Schubert Carl (221 results)

Paperback. Condition: New. Caspar David Friedrich (1774-1840), one of the great visionaries of European art, spent all his life in Northern Germany, apart from four years studying in Copenhagen, and his output appears to consist almost entirely of German landscapes. But far from being parochial, he was, in the words of the French sculptor David d'Angers, the artist who 'discovered the tragic in landscape'. His paintings assemble minutely observed elements of nature into compo­sitions that celebrate the riches and the melancholy of a cosmos fully imbued with the divine, while never losing an almost hallucinatory engagement with reality. For all their clarity, they are the quintessence of Romanticism.Almost too familiar today, to Friedrich's contemporaries these extraordinary paint­ings were astonishing and challenging. This volume records the reactions of some of the most prominent figures of German Romanticism: Kleist, Brentano and Arnim (in a witty series of dialogues between gallery visitors alternately bewitched and bewildered by Friedrich's Monk by the Sea), the painter and physiologist Carus, the psychologist Schubert, the Russian poet and translator Zhukovsky. A piece by Goethe and his colleague Heinrich Meyer records the somewhat baffled admiration of the earlier generation; and Friedrich's own Commandments of Art breathes the almost overwhelming passion with which he approached his vocation. An introduction by the leading scholar Johannes Grave situates Friedrich's art and its reception in the context of the Romantic movement both in Germany and in Europe as a whole.

Condition: good. Book is considered to be in good or better condition. The actual cover image may not match the stock photo. Hard cover books may show signs of wear on the spine, cover or dust jacket. Paperback book may show signs of wear on spine or cover as well as having a slight bend, curve or creasing to it. Book should have minimal to no writing inside and no highlighting. Pages should be free of tears or creasing. Stickers should not be present on cover or elsewhere, and any CD or DVD expected with the book is included. Book is not a former library copy.

Heft; Condition: Gut. 32 Seiten; Das hier angebotene Heft stammt aus einer teilaufgelösten wissenschaftlichen Bibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, handschriflticher Vermerk auf Einband). Seiten alters-/papierbedingt angebräunt; ansonsten ordentlicher Erhaltungszustand; Sprache: Englisch Gewicht in Gramm: 80.

Paperback. Condition: Good. no markings some shelf wear spine good binding good.

Soft cover. Condition: Good. No Jacket. SOFT COVER/no dj; GOOD no markings., 47pp. YEAR NOT SHOWN. Please email w/questions or to request picture(s); refer to our book inventory number. Free media mail shipping. LOCATION OS OVERFLOW RIGHT.

Paperback. Condition: New. Caspar David Friedrich (1774-1840), one of the great visionaries of European art, spent all his life in Northern Germany, apart from four years studying in Copenhagen, and his output appears to consist almost entirely of German landscapes. But far from being parochial, he was, in the words of the French sculptor David d'Angers, the artist who 'discovered the tragic in landscape'. His paintings assemble minutely observed elements of nature into compo­sitions that celebrate the riches and the melancholy of a cosmos fully imbued with the divine, while never losing an almost hallucinatory engagement with reality. For all their clarity, they are the quintessence of Romanticism.Almost too familiar today, to Friedrich's contemporaries these extraordinary paint­ings were astonishing and challenging. This volume records the reactions of some of the most prominent figures of German Romanticism: Kleist, Brentano and Arnim (in a witty series of dialogues between gallery visitors alternately bewitched and bewildered by Friedrich's Monk by the Sea), the painter and physiologist Carus, the psychologist Schubert, the Russian poet and translator Zhukovsky. A piece by Goethe and his colleague Heinrich Meyer records the somewhat baffled admiration of the earlier generation; and Friedrich's own Commandments of Art breathes the almost overwhelming passion with which he approached his vocation. An introduction by the leading scholar Johannes Grave situates Friedrich's art and its reception in the context of the Romantic movement both in Germany and in Europe as a whole.

paperback. Condition: New.

Condition: Good. Good condition. (Music, Sheet Music, Musicbook) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Condition: New. 2025. 1st Edition. paperback. . . . . .

Condition: New. 2025. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

Condition: New. In.

Paperback. Condition: Very Good. ex-library- interior is sturdy & clean.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: Gut. Jahr: c1954. Einband: Heft. Beschreibung: Für Klavier leicht gesetzt von Bruno Hartmann. VN/Pl. no. P.M.V. 132. c1954. Umschlag hinten fleckig. Papierbedingt gebräunt. Innen sehr gut erhalten. Sprache: de. 32 S.

paperback. Condition: New.

Broschur. Condition: gut. 278 S. : 20 graph. Darst. ; 21 cm, Stempel, Lichtrand. Sprache: deu.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Jahr: [1959]. Einband: Heft. Beschreibung: [1959] - Bearbeitet von Adolf Ruthardt. VN/Pl. no. 7891. Umschlag gebräunt. Handschr. Widmung auf dem vorderen Umschlag innen, Namenseintrag und Stempel einer Musikalienhandlung auf dem Titel. Vereinzelt kl. Eintragungen mit Blei. Zwei Seiten minimal fleckig. Insgesamt gut erhalten. Sprache: de. 26 S.

Jahr: [1980]. Einband: Heft. Beschreibung: [1980] - Mit Inhaltsverzeichnis. Hrsg. v. Wilhelm Weismann. Fingersätze von Robert Köbler. VN/Pl. no. 11574. c1948. Vorderer Umschlag mit Einriss und Fleck, hinten mit kl. Läsur. Innen gut und sauber erhalten. Sprache: de. 32 S.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: Gut. Jahr: 1988. Einband: Broschur. Beschreibung: Saubere Anstreichungen mit Marker. Gut erhalten. Sprache: de. 133 S.

Condition: Gut. Jahr: 1987. Einband: Broschur. Beschreibung: Saubere Anstreichungen mit Marker. Gut erhalten. Sprache: de. 144 S.

Condition: Gut. Jahr: 1988. Einband: Broschur. Beschreibung: Saubere Anstreichungen mit Marker. Gut erhalten. Sprache: de. 108 S.

Condition: Gut. Jahr: 1987. Einband: Broschur. Beschreibung: Saubere Anstreichungen mit Marker. Gut erhalten. Sprache: de. 100 S.

Condition: Gut. Jahr: 1988. Einband: Broschur. Beschreibung: Saubere Anstreichungen mit Marker. Vereinzelt Randbemerkungen mit Blei. Gut erhalten. Sprache: de. 215 S.

Condition: Gut. Jahr: 1987. Einband: Broschur. Beschreibung: Einige saubere Anstreichungen mit Marker. Besitzeintrag /-aufkleber auf dem vorderen Einband. Gut erhalten. Sprache: de. 132 S.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: Gut. Jahr: o. J. Einband: Heft. Beschreibung: Herausgegeben von Carl Herrmann. VN/Pl. no. 6627. Auf dem Umschlag Fehldruck "156bb". Enthält Klavierpartitur und vl-Stimme. Sehr gut erhalten. 21, 10 S.

Soft cover. Condition: Very Good. Previous owners name on covers. Parts. No 8159.

Paperback. Condition: New. Caspar David Friedrich (1774-1840), one of the great visionaries of European art, spent all his life in Northern Germany, apart from four years studying in Copenhagen, and his output appears to consist almost entirely of German landscapes. But far from being parochial, he was, in the words of the French sculptor David d'Angers, the artist who 'discovered the tragic in landscape'. His paintings assemble minutely observed elements of nature into compo­sitions that celebrate the riches and the melancholy of a cosmos fully imbued with the divine, while never losing an almost hallucinatory engagement with reality. For all their clarity, they are the quintessence of Romanticism.Almost too familiar today, to Friedrich's contemporaries these extraordinary paint­ings were astonishing and challenging. This volume records the reactions of some of the most prominent figures of German Romanticism: Kleist, Brentano and Arnim (in a witty series of dialogues between gallery visitors alternately bewitched and bewildered by Friedrich's Monk by the Sea), the painter and physiologist Carus, the psychologist Schubert, the Russian poet and translator Zhukovsky. A piece by Goethe and his colleague Heinrich Meyer records the somewhat baffled admiration of the earlier generation; and Friedrich's own Commandments of Art breathes the almost overwhelming passion with which he approached his vocation. An introduction by the leading scholar Johannes Grave situates Friedrich's art and its reception in the context of the Romantic movement both in Germany and in Europe as a whole.