Schreier Christopher (8 results)

Soft Cover. Condition: Very Good. This is a very good softcover copy in stiff, glossy card covers with almost no wear except for a few light scratches to the back cover. Spine not creased, binding tight. Completely clean inside and out. This catalog was prepared to accompany the exhibition in Cologne, then was also shown in London at the National Portrait Gallery in 1996. Introductory essay by Christopher Scheier. Exhibition organized by Gerd Sander, August Sander's grandson. Illustrated in black & white. Biographical information. Selected exhibition history. Select bibliography. 11" high X 8" wide, 269 pages. This book will be securely packed and shipped with tracking.

388 pp.; 15.5 x 21 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Anthology of critical texts on Robert Ryman written from 1967 on, edited by Vittorio Colaizzi and Karsten Schubert. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. "This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman''s radical painting has fundamentally shifted the definitions and boundaries of art. Spanning four decades, this book charts the gradual evolution of consensus about the meaning of his painting. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics. . Some essays appear here in English for the first time. With an introductory essay by Vittorio Colaizzi." -- publisher''s statement. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. NEW. Fine. New, as issued, in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

Hardcover. Condition: Fine. "Albert Oehlen's oeuvre, which covers a period of more than thirty years, is distinguished by its fundamental skepticism about the potential of painting as a medium. Instead of turning his back on painting, however, the artist uses the medium itself to articulate this skepticism. Throughout what he once termed his 'post-non-concrete representation' - from the crude, provocative attacks of the 1980s to the cool, computer-based images of the 1990s and the overpainted advertising and more abstract expressive style of recent years - Oehlen has always striven to blend the passion of the painter with a sense of critical distance. This publication features examples of the artist's work from all these periods of creativity, thus rendering visible the dialectic that pervades the entire body of work and that does away with the differentiation between the figurative and the abstract." Text in German and English. Quarto. Original printed boards, with a color reproduction of an Oehlen painting inset on the front panel. Issued without a dust jacket. A fine copy - as new, still sealed in the original shrink wrap.

Hardcover. Condition: Fine. First Edition. 4to. [134] pp. Fine.

Hardcover. Condition: Very Good. Quarto, 213 numbered pages, text in English, numerous color reproductions, publisher s white papered boards pictorially stamped in black, gray and maroon, black endpapers (minor wear including minor bumps to pages and extremities, very good or better).

4°. 233 S. Mit zahlr. farb. Abb. Original-Kartonband Zweisprachige Ausgabe. - Gutes Exemplar. Gewicht (Gramm): 1430.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 3rd Edition. 4° - 143pp - Dual-tone Photo-reproductions. Karl Blossfeldt (1865-1932) German photographer, sculptor, teacher, and artist who worked in Berlin. He is best known for his close-up photographs of plants and living things, published in 1929 as, Urformen der Kunst. Third edition, text in German language. Original binding and dust-jacket. In Fine condition.

Ppbd. mit OUmschlag. 233 S. : überw. Ill. ; 33 cm Texte deutsch und englisch. - Zustand neuwertig. - The indicated shipping costs refer to books weighing up to one kilogram. - Bücher, die schwerer als ein Kilogramm oder größer als 35 x 25 cm sind, werden als Paket verschickt und kosten innerhalb Deutschlands bis zu zwei Kilogramm 6,50 Euro, darüber hinaus 7,50 Euro Porto. - Sprache: Deutsch Gewicht in Gramm: 1550.