Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
paperback. Condition: Very Good. Gently read, if at all. No markings.
Language: English
Published by Hayward Gallery Publishing, 2008
ISBN 10: 1853322644 ISBN 13: 9781853322648
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Language: English
Published by Dewi Lewis Publishing, 2008
ISBN 10: 1904587526 ISBN 13: 9781904587521
Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Hardcover. Condition: Used-Very Good. Cloth, no dj. Slight shelf-wear.
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Language: English
Published by Lawrence and Wishart Ltd, GB, 2025
ISBN 10: 1912064782 ISBN 13: 9781912064786
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
US$ 24.35
Quantity: Over 20 available
Add to basketPaperback. Condition: New. In this new collection, Sealy arguesthat Western photography and its institutions are at a critical juncture, havingbeen forced to reckon with the medium's colonial history by Black and globalmajority photographers, artists and cultural theorists who interrogate archivesfrom the perspective of the Other. Sealy engages the work of underrepresented Blackphotographers and visual artists who, since the period of decolonisation, havechallenged the Othering nature of the colonial camera, from Ernest Cole documentingApartheid and US anti-blackness to Armet Francis capturing the spirit ofCaribbean style in postwar Britain. As a curator, Sealy pays special attentionto the role of key photography festivals and exhibitions in providing a spacefor the work of African and diasporic artists and photographers who were andare challenging the colonial nature of photography's origins to come to thefore. Sealy also explores the radical potential of photographyonce reclaimed and transformed by Black photographers and artists. From thequeer interpretations of Yoruba culture by Rotimi Fani-Kayode to the hauntingabsence/presence in the self-portraits of Hélène Amouzou, Sealy traces how thecamera turned inwards has transformed photography into a medium for exploringBlack subjectivity, and in turn a practice of resistance. The book includes a16-page portfolio of images at its centre, featuring artists Zora J Murff,Sandra Brewster and others.
Language: English
Published by Lawrence & Wishart Ltd, 2025
ISBN 10: 1912064782 ISBN 13: 9781912064786
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. In this new collection, Sealy arguesthat Western photography and its institutions are at a critical juncture, havingbeen forced to reckon with the mediums colonial history by Black and globalmajority photographers, artists and cultural theorists who interrogate archivesfrom the perspective of the Other. Sealy engages the work of underrepresented Blackphotographers and visual artists who, since the period of decolonisation, havechallenged the Othering nature of the colonial camera, from Ernest Cole documentingApartheid and US anti-blackness to Armet Francis capturing the spirit ofCaribbean style in postwar Britain. As a curator, Sealy pays special attentionto the role of key photography festivals and exhibitions in providing a spacefor the work of African and diasporic artists and photographers who were andare challenging the colonial nature of photographys origins to come to thefore. Sealy also explores the radical potential of photographyonce reclaimed and transformed by Black photographers and artists. From thequeer interpretations of Yoruba culture by Rotimi Fani-Kayode to the hauntingabsence/presence in the self-portraits of Helene Amouzou, Sealy traces how thecamera turned inwards has transformed photography into a medium for exploringBlack subjectivity, and in turn a practice of resistance. The book includes a16-page portfolio of images at its centre, featuring artists Zora J Murff,Sandra Brewster and others. A Lens on Liberation: Photography as Resistance will be the thirdand final volume in Mark Sealys best-selling trilogy on race and photographyfor Lawrence Wishart, which includes the seminal Decolonising the Camera. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Condition: As New. Unread book in perfect condition.
Language: English
Published by Lawrence & Wishart Ltd, 2022
ISBN 10: 1913546330 ISBN 13: 9781913546335
Seller: Phatpocket Limited, Waltham Abbey, HERTS, United Kingdom
US$ 11.14
Quantity: 3 available
Add to basketCondition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
Condition: New.
Language: English
Published by Lawrence & Wishart 7/1/2019, 2019
ISBN 10: 1912064758 ISBN 13: 9781912064755
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condition: New. Decolonising the Camera: Photography in Racial Time. Book.
Language: English
Published by Lawrence and Wishart Ltd, 2025
ISBN 10: 1912064782 ISBN 13: 9781912064786
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Paperback. Condition: New.
Language: English
Published by Lawrence & Wishart Ltd, 2022
ISBN 10: 1913546330 ISBN 13: 9781913546335
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Language: English
Published by Lawrence & Wishart Ltd, 2022
ISBN 10: 1913546330 ISBN 13: 9781913546335
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. In Photography: Race, Rights & Representation Mark Sealy discusses the critical work photographic images do in culture. Through photography, the book engages with notions of history, alienation, migration, civil and human rights, community and representational politics. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Condition: New.
Condition: New.
Language: English
Published by Lawrence & Wishart Ltd, 2022
ISBN 10: 1913546330 ISBN 13: 9781913546335
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Language: English
Published by Lawrence and Wishart Ltd, GB, 2022
ISBN 10: 1913546330 ISBN 13: 9781913546335
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
US$ 27.36
Quantity: Over 20 available
Add to basketPaperback. Condition: New.
Condition: As New. Unread book in perfect condition.
Language: English
Published by Lawrence and Wishart Ltd, 2025
ISBN 10: 1912064782 ISBN 13: 9781912064786
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
US$ 22.84
Quantity: 15 available
Add to basketPAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Language: English
Published by Lawrence and Wishart Ltd, GB, 2019
ISBN 10: 1912064758 ISBN 13: 9781912064755
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
US$ 28.60
Quantity: Over 20 available
Add to basketPaperback. Condition: New. This book examines how Western photographic practice has been used as a tool for creating Eurocentric and violent visual regimes, and demands that we recognise and disrupt the ingrained racist ideologies that have tainted photography since its inception in 1839. Decolonising the Camera trains Mark Sealy's sharp critical eye on the racial politics at work within photography, in the context of heated discussions around race and representation, the legacies of colonialism, and the importance of decolonising the university. Sealy analyses a series of images within and against the violent political reality of Western imperialism, and aims to extract new meanings and develop new ways of seeing that bring the Other into focus. The book demonstrates that if we do not recognise the historical and political conjunctures of racial politics at work within photography, and their effects on those that have been culturally erased, made invisible or less than human by such images, then we remain hemmed within established orthodoxies of colonial thought concerning the racialised body, the subaltern and the politics of human recognition. With detailed analyses of photographs - included in an insert - by Alice Seeley Harris, Joy Gregory, Rotimi Fani-Kayode and others, and spanning more than 100 years of photographic history, Decolonising the Camera contains vital visual and written material for readers interested in photography, race, human rights and the effects of colonial violence.
Language: English
Published by Lawrence and Wishart Ltd, 2022
ISBN 10: 1913546330 ISBN 13: 9781913546335
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Language: English
Published by Lawrence and Wishart Ltd, 2019
ISBN 10: 1912064758 ISBN 13: 9781912064755
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Language: English
Published by Lawrence & Wishart Ltd, London, 2019
ISBN 10: 1912064758 ISBN 13: 9781912064755
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. This book examines how Western photographic practice has been used as a tool for creating Eurocentric and violent visual regimes, and demands that we recognise and disrupt the ingrained racist ideologies that have tainted photography since its inception in 1839.Decolonising the Camera trains Mark Sealys sharp critical eye on the racial politics at work within photography, in the context of heated discussions around race and representation, the legacies of colonialism, and the importance of decolonising the university. Sealy analyses a series of images within and against the violent political reality of Western imperialism, and aims to extract new meanings and develop new ways of seeing that bring the Other into focus.The book demonstrates that if we do not recognise the historical and political conjunctures of racial politics at work within photography, and their effects on those that have been culturally erased, made invisible or less than human by such images, then we remain hemmed within established orthodoxies of colonial thought concerning the racialised body, the subaltern and the politics of human recognition.With detailed analyses of photographs included in an insert by Alice Seeley Harris, Joy Gregory, Rotimi Fani-Kayode and others, and spanning more than 100 years of photographic history, Decolonising the Camera contains vital visual and written material for readers interested in photography, race, human rights and the effects of colonial violence. This book examines how Western photographic practice has been used as a tool for creating Eurocentric and violent visual regimes, and demands that we recognise and disrupt the ingrained racist ideologies that have tainted photography since its inception in 1839. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Language: English
Published by Lawrence and Wishart Ltd, GB, 2025
ISBN 10: 1912064782 ISBN 13: 9781912064786
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condition: New. In this new collection, Sealy arguesthat Western photography and its institutions are at a critical juncture, havingbeen forced to reckon with the medium's colonial history by Black and globalmajority photographers, artists and cultural theorists who interrogate archivesfrom the perspective of the Other. Sealy engages the work of underrepresented Blackphotographers and visual artists who, since the period of decolonisation, havechallenged the Othering nature of the colonial camera, from Ernest Cole documentingApartheid and US anti-blackness to Armet Francis capturing the spirit ofCaribbean style in postwar Britain. As a curator, Sealy pays special attentionto the role of key photography festivals and exhibitions in providing a spacefor the work of African and diasporic artists and photographers who were andare challenging the colonial nature of photography's origins to come to thefore. Sealy also explores the radical potential of photographyonce reclaimed and transformed by Black photographers and artists. From thequeer interpretations of Yoruba culture by Rotimi Fani-Kayode to the hauntingabsence/presence in the self-portraits of Hélène Amouzou, Sealy traces how thecamera turned inwards has transformed photography into a medium for exploringBlack subjectivity, and in turn a practice of resistance. The book includes a16-page portfolio of images at its centre, featuring artists Zora J Murff,Sandra Brewster and others.
Language: English
Published by Dewi Lewis Publishing, GB, 2007
ISBN 10: 1904587526 ISBN 13: 9781904587521
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
US$ 30.30
Quantity: Over 20 available
Add to basketHardback. Condition: New.
Condition: New.
Language: English
Published by Dewi Lewis Publishing, 2007
ISBN 10: 1904587526 ISBN 13: 9781904587521
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Language: English
Published by Dewi Lewis Publishing, 2008
ISBN 10: 1904587526 ISBN 13: 9781904587521
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. pp. 48.