Schumann Robert, First Edition (291 results)

First Edition. Fine copy in the original color-printed, stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Series; BBC music guides. Physical description; 64 p. : music ; 20 cm. Notes; Index. Subjects; Schumann, Robert (1810-1856) - Critical studies. - Lieder. Schumann, Robert (1810-1856). - Songs - Criticism and interpretation. Songs - Germany - Critical studies - 19th century. Songs - 19th century - Analysis, appreciation. Lieder. Songs - Germany. Lieder - Schumann, Robert - Critical studies. Genre; Illustrated. 1 Kg.

1st edition. Very good paperback copy; cover slightly creased and dulled as with age. Bright and clean internally. Remains quite well-preserved overall. Series: Norton critical scores. Physical description: 1 study score (viii, 136 pages) ; 22 cm. Notes: Vocal score and commentary. Song cycle. Subjects: Schumann, Robert 1810-1856. Dichterliebe; Heine, Heinrich 1797-1856; Musical settings; Song cycles 19th century; Scores; Songs (High voice) with piano 19th century. 3 Kg.

Paperback. Condition: Good. No Jacket. 1st. Has or May Have wear and soil. CLEAN TEXT! Thank you for your purchase from Sunset Books! Help Promote World Literacy, GIVE a Book as a GIFT!! In stock, Ships from Ohio. WE COMBINE SHIPPING ON MULTIPLE PURCHASES!!!! SEE PICTURES!!!!! ANY ODD/GREEN TONES ON THE SCANS ARE CAUSED BY MY SCANNER!! The Copyright date is 1942 for this Printing. Original! Owner marking on front cover. 7 pages music, 1 pages other to include covers. Size: 4to - over 9¾ - 12" tall Size: 4to - over 9¾ - 12" tall. Sheet music.

First Edition. Fine copy in the original color-printed, stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Series; BBC music guides. Physical description; 64 p. : music ; 20 cm. Notes; Index. Subjects; Schumann, Robert (1810-1856) - Critical studies. - Lieder. Schumann, Robert (1810-1856). - Songs - Criticism and interpretation. Songs - Germany - Critical studies - 19th century. Songs - 19th century - Analysis, appreciation. Lieder. Songs - Germany. Lieder - Schumann, Robert - Critical studies. Genre; Illustrated. 1 Kg.

Paperback. Condition: Very Good. First Edition?. VERY GOOD Condition, clean, solid OLD ORIGINAL COPY ; BLACK TITLES ON light VANELLA papar SQUARE SPINE PAPERCOVERS.; Sheet Music; 94pg THIN pages.

Paperback. Condition: Very Good. Frontis portrait laid in (illustrator). 1st Edition. tan wraps , handsewn; frontis portrait laid in; pp. 103-124+ads.

Paperback. Condition: Good. No Jacket. 1st. NO Dust Jacket. Has minor wear, soil. Owner markings NOT noted! See Picture! The Copyright date is 1952 for this Printing. 48 pages music, 4 pages other to include covers, title and index. Large 4to, 8.875" x 11.75" Thank you for your purchase from Sunset Books! Help Promote World Literacy, GIVE a Book as a GIFT!! In stock, Ships from Ohio. WILL NOT FIT in Flat Rate Priority Mail envelope. USPS Variable Rate applies for Domestic or International. WE COMBINE SHIPPING ON MULTIPLE PURCHASES!!!! SEE PICTURES!!!!! ANY ODD/GREEN TONES ON THE SCANS ARE CAUSED BY MY SCANNER!! All of our Technical/Textbook/Ex-Library volumes were obtained legally through Public or Auction sales. This volume was purchased through Local Public Auction. Size: 4to - over 9¾ - 12" tall. Book.

1st edition. Very good paperback copy; cover slightly creased and dulled as with age. Bright and clean internally. Remains quite well-preserved overall. Series: Norton critical scores. Physical description: 1 study score (viii, 136 pages) ; 22 cm. Notes: Vocal score and commentary. Song cycle. Subjects: Schumann, Robert 1810-1856. Dichterliebe; Heine, Heinrich 1797-1856; Musical settings; Song cycles 19th century; Scores; Songs (High voice) with piano 19th century. 1 Kg.

Paperback. Condition: Good. No Jacket. 1st. Multilingual (English/German) with Lyrics for Voice and the Piano. Seller's image, know what you are getting! Pre-packing weight is 0 lb. 13.2 oz . ORIGINAL, NOT A PHOTOCOPY!! NO Dust Jacket. Has Owner markings noted in pencil on title page. Has clear library tape on spine due to an unintelligent at the auction using a box cutter to remove the top of the cardboard box, stains on Front cover, normal wear and soil to covers. CLEAN TEXT! See Picture! The Copyright date is 1896, with a 1924 Renewal for this Ca. 1967 or later Printing. Thank you for your purchase from Sunset Books! Help Promote World Literacy, GIVE a Book as a GIFT!! In stock, Ships from Ohio. WE COMBINE SHIPPING ON MULTIPLE PURCHASES!!!! SEE PICTURES!!!!! ANY ODD/GREEN TONES ON THE SCANS ARE CAUSED BY MY SCANNER!! Size: 4to - over 9¾ - 12" tall. Book.

Non relié. Condition: Très bon. Edition originale. Partition de "Rêverie pour Schumann", transcription pour chant par A. Rocca de l'oeuvre de Robert Schumann, paroles de Gaston Deval. Quatre pages, partition et paroles complètes, catalogue de l'éditeur au dos du document. 4 p. Partition de musique.

8°, illustr. Original-Kart. Condition: Gut. 91 S. : Ill. ; 20 cm Namensstempel u. Eintrag auf Vorsatz, Presseausschnitt zum Thema beiliegend, gutes bis sehr gutes Exemplar. I-04-96 9783939540632 Aufgrund der EPR-Regelung kann zur Zeit in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei. Bitte beachten Sie: Auf Grund der vorgegebenen Versandkosten von AbeBooks / ZVAB kann es bei Büchern über 1 kg oder bei mehrbändigen Werken zu höheren Versandkosten kommen. Please note: Due to the shipping costs specified by AbeBooks / ZVAB, there may be higher shipping costs for books over 1 kg or for multi-volume works. Sprache: Deutsch Gewicht in Gramm: 139.

8°, Original-Broschur. Condition: Akzeptabel. Originalausgabe. 234 SS. Taschen-Partitur mit Erläuterung. - Fußschnitt mit Stempel 'Mängelexemplar', sonst sehr gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 250.

Condition: Gut. Jahr: 1988. Einband: Pappe. Beschreibung: Ausgewählt und mit einem Nachwort versehen von Hans-Herbert Fehske und Dieter Kirchhöfer. Mit je drei Klavierstücken aus Op. 15 und Op. 68. Mit Frontispiz. Sehr gutes Exemplar. Sprache: de. 80 S.

Softcover. Condition: Fine. Event program. Slim octavo. [16]pp. Fine in stapled wrappers. Sperry and Musto performed works by Beethoven, Louise Talma, and Robert Schumann. The program prints biographies as well as the text of the pieces.

Softcover. 86 Seiten mit Notenbeispielen. Orangegelbe Originalbroschur. 8°. Gutes Exemplar. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! K13711-218491.

Pp. Condition: Sehr gut. 1. Aufl. 80 S. : Ill., Noten ; 17 cm Exemplar mit Gebrauchsspuren (das kann heißen: das Buch KANN normale Leseverformung wie Knicke am Buchrücken, oder leichte Nachdunklung o. ä. haben oder auch, obwohl unbeschädigt, als Mängelexemplar gekennzeichnet sein, ferner können auch Notizen oder Unterstreichungen im Text vorhanden sein. Alles dies zählt zur Kategorie des GUT ERHALTENEN). In jedem Falle aber dem Preis und der Zustandsnote entsprechend GUT ERHALTEN. und ACHTUNG: Die Covers können vom abgebildeten Cover und die Auflagen können von den genannten abweichen AUSSER bei meinen eigenen Bildern (die mit den aufrechtstehenden Büchern vor schwarzem Hintergrund, wie auf einer Bühne) MEINE EIGENEN BILDER SIND MASSGEBEND FÜR AUFLAGE, AUSGABE UND COVER p-002c-0425 KEIN VERSANDKOSTENRABATT !!! Sprache: Deutsch Gewicht in Gramm: 450.

Softcover. 21 x 15 cm. Original-Programmheft, außen schwach fleckig. 4 Seiten. Gut erhalten. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! K01609-418895.

Condition: new. Pages: 48 Language: Russian. In the middle of the 19th century when Europe was overwhelmed by revolutionary upheavals Robert Schumann wrote ", it is in music only that I could find an alternative to the atrocities that were intruding from the outside." "The Christmas Album" composed by him in September of 1848 was a sound contrast to the reality. It was renamed in its first edition by the editor J. Schubert who found the author's title unpractical and gave it a new one "40 Piano Pieces for Children". The composition received its final name "Album for the Young" in the 2nd edition that appeared within the composer's lifetime. Schumann himself wrote about this work ". . . these are my youngest musical children that are especially dear to my heart; they have just come from the family circle. The first piece was composed by me, in fact, for our eldest child by his birthday, then the pieces came one after another. I felt as if started composing for the first time. You can feel the old humour sometimes. These pieces differ considerably from "Children Scenes". "Children Scenes" is a reflection of the past by the eyes of the adult and for the adult while "The Christmas Album" looks forward rather than behind, it has premonitions and the pictures of the future for the more young". Contents A Canon Remembrance The Stranger * * War Song Sheherazade "Gathering of the grapes -merry time!" Theme Mignon Italian Mariners' Song Sailors' Song Winter Time I Winter Time II A Little Fugue Northern Song Figured Choral New Year's Eve 9790660006924.

Soft cover. Condition: Very Good. No Jacket. 1st Edition. circa 1950, Paperback, 149 pages, EX LIBRARY WITH THE USUAL MARKS, otherwise very good. We are a real bookshop with real books situated in and shipping from the United Kingdom. Shelf B51.

Taschenbuch. Condition: Neu. Neuware -The 'Davidsbund' - a group of artists who had joined forces in a revolutionary struggle against the backward structures in the artistic world, amongst whose members he counted both real and imaginary people - only existed in Schumann's imagination. He published the first edition of his 'Davidstänze' under the pseudonym 'Florestan and Eusebius' - the two characters that represented contrasting (impetuous and gentle) aspects of his own self. Clara Wieck, to whom he unsuccessfully proposed several times whilst writing it, is also represented; 'more than anything' he dedicated these dances to her. These short, extremely diverse tone pictures afford us an intimate insight into Schumann's emotional state at the time._; Le «Davidsbund», groupe des «Compagnons de David», n'a jamais existé que dans le monde imaginaire de Schumann: il s'agit d'un cercle d'artistes formé pour mener une lutte révolutionnaire contre les structures rétrogrades du monde de l'art et auquel le compositeur attribue des membres vivants et imaginaires. Schumann publie la première édition de ses «Danses de David» sous le pseudonyme «Florestan et Eusebius», ces deux personnages du «Davidsbund» chez lesquels le compositeur voit incorporée sa double nature, faite de véhémence et de placidité. Clara Wieck, dont Schumann, parallèlement à la genèse de l'oeuvre, brigue la main à plusieurs reprises, mais en vain, en fait partie aussi; il lui dédie les danses «plus que toute autre chose». Les brèves impressions musicales, des plus diverses, donnent un aperçu intime du monde affectif de Schumann à cette époque._; Nur in Schumanns Vorstellungswelt existierte der 'Davidsbund' - eine Gruppe von Künstlern, die sich im revolutionären Kampf gegen rückständige Strukturen in der Kunstwelt zusammengetan hatte, und der er lebende und imaginäre Mitglieder zurechnete. Die Erstausgabe seiner 'Davidstänze' veröffentlichte Schumann unter dem Pseudonym 'Florestan und Eusebius' - jenen beiden Gestalten aus dem Davidsbund, in denen er seine ungestüm-sanfte Doppelnatur verkörpert fand. Auch Clara Wieck, um deren Hand er während der Entstehung mehrmals vergeblich anhielt, gehörte dazu; ihr hat er die Tänze 'mehr wie irgend etwas' gewidmet. Die kurzen, höchst unterschiedlichen Stimmungsbilder geben einen intimen Einblick in die Gefühlswelt Schumanns in jenen Tagen._ 52 pp. Englisch, Französisch, Deutsch.

Broschiert. Condition: Gut. 1. Aufl. Das Buch befindet sich in einem gut erhaltenen Zustand. Neben dem oben aufgeführten Aufsatz befinden sich auch weitere Beiträge auch anderer Autoren in dem Werk. Sprache: Deutsch Gewicht in Gramm: 205.

Condition: Good. London: George Bell and Sons, 1888., 1888. Good. - Octavo, 7-1/2 inches high by 4-7/8 inches wide. Hardcover, bound in dark green cloth titled in gilt on the spine. The covers are bumped & rubbed. xii, 307, [1], 23 & [1] pages. The hinges are starting and there are tiny tape stains to the endpapers and pastedowns. An early owner's name is penned at the top of the half-title. Good. First edition.

Hardcover. Condition: Very Good. Presumed first edition. Hardcover quarto in cream yellow DJ. 274 pages, 17 unnumbered pages of plates: illustrations, portrait, music, facsimile; 24 cm. Contents: Aphorisms. House-rules and maxims for young musicians; From Master Raro's, Florestan's and Eusebius' journal of poetry and thought -- Articles. On certain probably corrupted passages in the works of Bach, Mozart, and Beethoven; On the comic spirit in music; Characterization of the keys -- Surveys -- Observations. Composers and compositions; Advice to composers; Music and technique -- Old music -- Bach -- Haydn and Mozart -- Beethoven -- Weber -- Schubert -- Chopin -- LIszt -- Berlioz -- Mendelssohn -- Mendelssohn as conductor and performer -- Rossini -- Cherubini -- Robert Franz -- Niels W. Gade -- Franz Lachner -- Karl Czerny -- Henri Vieuxtemps -- Wagner -- Brahms -- Schumann. Abstract: Articles on music written by Schumann for publication meant to combat mediocrity and promote true standards of art. Music -- History and criticism. Very mild rubbing to corners of boards and head and foot of spine. Moderate rubbing and chipping to DJ head and foot of spine as well as DJ corners. Heavy browning to spine and edges of DJ. DJ in archival mylar. Book is very good in good(+) DJ.

Condition: Wie Neu. Jahr: 1980. Einband: Taschenbuch. Beschreibung: Originalausgabe. Preisaufkleber auf dem Deckel. Sauberes, ordentliches Expl. Sprache: de. 207 S.

Paperback. Condition: Very good. First Thus. 9 x 12 inches. viii, 239 pages. Text in German. Condition is Very Good; exterior excellent, pages are very clean and unmarked, binding is tight. STK.

Paper. Condition: Near Fine -. Musical Notations (illustrator). First Thus. Robert Alexander Shumann lived from 1810 to 1856. Some of his most favoured compositions are here in these 191 pages. Among them : `Papillons'- Opus 02, `Carnaval' - Opus 09, `Kinderscenen ' - Opus 15, and `Fantasiestucke' - Opus 12. Opus numbers 16, 26 and 82 are also represented. LARGE clear print. Cond : Paper wrapper is black with white and black lettering. Cover graphic shows a `model' of Schumann at the keyboard working out some passages. Fore corners all sli. soft, colours bright. Starting at page 48. Edges crisp, spine fine. Virtually UNsoiled. No names, marks, creases, tears, nor stains. EXCELLENT working document. Size: 4to.

Soft cover. Condition: Poor. 1st Edition. Covers separated from hinges. Clean with no writing inside. Booksellers stamp on title page. Clean staples Name of former owner on front cover. Copyright 1945.

Taschenbuch. Condition: Neu. Neuware -Nur in Schumanns Vorstellungswelt existierte der 'Davidsbund' - eine Gruppe von Künstlern, die sich im revolutionären Kampf gegen rückständige Strukturen in der Kunstwelt zusammengetan hatte, und der er lebende und imaginäre Mitglieder zurechnete. Die Erstausgabe seiner 'Davidstänze' veröffentlichte Schumann unter dem Pseudonym 'Florestan und Eusebius' - jenen beiden Gestalten aus dem Davidsbund, in denen er seine ungestüm-sanfte Doppelnatur verkörpert fand. Auch Clara Wieck, um deren Hand er während der Entstehung mehrmals vergeblich anhielt, gehörte dazu; ihr hat er die Tänze 'mehr wie irgend etwas' gewidmet. Die kurzen, höchst unterschiedlichen Stimmungsbilder geben einen intimen Einblick in die Gefühlswelt Schumanns in jenen Tagen.

1st edition. Very good copy in the original gilt-blocked cloth-backed paper-covered boards. Spine bands and panel edges somewhat dust-toned and rubbed as with age. Remains particularly well-preserved overall. Physical description; 274 pages including frontispiece, illustrations (music, facsimiles) plates, portraits 24 cm. Subjects; 1800-1899, Music. Music 19th century History and criticism. Musicians. Music 19th century History and criticism. Music History and criticism Modern. Music Addresses, essays, lectures. Composers Europe. Musicians Portraits. 3 Kg.

Broschiert. Condition: Sehr gut. 1. Auflage,. 13 Seiten. Heft sehr gut erhalten, nur Einband ganz leicht berieben. Altersfreigabe FSK ab 0 Jahre Sprache: Deutsch Gewicht in Gramm: 110.