Schacht Robert (38 results)

Pamphlet. Condition: Very Good. Vol 82, No 4, pp. 782-798, Extracted from orig vol, then Recased in orig journal covers, else VG.

Paperback (spiral). Condition: Good+. First Edition. Stiff yellow covers printed in blue with blue plastic comb-style binding (some water-spotting and wear to covers; tiny ink price on first page). Size: 8vo - over 7¾" - 9¾" tall. Book.

Condition: New.

Condition: New.

Condition: New. In English.

Condition: New. pp. 272.

Condition: New.

Hardback or Cased Book. Condition: New. Der Gute Pfarrer in Der Englischen Literatur Bis Zu Goldsmith's Vicar of Wakefield . Book.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. pp. 272.

souple. Condition: Bon. 1 vol. 12mo. softcover, Larose, Paris, MCMLIII ( 1953), 162 pp. Table of contents : Perspectives (R. Brunschvig) ; New sources for the History of Muhammadan Theology (J. Schacht) ; Some observations on the significance of Heresy in the history of Islam (R. Lewis) ; Les souverains seljoukides et leurs sujets non-musulmans (O. turan) ; The Spirit of Islam as shown in its literature (G. E. von Grunebaum) ; Un essai d'analyse fonctionnelle. Les tendances mystiques du poète libanais d'Amérique Gabran Halil Gabran (J. Lecerf) ; Problèmes initiaux de la sociologie juridique en Afrique du Nord (J. Berque). Very nice copy of this very fist issue of Studia Islamica. This reviews aimed at offering to a wider public, and not only to specialists of Islam, papers on all sections of islamic studies. Text were written either in English or French. Langue: Anglais.…

Hardcover. 79 S., Leinen, Oktav, diverse Abbildungen, wohlerhaltenes Exemplar.

80 S. Ill. Orig.-Leinenband. - Einband gering fleckig. Ansonsten sehr gut erhaltenes Exemplar. Innen sauber.

Condition: New. In English.

Soft cover. Condition: Fine. No Jacket. 1st Edition. Tiny signature of previous owner on FEP.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: VG. 1974 Environmental Protection Agency. Ecological Research Series. 4to., 55pp., original printed wraps. A few Depository Library stamps, ink number on front. VG.

soft cover. Condition: fine. first edition. - - - - - - - Critique est une revue littéraire, philosophique et artistique mensuelle créée en 1946 par Georges Bataille, puis dirigée pendant cinquante ans par son ami Jean Piel. Paraissant à l'origine aux éditions du Chêne, elle est éditée depuis 1950 par Les Éditions de Minuit. Georges Bataille veut créer dès la fin de l'année 1945 une nouvelle revue qui rendrait compte selon lui de « l'essentiel de la pensée humaine prise dans les meilleurs livres. L'une des plus anciennes revues, Le Journal des savants qui date du xviie siècle suivait cette formule. » Le projet n'aboutit que l'année suivante et en juin 1946 paraît le premier numéro qui comporte notamment un article sur Henry Miller dont Bataille prendra plus tard la défense après son inculpation pour obscénité. Critique porte en sous-titre : Revue générale des publications françaises et étrangères ; et sous la direction de Bataille, avec Pierre Prévost comme rédacteur en chef, le comité de rédaction comprend à l'origine Maurice Blanchot, Albert Ollivier, Éric Weil, Jules Monnerot et Pierre Josserand . Le second comité, considérablement élargi, comptera une trentaine de membres, parmi lesquels on peut citer Marcel Arland, Raymond Aron, Louis de Broglie, René Char, René Huyghe, Alexandre Koyré, Mario Praz, Paul Rivet, Jean Wahl. Après Pierre Prévost, c'est Éric Weil qui sera le rédacteur en chef, remplacé ensuite par Jean Piel. Contrairement à de précédentes revues qu'il anima, comme Documents ou Acéphale, s'agissant de Critique, Georges Bataille n'en fit pas « l'organe » d'une communauté, sans compter que la revue perdure, contrairement aux entreprises brèves et chaotiques initiées par Bataille. De fait, la plus grande disparité préside à la rédaction de la revue, même si beaucoup de contributeurs, mais pas tous, sont des amis de Bataille. Au sommaire des quatre premiers numéros parus entre juin et septembre 1946 figurent les noms de Jean Maquet, Jacques Lemarchand, Alexandre Koyré, Éric Weil, Jean Chauveau, Georges Ambrosino, Georges Balandier, Théodore Fraenkel, Albert Ollivier, Maurice Blanchot, Aimé Patri, Jean Piel, Alexandre Kojève, etc.…

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 54. A perfect gift for your loved ones. Reprinted from 1978 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 54.…

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 76. A perfect gift for your loved ones. Reprinted from 1974 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 76.…

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Softcovers. Condition: Very good+ condition. First editions. Rohwedder was a Los Angeles magazine for literature and art founded in 1986. Counting Volume Zero, the "dress rehearsal" for a magazine concerned with under-representation of the multitude of foreign cultures present in Los Angeles in favor of generally Eurocentric culture policies in Los Angeles, a total of eight issues were published. Contributions in foreign languages were presented in the original as well as English translation. Rohwedder Volume Zero: Published by H. J. Schacht, editors Nancy A. Antell and Colin McLeod. Reproduction of drawing by H. J. Schacht on cover. 1986. Octavo. 16pp. Original illustrated stiff wraps with black lettering on cover. The selection of contributions in volume Zero included "The President's Statement" by Colin McLeod, "Anti Apart Hate Art" by Michelle Clinton, pure criticism of that Eurocentric culture by Robert Harris, early environmental concerns in the centerfold illustration "Urban Blue Plates (A Polar Fantasy)" by Barry Markowitz, and Salvadoran poetry by Hildebrandt Juarez and Joaquin Meza, translated with a contribution on Salvadoran poetry by Ruben Martinez. Rohwedder Volume 1. 1986. Octavo. 32pp. Original illustrated glossy white stiff wraps with black lettering on covers. Now published by Schacht and Antell. Title page with: "editorial tic mantic romantic eddy memorial you yum rhetorical cal i methodical him ham therefore she he all September fall just as any other year editorial me. The next issue will be about, from, for and probably against LA." Contains Salvadoran and Lithuanian poetry, illustrations by Julie Overski and Sergio Zenteno. Ruben Martinez had joined as contributing editor. Design, including cover by Sergio Zenteno. Faint staining on front cover. Rohwedder Volume 2, 1987: Octavo. 42pp. Original photo-illustrated stiff wraps with yellow lettering. Illustrated with photographs, including cover by Carol Cetrone with centerfold by Sergio Zenteno. Art director: Kevin Hosman. Colin MacLeod had left as contributing editor. Contributions by Sesshu Foster, Elia Arce, Lyn Lifshin, Julien Foreman, Joanna Warwick, Stanislaw Baranczak, Colin MacLeod, Ruben Martinez and others. Includes illustrated letter from Wieland Schmidt, Kiel. Back cover with addition to imprint: Rough Weather Press. Rohwedder Volume 3. The Latin America Issue. Spring 1988. Quarto. (1) 38 (1)pp. Original stiff wraps with photomontage by Julien Foreman on covers, black and gray lettering. Imprint and biographies printed on bound in half-pages at front and back. With contributions by Juan Felipe Herrera, Manlio Argueta, Ruben Martinez, Gaspar Aguilar Diaz, Roque Dalton, Elia Arce, Alberto Blanco, Victor Valle and others. Illustrated with reproductions of paintings by Augusto Crespin, Thomas Kidd, Michel Aguilar, Su Knill, drawings by Yuske Inoue, and photographs by Ruben Martinez, Palo Martin, Amador Teran, Gary Douglas, Antonio Turok and Carol Cetrone. Layout. design and typesetting by Julien Foreman. Rohwedder Volume 4: Issue featuring German, European and local artists and writers. Fall 1988. Quarto. 48pp. The most ambitious issue yet. It features the first publication of Sarah Kirsch poetry in the USA in English, contributions by Peter Schneider on the subject of immigrants, poetry by Eugenio de Andrade, translated and introduced by Alexis Levitin, Berlin artist Rafael Rheinsberg and his pseudo-archaeological aesthetics, poetry by Ursula Krechel, Halina Poswiatkowska, Pia Tafdrup, Fr. Benedict Auer, and Reiner Kunze, an interview with Eric Trules, photographs by Christian Jungeblodt, drawings by Ricardo Garcia, photographs and a painting by Kain Karawahn, among others. The issue includes reviews of the Anselm Kiefer exhibition at MOCA as well as a review of the MOCA staging of"The Mission" by the Kitchen Collective. Layout and design by Ricardo Garcia. The magazine now distributed in Los Angeles bookstores. Rohwedder Volume 5: The issue internally referred to as "the bridge issue," not only because of th.…

Hardcover. First, limited, and numbered edition. This first edition 1925 collection of Dartmouth Verse connects two great American poets of the twentieth century - Robert Frost and Carl Sandburg. This is Sandburg's personal copy, inscribed and gifted to him. The inscription is inked in seven lines on the front free endpaper: "To | Carl Sandburg | January 14, 1926 | Hanover New Hampshire | Gail Borden | for | 'The Arts'". The person who inscribed this copy to Sandburg, Gail Borden, was at the time a Dartmouth undergraduate, class of 1926, who went on to become a journalist, drama critic, and columnist with the Chicago Daily Times, and during the Second World War served in the Army Air Corps.This anthology is noteworthy for a Foreword (dated "June, 1925") and Introduction by Robert Frost found at pages V-IX. Frost explains in his Foreword that this volume results from a Dartmouth undergraduate contest in which "more than sixty undergraduates submitted over two hundred manuscripts, many of them of such quality that competent members of the faculty and of the writing profession hailed them as worthy of publication." The book was produced for subscribers in a limited and numbered edition of "FIVE HUNDRED COPIES. PRINTED ON VAN GELDER PAPER BY THE MOSHER PRESS PORTLAND MAINE FOR THE ARTS HANOVER NEW HAMPSHIRE AND THE TYPE DISTRIBUTED IN THE MONTH OF MAY MDCCCCXV". It is a handsome, if fragile, production, a small hardcover featuring a quarter ivory paper-covered spine with blue-gray paper-covered boards, the spine printed in black and red. The contents are printed on laid paper and bound with untrimmed fore and bottom edges. Per the colophon, this copy is hand-numbered "422". Condition is very good. The binding is square, tight, and sharp-cornered, though mildly soiled with some shelf wear to extremities. The contents are beautifully clean and bright. Frost's Introduction is characteristically folksy, pithy, and mischievous, and merits the book on its own. It begins: "No one given to looking under-ground in spring can have failed to notice how a bean starts its growth from the seed. Now the manner of a poet's germination is less like that of a bean in the ground than of a waterspout at sea. He has to begin as a cloud of all the other poets he ever read. That can't be helped. And first the cloud reaches down toward the water from above and then the water reaches up toward the cloud from below and finally cloud and water join together to roll as one pillar between heaven and earth. The base of water he picks up from below is of course all the life he ever lived outside of books." Indicative of Frost's intimate and often conflicted and contentious relationship with institutions of higher education is his following comment about the emerging poet, necessarily "between the ages of fifteen and twenty-five" struggling to "strike his individual note" which must be struck then "or never." Of such emerging poets, Frost says: "School and college have been conducted with the almost express purpose of keeping him busy with something else till the danger of his ever creating anything is past. I for one should be in favor of the colleges setting the expectation of poetry forward a few years (the way the clocks are set forward in May), so as to get the young poets started earlier in the morning before the freshness dries off. Just setting the expectation of poetry forward might be all that was needed to give us our proportioned number of poets to Congressmen. R.F.".…

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1904 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 73 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 73 Language: German.…

Condition: Sehr gut. Zustand: Sehr gut | Sprache: Deutsch | Produktart: Bücher | Keine Beschreibung verfügbar.

Soft cover. Condition: Very Good. 1st Edition. 2 volume set. 2 volumes, XVI-303 + 315 pages, plates : 23 cm. Essays in English, French & German. Special issue of Studia Islamica (Vol.31 & 32 1970) dedicated to Joseph Schacht. Contains a bibliography of the published works of Joseph Schacht.

Condition: New. Print on Demand.