find title. Book.

Condition: New.

hardcover. Condition: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Condition: New. Dávila, Sergio; Marvel Various (illustrator).

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Hardcover. Condition: New. Following notes on the enthusiasm for japonisme from the mid 1850s, and the developing style of woodblock prints, this exhibition catalogue explores the influence of Japanese art and culture on western artists. Well-illustrated with examples from the Museum of Fine Arts in Boston, it draws connections between the work of artists in the west, including Munch and Monet, and those of the east, such as Hiroshige and Hokusai, focusing on representations of city life, nature, landscape and women.…

Paperback. Condition: Good.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: Good. The first book to focus exclusively on Hokusai?s landscapes, by one of the world?s leading ukiyo-e specialists The best known of all Japanese artists, Katsushika Hokusai was active as a painter, book illustrator and print designer throughout his ninety-year lifespan. Yet his most famous works of all ? the colour woodblock landscape prints issued in series, beginning with Thirty-Six Views of Mount Fuji ? were produced within a relatively short time, in an amazing burst of creative energy that lasted from about 1830 to 1836. Hokusai?s landscapes not only revolutionized Japanese printmaking but within a few decades of his death had become icons of world art as well. With stunning colour reproductions of works from the largest collection of Japanese prints outside Japan, this book examines the magnetic appeal of Hokusai?s designs and the circumstances of their creation. The book includes all published prints of the artist?s eight major landscape series: Thirty-Six Views of Mount Fuji (1830?32), A Tour of Waterfalls in Various Provinces (1833?34), Snow, Moon and Flowers (1833), Eight Views of the Ryukyu Islands (1832?33), One Thousand Pictures of the Ocean (1832?33), Remarkable Views of Bridges in Various Provinces (1834), A True Mirror of Chinese and Japanese Poetry (1833) and One Hundred Poems Explained by the Nurse (1835). Working prolifically in the years just before Japan opened to the West in 1853, Katsushika Hokusai (1760?1849) was the first Japanese artist to be internationally recognized. His cleverly composed ukiyo-e prints of everyday life and the landscapes of Edo Japan arrived in a 19th-century Europe gripped by Japonisme-mania, where they influenced artists such as Degas, Gauguin, Manet and Van Gogh.…

164 pp. Illustrated in color. 8vo, publisher's cloth in dust jacket. Ink Christmas gift inscription; otherwise fine in a fine jacket.

Condition: New.

Condition: New.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Softcover, 168 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardback or Cased Book. Condition: New. Pictures of the Floating World: An Introduction to Japanese Prints. Book.

Condition: New.

Hardcover. Condition: Good. Dust Jacket Condition: Good. 1st Edition. 164 page hardcover with color illustrations. The book and dust jacket appear to be VG+ condition, but have a light damp stain on exterior cover and inner dust jacket. No other flaws - appearance of a new book.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. The extraxial-axial theory (EAT) and universal elemental homology (UEH) are often portrayed as mutually exclusive hypotheses of homology within pentaradiate Echinodermata. EAT describes homology upon the echinoderm bauplan, interpreted through early post-metamorphic growth and growth zones, dividing it into axial regions generally associated with elements of the ambulacral system and extraxial regions that are not. UEH describes the detailed construction of the axial skeleton, dividing it into homologous plates and plate series based on symmetry, early growth, and function. These hypotheses are not in conflict; the latter is rooted in refinement of the former. Some interpretive differences arise because many of the morphologies described from eleutherozoan development are difficult to reconcile with Paleozoic forms. Conversely, many elements described for Paleozoic taxa by UEH, such as the peristomial border plates, are absent in eleutherozoans. This Element recommends these two hypotheses be used together to generate a better understanding of homology across Echinodermata.…

Condition: As New. Unread book in perfect condition.