Schneeman George: Signed (27 results)

Side-stapled in black paper wrappers with a stiff, paper dust jacket. Cover and illustrations by George Schneeman. A collection of poetry by Ron Padgett, published by Richard Hell's CUZ Editions. This is from an edition of 537 copies, of which 26 are lettered A?Z, signed by the poet and artist, and include a self-portrait by Padgett, and 11 are hors commerce and numbered 1?11. This is from the regular edition.? Book is near fine in a very good plus jacket, with mild shelf wear.…

Paperback. Condition: Very Good. First edition, first printing. 8vo (8.5"x5.5"). 59pp. Illustrated paper covers. Spine faded. Lightly toned covers. Small scuff to upper cover, very small chip to fore-edge of upper cover. Very lightly soiled lower cover. Association copy that belonged to the poet Heather McHugh. Inscribed, "For Heather with admiration and affection", signed "Jane" & dated 8/30/78 to the title page. Rare signed copy of the first edition of the author's first book. George Schneeman (illustrator).…

Oversize Paperback. Condition: Fine. Large format book with very light fading to edges of covers as only blemish, otherwise as new. Illustrated text by Berkson/Schneeman paying homage to their mutual friend Ted Berrigan. Includes "A Note on Ted Berrigan" by Berkson and "A Note from the Publisher" on the death of George Schneeman. by Kyle Schlesinger. Inscribed by Berkson to previous owner "Cheers!" 24 pages on heavy paper with a hand sewn binding, large, two color illustrations with text throughout. Marked as 1/500 copies on colophon page, presumably a first edition. Keywords: George Schneeman, New Yok, Harris Schiff, Berrigan, Bordon Baldwin, LSD, Psychedelics, The Sonnets. Signed by Author.…

Condition: VG+. A Very Good example of this lovely work. Stapled oblong wrappers, only very mild signs of use & some crimping to cover near staples. One of only 50 copies made "hors commerce" from a total edition of 200 -- this stamped to colophon. This copy is inscribed "with love" to Padgett's friend Peter [Schjeldahl] and signed just "Ron.".…

Soft cover. Condition: New. 1st Edition. SIGNED and inscribed on title page by Bill Berkson--visible in photo. New book that was opened only for signing. One of 500 copies printed in the first edition--colophon page is visible in photo. Signed by Author(s).

Red and black silkscreen print, 7 x 9 5/8 in. This is one of George Schneeman's signature images of a red and black plaid workshirt on a wire hangar. The image was used on the artist's 1978 calendar and is featured on the cover ofDankai Punch, vol. 1, no. 1. Spring 2006, "A Magazine for the Babyboom Generations," from Japan.This particular printing was made for inclusion in the limited edition (50 copies) of Painter Among Poets: The Collaborative Art of George Schneeman, edited by Ron Padgett, Granary Books, 2004. One of approximately 10 overrun copies marked "a/p, "signed and dated by the artist. Fine.…

Single ISSUE MAGAZINE. Condition: Very Good. signed by anne aldman & lewis warsh, spring 1969. Cover By George Schneeman (illustrator). signed by anne aldman & lewis Warsh.

Condition: Fine copy. 8vo, original boards. Fine copy. First edition. One of 100 numbered copies signed by Berrigan. Fischer, p. 41. (SCHNEEMAN, George). (illustrator).

Condition: Very Good. Limited edition, of 100 copies of which this is number 94, signed by the author, 8vo.,pp. unpaginated, pictorial hardcover, b/w illustrations; author's signature to title page, light toning to margins, rubbed to extremities with light wear to head and foot of spine and corners, a very good copy. No dust-jacket. …

Condition: Fine. Lovely signed limited edition of verse by Padgett, illustrated by Schneeman, from Jim Pennington's Aloes Books. Saddle-stapled wraps. SIGNED by both Padgett and Schneeman at colophon. From an edition of 200 copies, 25 of which were signed by poet and illustrator, though this copy unnumbered. Clean, bright throughout. [15] pp. Signed.…

Softcover. Condition: Near Fine. First edition. Cover by George Schneeman. Illustrated stiff paper wrappers side-stapled. Near fine with touch of wear to the wrappers. Inscribed by the author on the title page to Schneeman: "For George, With gratitude and admiration, Love Hank.".

Condition: Fine copy. Oblong 16mo, original wrappers. Fine copy. First edition. One of 25 numbered copies signed by Padgett and Schneeman, out of a total edition of 200 copies printed, the present copy unnumbered. (SCHNEEMAN, George). (illustrator).

12 x 14 in., 11 pp., printed on Rives BFK paper. "It's a thought-provoking work in taking the incomplete project from the already completed photographs, and using the bare bones of the images as a basis for liquid and simple line drawings which distill down to the essence of a photographmore often than not the person photographed.The book ends up being 'ghostly' in the truest sense of the word: the two artists inspired by the incomplete project (incompleteness being one of them most inspiring and proto-creative states) consisting of photographic bones and transforming these bones into subjective 'words' which themselves become drawingsresponsive to the traced and transmuted images of the photographs, what the words 'say' becomes ethereal." Marcella Durand, The Poetry Project Newsletter This project is based on traced sketches of Allen Ginsberg's photographs made by George Schneeman for a collaboration he planned with Ginsberg. After Ginsberg's death, Schneeman and Anne Waldman converted the tracings into this homage. The words were generated by Waldman and handwritten by Schneeman. The portfolio consists of 10 collaborative works plus the colophon, housed either in a cloth-covered folder (for those printed on BFK) or a cloth-covered clamshell box (for those on Dieu Donné). Printed letterpress by Philip Gallo from magnesium engravings. Boxes by Barbara Mauriello and Judith Ivry. This is from an edition of 145 copies, 100 of which are on Rives BFK (30 hors commerce, 70 for sale), and 45 on Dieu Donné handmade paper (15 hors commerce, 30 for sale), signed by Schneeman and Waldman. This is no. 43 of 100 on Rives BFK paper. As new.…

Softcover. Condition: Fine. Limited Edition. Square small quarto. A very fine copy in the publisher's printed wraps, and publisher's clear acrylic slipcase, which has a small non-structural crack. Limited to 70 copies printed letterpress from magnesium plates on Rives 300 gm paper by Philip Gallo at The Hermetic Press, signed by the artist, of which 50 copies were for sale. A beautiful "simulation" of a one-of-a-kind collaborative book made by Berrigan and Schneeman in 1967-68. "The original was passed back and forth for about a year, remaining in the hands of one or the other for weeks or even months at a time - poet and artist each adding, subtracting, working over words and images. The materials used were pen & ink, white acrylic paint and collage. The work was made primarily for the amusement of the collaborators.".…

14 x 12 in., 11 pp., printed on Dieu Donné handmade paper in clamshell box. "It's a thought-provoking work in taking the incomplete project from the already completed photographs, and using the bare bones of the images as a basis for liquid and simple line drawings which distill down to the essence of a photographmore often than not the person photographed.The book ends up being 'ghostly' in the truest sense of the word: the two artists inspired by the incomplete project (incompleteness being one of them most inspiring and proto-creative states) consisting of photographic bones and transforming these bones into subjective 'words' which themselves become drawingsresponsive to the traced and transmuted images of the photographs, what the words 'say' becomes ethereal." Marcella Durand, The Poetry Project Newsletter This project is based on traced sketches of Allen Ginsberg's photographs made by George Schneeman for a collaboration he planned with Ginsberg. After Ginsberg's death, Schneeman and Anne Waldman converted the tracings into this homage. The words were generated by Waldman and handwritten by Schneeman. The portfolio consists of 10 collaborative works plus the colophon, housed either in a cloth-covered folder (for those printed on BFK) or a cloth-covered clamshell box (for those on Dieu Donné). Printed letterpress by Philip Gallo from magnesium engravings. Boxes by Barbara Mauriello and Judith Ivry. This is from an edition of 145 copies, 100 of which are on Rives BFK (30 hors commerce, 70 for sale), and 45 on Dieu Donné handmade paper (15 hors commerce, 30 for sale), signed by Schneeman and Waldman. This copy is from the edition on Dieu Donné handmade paper.As new.…

Original wraps. Condition: Near Fine. First Edition. INSCRIBED BY JANE KENYON on the title page. A crisp, very sharp copy to boot of the 1978 true 1st edition. Tight and Near Fine in its pictorial wrappers, with just a touch of light creasing to the lower tips. Octavo, cover drawing by George Schneeman. The poet's first published book and uncommon signed. George Schneeman (illustrator). Signed.…

First edition. One of a limited number of hors commerce copies signed by the author; instead of a number, a subscriber's name (this copy "No. Burt", likely Burt Britton). There were 500 trade copies issued; and 26 signed by Schneeman and Fagin, and ten numbered hors commerce copies. Small square format chapbook; stapled wrappers; [8pp.]; illus. Lightly toned at extremities, else Fine. Subscriber's or additional copies not mentioned on the colophon. Angel Hair books were published by Anne Waldman and Lew Warsh. The limited issues rare. Signed.…

Staple Bound. Condition: Good. Staple-bound. 8"w x 10 1/4"h. Signed by Bill Berkson and George Schneebaum and numbered 13. Published in an edition of 1000 with 26 copies numbered and signed by the author and artist. Foxing/discoloration to edges of cover. Keywords: Bill Berkson, American poet, Critic, Teacher, Poems poetry, Collaboration, Art Historian. Schneeman, George (illustrator). Signed by Author. …

Side-stapled, 8 1/2 x 11 in., cover by George Schneeman. There are 310 copies in the edition. 300 regular and 10 hors commerce. This no. 6 of 10 numbered hors commerce copies signed by poet and artist. Very good plus with light wear, restapled.

Condition: Very Good +. [N.p.]: 1980. Limited Edition of 350 copies signed by the artist, this being #38. Stiff card stock (32.5x20cm) with silk screen image of a needle and thread on a red background; twelve monthly sheets of a 1980 calendar in tear-away fashion to bottom; all sheets present; small hole for hanging as originally designed. Mild bumping and toning to edges; Very Good or better. Uncommon work from the New York artist; an early examples of his calendars and here featuring a typically wholesome design. For the intrepid planner, 1980 calendars can be re-used in 2036 and 2064.…

Condition: Very Good +. [N.p.]: 1979. Limited Edition of 285 copies signed by the artist, this being #23. Stiff card stock (34.5x20cm) with silk screen image of blue curtained windows; twelve monthly sheets of a 1979 calendar in tear-away fashion to bottom; all sheets present; small hole for hanging as originally designed. Mild bumping and toning to edges; Very Good or better. Uncommon work from the New York artist; an early examples of his calendars and here featuring a typically wholesome design. For the intrepid planner, 1979 calendars can be re-used in 2035, 2046, and 2057.…

Condition: Very Good +. [N.p.]: 1978. Limited Edition of 275 copies signed by the artist, this being #183. Stiff card stock (32.5x20cm) with silk screen image of a red and black plaid shirt on a hangar and twelve monthly sheets of a 1978 calendar in tear-away fashion to bottom; all sheets present; small hole for hanging as originally designed. Mild rubbing to edges; a few smudges; Very Good or better. Uncommon work from the New York artist; one of the earliest examples of his calendars and here featuring one of the more satisfying images from the run. For the intrepid planner, 1978 calendars can be re-used in 2034, 2045, and 2051. …

Condition: Very Good. [New York]: "C" Press, 1978. First Edition, one of 250 copies. Slim quarto (28cm); publisher's glossy illustrated wrappers, staple-bound; 54]pp. Wraps a bit rubbed and toned; vertical creasing; Top staple missing, though binding remains sound. Textblock, endsheets, and interior pages lightly toned with a few instances of ink transfer. A Very Good copy of this early work by Schneeman, published by Ted Berrigan's press. Signed and inscribed "For Tom / Love, Elio" on title page. The previous bookseller indicates that Tom is Tom Carey, friend and secretary to poet James Schuyler. Front and rear cover artwork by George Schneeman.…

Condition: Fine. New York: Granary Books, 1997. First Edition, Limited to 50 numbered copies of which this is no. 7. Quarto; original pictorial wrappers, disbound as issued, housed in original clear acrylic slipcase; illus. Small crack to slipcase, else a Fine example. Signed by Schneeman, who also signed for Berrigan on colophon in rear. Facsimile reproduction of a "one-of-a-kind collaborative book" which Schneeman and Berrigan passed back and forth between 1967 and 1968, "poet and artist each adding, subtracting, working over words and images. The materials used were pen & ink, white acrylic paint and collage." This handsome reproduction was printed by Philip Gallo at the Hermetic Press using magnesium plates on Rives 300 gm paper. Quotes taken directly from publisher's prospectus present here.…

A hand-painted glazed ceramic mug (2.5 x 4 x 1.5 inches) from collaborative Downtown artist George Schneeman, decorated with his characteristic tumbling nudes, joyfully walking their dog. In 1983, Schneeman mounted an exhibition for his ceramics, mobile frescos, and handmade furniture in an East Village storefront, a short walk from St. Mark's Church in-the-Bowery, where he worked with the Poetry Project to design dozens of flyers, posters, and calendars over the years. The mug, with apparent limitation statement to underside (8/27), affixed to plaster backing (4 x 4.25 x 0.5 inches); SIGNED to verso in pencil. Accompanied by flyer (11 x 8.5 in.) for his Home Plate studio/storefont, illustrated with mug featuring similar design. Signed.…

Unbound. Condition: Fine. First edition. Broadside. Measuring 17" x 20.5" Fine. Signed by the artist. The artwork is a typical Schneeman combination of words and pictures with dozens of coins each with the name of a participating poet or artist including William Burroughs, Allen Ginsberg, Gregory Corso, Patti Smith, Yoko Ono, Rod Padgett, John Giorno, Taylor Mead, and many others.…

8 1/2 x 11 in. cover stock with color offset printed reproduction of a Schneeman collage tipped on. Signed by the artist; hole at the top for hanging. Fine.