Schell Dickens Lauren (22 results)

Condition: New. *Price HAS BEEN REDUCED by 10% until Monday, Nov. 2 (weekend sale item)* 256 pp., hardcover, NEW!! - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country. …

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Condition: As New. Hardcover without dustjacket as issued, 240 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover. A matte gray paperback book with the title printed in black down the spine, and debossed in black gloss on the front cover. Pages: (4), 5-85, (1). Contains thirty-nine illustrations, including thirty-one highlighted plates. Published on the occasion of the exhibition held at the San José Museum of Art, March 8-July 7, 2019. VG+: In excellent condition. Looks like it has rarely, if ever, been opened and read.…

Condition: New.

Paperback. Condition: new. Paperback. Centering the voices of the currently and formerly incarcerated, works from 80 contributors visualize a prison-free futurePublished with Institute of the Arts and Sciences at UC Santa Cruz and San Jose Museum of Art.Prisons are so ingrained in history and the cultural imagination as to appear inevitable. Yet as long as prisons have existed, alternative rehabilitations have flourished. Seeing through Stone accompanies the largest-ever exhibition emerging from the movement for prison abolition in the United States. It draws its title from a work by poet Etheridge Knight (193191), who wrote his first collection while incarcerated at Indiana State Prison. The art and texts in this catalog explore this shared capacity for the radical sight permeating through prison walls and include contributions from artists, writers and activists both currently and formerly incarcerated, alongside those without that lived experience. Over 80 artists and collectives from around the world contribute work, while the original texts are authored by such activists as Robin D.G. Kelley and Leanne Betasamosake Simpson. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Fine. 1st. Published on the occasion of the exhibition at the Jewish Museum from November 2009 - March 2010. Bound in quarter black cloth with illustrated yellow boards and spine stamped in red. Thoroughly illustrated throughout with photographic reproductions in color and original black and white. 8 1/4 x 11 inches. 240 pages.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Centering the voices of the currently and formerly incarcerated, works from 80 contributors visualize a prison-free futurePublished with Institute of the Arts and Sciences at UC Santa Cruz and San José Museum of Art.Prisons are so ingrained in history and the cultural imagination as to appear inevitable. Yet as long as prisons have existed, alternative rehabilitations have flourished. Seeing through Stone accompanies the largest-ever exhibition emerging from the movement for prison abolition in the United States. It draws its title from a work by poet Etheridge Knight (1931-91), who wrote his first collection while incarcerated at Indiana State Prison. The art and texts in this catalog explore this shared capacity for the radical sight permeating through prison walls and include contributions from artists, writers and activists both currently and formerly incarcerated, alongside those without that lived experience. Over 80 artists and collectives from around the world contribute work, while the original texts are authored by such activists as Robin D.G. Kelley and Leanne Betasamosake Simpson.…

Paperback. Condition: Fine. Qto., 86 pages, illustrated. Looks unused, a Fine copy.

Condition: New.

paperback. Condition: New. Special order direct from the distributor.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 244 pages. 10.00x8.00x10.00 inches. In Stock.

Paperback. Condition: Brand New. 244 pages. 10.00x8.00x10.00 inches. In Stock.

Hardcover. Condition: Sehr gut. 1. Auflage. Z : 240 pages, 22 x 28 cm, halfcloth - As an exploration of the artist's deliberate cultural ambiguity, which allowed him to become the first American artist to be accepted by the Paris avant garde, this book examines the dynamic connection between Man Ray's working-class origins, his assimilation, the evolution of his art, and his willful construction of his own artistic persona, as evidenced in a series of subtle, encrypted self-references throughout the artist's career. Beautifully illustrated, Alias Man Ray will stand as a definitive study of an incomparable figure in 20th-century art.…

Taschenbuch. Condition: Neu. Neuware - Centering the voices of the currently and formerly incarcerated, works from 80 contributors visualize a prison-free futurePublished with Institute of the Arts and Sciences at UC Santa Cruz and San José Museum of Art. Prisons are so ingrained in history and the cultural imagination as to appear inevitable. Yet as long as prisons have existed, alternative rehabilitations have flourished. Seeing through Stone accompanies the largest-ever exhibition emerging from the movement for prison abolition in the United States. It draws its title from a work by poet Etheridge Knight (1931-91), who wrote his first collection while incarcerated at Indiana State Prison. The art and texts in this catalog explore this shared capacity for the radical sight permeating through prison walls and include contributions from artists, writers and activists both currently and formerly incarcerated, alongside those without that lived experience. Over 80 artists and collectives from around the world contribute work, while the original texts are authored by such activists as Robin D.G. Kelley and Leanne Betasamosake Simpson.…

Paperback. Condition: New. Centering the voices of the currently and formerly incarcerated, works from 80 contributors visualize a prison-free futurePublished with Institute of the Arts and Sciences at UC Santa Cruz and San José Museum of Art.Prisons are so ingrained in history and the cultural imagination as to appear inevitable. Yet as long as prisons have existed, alternative rehabilitations have flourished. Seeing through Stone accompanies the largest-ever exhibition emerging from the movement for prison abolition in the United States. It draws its title from a work by poet Etheridge Knight (1931-91), who wrote his first collection while incarcerated at Indiana State Prison. The art and texts in this catalog explore this shared capacity for the radical sight permeating through prison walls and include contributions from artists, writers and activists both currently and formerly incarcerated, alongside those without that lived experience. Over 80 artists and collectives from around the world contribute work, while the original texts are authored by such activists as Robin D.G. Kelley and Leanne Betasamosake Simpson.…

Hardcover. Condition: New. Born Emmanuel Radnitzky, the artist known as Man Ray (1890?1976) revealed multiple artistic identities over the course of his career?New York Dadaist, Parisian Surrealist, international portraitist, and fashion photographer??and produced important works as a photographer, painter, filmmaker, writer, and maker of objects. Alias Man Ray considers how the artistâs life and career were shaped by his turn-of-the-century American Jewish immigrant experience and his lifelong evasion of his past. As an exploration of the artistâs deliberate cultural ambiguity, which allowed him to become the first American artist to be accepted by the Paris avant garde, this book examines the dynamic connection between Man Rayâs working-class origins, his assimilation, the evolution of his art, and his willful construction of his own artistic persona, as evidenced in a series of subtle, encrypted self-references throughout the artistâs career. Beautifully illustrated, Alias Man Ray will stand as a definitive study of an incomparable figure in 20th-century art. …