Scott Cord (30 results)

Condition: acceptable. Book has highlighting and or underlining throughout. Book may have some cosmetic wear to the cover. Fast shipping!

Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Very Good. Clean Copy, May have light wear on cover/edges, otherwise very good! Established Seller, We Ship Daily!

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

hardcover. Condition: Fine. Clean Copy Established Seller, We Ship Daily!

Paperback. Condition: Brand New. 152 pages. 10.25x6.63x0.41 inches. In Stock.

Condition: New.

Condition: New. In.

PF. Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Illustration has been an integral part of human history. Particularly before the advent of media such as photography, film, television, and now the Internet, illustrations in all their variety had been the primary visual way to convey history. The comic book, which emerged in its modern form in the 1930s, was another form of visual entertainment that gave readers, especially children, a form of escape. As World War II began, however, comic books became a part of propaganda as well, providing information and education for both children and adults. This book looks at how specific comic books of the war genre have been used to display patriotism, adventure through war stories, and eventually to tell of the horrors of combat-from World War II through the current conflicts in Iraq and Afghanistan in the first decade of the twenty-first century. This book also examines how war-and patriotically-themed comics evolved from soldier-drawn reflections of society, eventually developing along with the broader comic book medium into a mirror of American society during times of conflict. These comic books generally reflected patriotic fervor, but sometimes they advanced a specific cause. As war comic books evolved along with American society, many also served as a form of protest against United States foreign and military policy. During the country's most recent wars, however, patriotism has made a comeback, at the same time that the grim realities of combat are depicted more realistically than ever before. The focus of the book is not only on the development of the comic book medium, but also as a bell-weather of society at the same time. How did they approach the news of the war? Were people in favor or against the fighting? Did the writers of comics promote a perception of combat or did they try to convey the horrors of war? All of these questions were important to the research, and serve as a focal point for what has been researched only in limited form previously. The conclusions of the book show that comic books are more than mere forms of entertainment. Comic books were also a way of political protest against war, or what the writers felt were wider examples of governmental abuse. In the post 9/11 era, the comic books have returned to their propagandistic/patriotic roots.

Hardcover. Condition: Fine. No Jacket. 273 p. : ill. ; 26 cm. ; ISBN: 1560980311 (alk. paper); 9781560980315 (alk. paper) LCCN: 90-22345 ; LC: TL657; Dewey: 387.7/325/09 ; OCLC: 22710600 ; blue cloth ; ex-lib, stamps, label ; no dustjacket ; Contents : In search of the real Count Zeppelin -- In the shadow of the titan : thoughts on the life and work of naval engineer Johann Schütte -- Building rigid airships -- Three communities and their changing fortunes -- Eckener's struggle to save the airship for Germany, 1919-1929 -- Zeppelin intermezzos in Detroit, 1920 and 1924 -- The political origins of the airship Graf Zeppelin, 1924-1928 -- France perceives the Zeppelins, 1924-1937 -- Politics, personality and technology : Airships in the manipulations of Dr. Hugo Eckener and Lord Thomson, 1919-1930 -- F. W. (Willy) von Meister : Portrait of an airship businessman -- Problems of helium and spy flights : the brief career of LZ 130 -- Conclusion ; John Duggan is editor of the journal "Zeppelin," ; Henry Cord Meyer is Emeritus Professor of History, University of California, Irvine. ; FINE. Book.

Hardcover. Condition: Fine. No Jacket. 1st Edition. 1st ed., 1st printing ; 224 pages : illustrations (some color) ; 27 cm ; ISBN 9780998968940, 0998968943 ; OCLC 1143620336 ; pictorial boards, no dustjacket ; "Army sergeant William Henry 'Bill' Mauldin shot to fame during World War II with Willie & Joe cartoons, which gave readers of Stars & Stripes and hundreds of home-front newspapers a glimpse of the war from the foxholes of Europe. Lesser known are Mauldin's second and even third acts as one of America's premier political cartoonists from the last half of the twentieth century, when he traveled to Korea and Vietnam; Israel and Saudi Arabia; Oxford, Mississippi, and Washington, DC; covering war and peace, civil rights and the Great Society, Nixon and the Middle East. He especially kept close track of American military power, its use and abuse, and the men and women who served in uniform. Now, for the first time, his entire career is explored in this illustrated single volume, featuring selections from Chicago's Pritzker Military Museum & Library, which has more than 4,500 Mauldin cartoons in its collections."--Inside back cover ; The first career-spanning volume of the work of two-time Pulitzer Prize winning cartoonist Bill Mauldin, featuring comic art from World War II, Korea, Vietnam and Operation Desert Storm, along with a half-century of graphic commentary on civil rights, free speech, the Cold War, and other issues. ; Army sergeant William Henry "Bill" Mauldin shot to fame during World War II with his grim and gritty "Willie & Joe" cartoons, which gave readers of Stars & Stripes and hundreds of home-front newspapers a glimpse of the war from the foxholes of Europe. Lesser known are Mauldin's second and even third acts as one of America's premier political cartoonists from the last half of the twentieth century, when he traveled to Korea and Vietnam; Israel and Saudi Arabia; Oxford, Mississippi, and Washington, D.C.; covering war and peace, civil rights and the Great Society, Nixon and the Middle East. He especially kept close track of American military power, its use and abuse, and the men and women who served in uniform. Now, for the first time, his entire career is explored in this illustrated single volume, featuring selections from Chicago's Pritzker Military Museum & Library.Edited by Mauldin's biographer, Todd DePastino, and featuring 150 images, Drawing Fire: The Editorial Cartoons of Bill Mauldin includes illuminating essays exploring all facets of Mauldin's career by Tom Brokaw, Cord A. Scott, G. Kurt Piehler, and Christina Knopf. Book.

Paperback. Condition: New. Illustration has been an integral part of human history. Particularly before the advent of media such as photography, film, television, and now the Internet, illustrations in all their variety had been the primary visual way to convey history. The comic book, which emerged in its modern form in the 1930s, was another form of visual entertainment that gave readers, especially children, a form of escape. As World War II began, however, comic books became a part of propaganda as well, providing information and education for both children and adults. This book looks at how specific comic books of the war genre have been used to display patriotism, adventure through war stories, and eventually to tell of the horrors of combat-from World War II through the current conflicts in Iraq and Afghanistan in the first decade of the twenty-first century. This book also examines how war-and patriotically-themed comics evolved from soldier-drawn reflections of society, eventually developing along with the broader comic book medium into a mirror of American society during times of conflict. These comic books generally reflected patriotic fervor, but sometimes they advanced a specific cause. As war comic books evolved along with American society, many also served as a form of protest against United States foreign and military policy. During the country's most recent wars, however, patriotism has made a comeback, at the same time that the grim realities of combat are depicted more realistically than ever before. The focus of the book is not only on the development of the comic book medium, but also as a bell-weather of society at the same time. How did they approach the news of the war? Were people in favor or against the fighting? Did the writers of comics promote a perception of combat or did they try to convey the horrors of war? All of these questions were important to the research, and serve as a focal point for what has been researched only in limited form previously. The conclusions of the book show that comic books are more than mere forms of entertainment. Comic books were also a way of political protest against war, or what the writers felt were wider examples of governmental abuse. In the post 9/11 era, the comic books have returned to their propagandistic/patriotic roots.

hardcover. Condition: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

digital. Condition: Used: Very Good. Clean and unmarked. Some minor cosmetic shelf wear. From a private collection. Very good condition. Comes from non smoking home.

Paperback. Condition: Very Good. Paperback. Light crease to back cvoer. Otherwise, clean and solid.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Softcover. Condition: VG. Some rubbing & edgewear; some yellowing; overall clean & tight. 111 pages.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Condition: New. PRINT ON DEMAND.

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Comic books transcend space and time.Regardless of one's grasp of language, comic books allow the reader to insert themselves into the action by way of simple, exciting four colour graphics.Centered around Canadian war stories within American comic books, the comics featured in this book have a unique spirit to them and play a colourful role in popular culture and history storytelling.

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. &Uumlber den AutorrnrnCORD A. SCOTT is an Associate Professor for the University of Maryland system currently residing in Korea. His publication work includes several topics on aspects of Chicago history, aspects of popular culture in American .

Taschenbuch. Condition: Neu. Four Colour Combat | Canadian Forces in War Comics | Cord A Scott | Taschenbuch | Kartoniert / Broschiert | Englisch | 2019 | W. Brand Publishing | EAN 9781950385034 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.