Language: English
Published by Womens Pr Ltd, London, UK, 1987
ISBN 10: 0704349086 ISBN 13: 9780704349087
Seller: Werdz Quality Used Books, Winnipeg, MB, Canada
Soft cover. Condition: Good. Tight, unmarked; age tanning; light general wear; "These plays were all written by young women: exciting playscripts and monologues from the innovative Second Wave Festival of Young Women Playwrights - a collection of electric new writing by a new generation of dramatists.".
Published by Published by Harper & Row Publishers, 10 East 53rd Street, New York First Edition . 1984., 1984
Seller: Little Stour Books PBFA Member, Canterbury, United Kingdom
Association Member: PBFA
First Edition
Condition: Very Good. First edition hard back binding in publisher's original black cloth covered boards, blocked and lettered silver back, brick red lining papers. 8vo. 9½'' x 6ĵ''. Contains 541 pp. Very Good condition book in Good condition dust wrapper with small chips to the spine ends, not price clipped. Member of the P.B.F.A. FEMINISM & FEMINISTS.
Published by Published by Picador, Pan Books Limited, Cavaye Place, London First Edition . 1986., 1986
Seller: Little Stour Books PBFA Member, Canterbury, United Kingdom
Association Member: PBFA
First Edition
US$ 15.07
Quantity: 1 available
Add to basketCondition: Very Good. First edition hard back binding in publisher's original black cloth covered boards, blocked and lettered silver back. 8vo. 9½'' x 6ĵ''. Contains [xxvii], 305 pp. Slight tanning to the text block edges. Very Good condition book in near Fine condition dust wrapper, price clipped. Member of the P.B.F.A. FEMINISM & FEMINISTS.
Published by Published by Virago Press Ltd., 20-23 Mandela Street, Camden Town, London First Edition . 1988., 1988
Seller: Little Stour Books PBFA Member, Canterbury, United Kingdom
Association Member: PBFA
First Edition
US$ 15.07
Quantity: 1 available
Add to basketCondition: Very Good. Large format paperback first edition in publisher's original illustrated card wrap covers, (soft back). Quarto. 9'' x 6''. Contains [xvi], 477 pp. Hint of tanning to the closed text block edges and in Very Good condition, no dust wrapper as issued. Member of the P.B.F.A. FEMINISM & FEMINISTS.
Published by Published by William Kimber & Co. Ltd., Godolphin House, 22a Queen Anne's Gate, London Second Edition . 1983., 1983
Seller: Little Stour Books PBFA Member, Canterbury, United Kingdom
Association Member: PBFA
Signed
US$ 273.98
Quantity: 1 available
Add to basketCondition: Very Good. Second edition hard back binding in publisher's original black cloth covered boards, blocked and lettered gilt back. 8vo. 9½'' x 6ĵ''. Contains 223 pp with monochrome illustrations and archive photographs throughout. Fine condition book in Very Good condition dust wrapper with feint diagonal line to the front cover. Four corner mounted Lancaster illustrated cards to the title page and opposite SIGNED 'Leonard Sumpter' 'William Howarth' 'Mick' Martin' and 'A. G. Mitchell'. Dust wrapper supplied in archive acetate film protection. Housed in Fine condition marble paper covered open-fronted slip case. Member of the P.B.F.A. WORLD WAR II (Second).
Language: French
Seller: PhP Autographs, Hastière, Belgium
Manuscript / Paper Collectible Signed
Pas de couverture. Condition: Très bon. Rare authentic signed card. + Photo 22x15 cm (recent print). Size : 8x13 cm. Condition : please see scans. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.
Publication Date: 1972
Seller: Max Rambod Inc, Woodland Hills, CA, U.S.A.
The Second Wave issues from 1972 through 1976 bring together feminist literary publishing, movement journalism, and political argument at a moment when U.S. feminist discourse surrounding rape, abortion, battered women, childcare, prison, and international women's struggles were of urgent and expanding concern within the women's liberation movement. The four issues present range in contents from "Interview with 2 Vietnamese Women," "Arab Women: The Struggle in Sudan," a poem by Adrienne Rich, photographs by Elsa Dorfman, and "Rape, A Feminist Review of the Elections"; "Battered Lives," "The Abortion Business," fiction and poetry. Founded in 1971, the magazine published reviews, essays, fiction, creative writing, graphics, and political writing while opening its pages both to established writers and to women writing from within the movement's own readership. Archive of 4 issues of The Second Wave: A Magazine of the New Feminism. Comprised of Vol. 2, no. 2 (1972), Vol. 3, no. 3, Vol. 4, no. 2, and Vol. 4, no. 3 (1975-1976). Quarto format softcover magazines. [1] The Second Wave. Vol. 2, no. 2. 1972. [2] The Second Wave. Vol. 3, no. 3. [3] The Second Wave. Vol. 4, no. 2. 1975. [4] The Second Wave. Vol. 4, no. 3. Spring 1976. Across these issues, the publication records the breadth of second-wave feminist print culture not as a single-theme publication but as a forum where literary writing, practical political debate, and international reporting met in the same pages. One opening letter states that "to date the women's movement has specialized in powerlessness," then continues, "we are learning to develop our power in responsible ways, as we must if our movement is to succeed," a formulation that fits the archive's recurring concerns with violence, institutional power, childrearing, prison, sexuality, and movement strategy. The magazine continued until 1983, when lack of funding ended publication, leaving issues such as these as direct evidence of how feminist readers encountered Adrienne Rich, Joan Little, Susan Saxe, abortion clinic politics, Arab and Vietnamese women's testimony, and debates over rape and domestic violence within one small-press periodical network. Light shelfwear, toning, and rubbing to wrappers, with minor edge wear and handling creases; interiors legible with age wear and signs of handling throughout. Overall good condition. This four-issue run offers a concentrated record of feminist editorial practice in the mid-1970s, when literary culture, political organizing, and women-run print networks were being built in the same magazines.
Published by Determined Productions, San Francisco, 1965
Vintage wall calendar for the year 1966, composed of twelve calendar sheets illustrated with twelve lithographs, held together at the top edge with a metal rod. Designed and illustrated by noted fashion artist Betty Brader, best known for her work for San Francisco specialty store Joseph Magnin, as well as her freelance work for Neiman Marcus in Dallas. Bay Area publisher Determined Productions was founded by Connie Boucher in 1961, largely creating licensed products-including some of the first Peanuts merchandise. The company quickly expanded, producing books and ephemera on a variety of topics, including astrology, the occult, and alcohol. With a vibrant, feminist overtone, the calendar on offer here features illustrations of women from around the world posed in bright and nationally specific garments, with text focusing on the way language is often used to discriminate against women. Not found in OCLC. Housed in the original pictorial paper tube. 19 x 14 inches, rolled as issued. Calendar sheets Fine. Paper tube Near Fine, with light wear at the right end of the tube.
Publication Date: 1970
Seller: Max Rambod Inc, Woodland Hills, CA, U.S.A.
Magazine / Periodical
[Women's Rights and Feminism][Periodicals][LGBTQ][Labor] Archive of eight issues of Off Our Backs, a second wave feminist newspaper, 1971-1974. Washington, D.C.: Off Our Backs, Inc., 1971-1974. Eight tabloid-format issues. Newsprint, illustrated throughout with line drawings, halftone photography, or graphic design elements. All issues folded as issued. An archive from the early years of Off Our Backs, one of the longest-running feminist periodicals of the 20th century and a key platform for the radical second wave. Launched in 1970 by a feminist collective based in Washington, D.C., the paper quickly emerged as a cornerstone of the women's liberation movement, offering grassroots reporting, Marxist and radical feminist analysis, and coverage of global feminist struggles often excluded from mainstream or even liberal feminist publications. The eight issues span from 1971 to 1974 and offer rich documentation of the intersectional and internationalist priorities of the publication. Included in this archive are: [1] Volume I, No. 15 (December 31, 1970). "Sisters Rise Up" special edition on women and imperialism. Issue focused on oppression and US influence abroad, featuring articles on the Vietnam War. Includes the article "Does My Liberation Mean You Get Yours?" focusing on the connection between inequity and imperialist mindset. [2] Volume I, No. 18 (February 26, 1971). The cover declares "We have all come to feel the beating of the drum," echoing the anti-imperialist rhetoric of the period. Includes coverage of International Women's Day and Indochinese antiwar voices, including a telegram from Madame Binh. [3] Volume I, No. 20 (April 15, 1971). "The Social or the Class?" issue, with a cover collage titled "Forget the Rules." Themed around feminism and class consciousness, with reporting on labor, incarceration, and women's resistance to capitalist culture. [4] Volume I, No. 24 (Summer 1971). Special issue: "OOB Back from Cuba," with photo spreads, essays, and interviews by members of the collective returning from a solidarity delegation. Documents working-class Cuban women, sugarcane labor, and revolutionary gender politics. [5] Volume 2, No. 3 (November, 1971). An issue with articles on the Maryland Women's Caucus and on women's studies. With an extensive annotated "Women's Studies Bibliography" and reports on feminist pedagogy, radical therapy, and collective living. [6] Volume 3, No. 2 (October, 1972). "Survival-Women in Danger" issue focused on women's labor and capitalism, featuring street-level reporting on working conditions and systemic abuse. Cover and centerfold featuring a bold graphic of a feminist reclaiming domestic space: "Under the New Regime, the kitchen work will belong to those who eat." [7] Volume 4, No. 1 (Christmas, 1973). Features the serialized novella Mary/Anti-Mary by Carol Anne Douglas, illustrated by Mecca Reliance. A rare example of serialized feminist fiction engaging with theology and mythology from a radical lens. [8] Volume 4, No. 9 (August-September, 1974). Focuses on music, prison abolition, and lesbian politics. Articles include "The Muses of Olivia: Our Own Economy, Our Own Song" about Olivia Records and queer cultural autonomy; also includes prison reform commentary and reviews of feminist publications. Overall intact and well-preserved for newsprint of this age. The publication's mix of essays, satirical art, poetry, serialized fiction, and reportage exemplifies how Off Our Backs served as a feminist counterpublic. Clean and complete, in good condition. A substantial archive from the early days of this foundational publication of 1970s grassroots feminism.