See Marc (52 results)

43, (1)pp. Prof. illus. (partly color). Sm. sq. 4to. Wraps. Pencilled annotations on back cover.

Condition: New. In.

Condition: New.

Condition: New.

Hardcover. Condition: Very Good.

Paperback. Printed pages: 68. Condition: Good Plus. 1st Edition. Disbound but all pages securely bound together. Light foxing to title page and first page of text, otherwise clean text throughout. French language. Overall condition is Good Plus. Size: 5.25 x 8 inches (13 x 20 cm).

Couverture souple. Condition: Bon. Edition originale. In-8° broché, 188 pages - Articles originaux : Les réflexions sur l'Histoire d'un Historien Combattant. - L'enseignement de l'Histoire des Religions dans les facultés des Lettres. - Remarques sur l'application de la méthode comparative à l'Histoire économique. - Philosophie comparée et Humanisme. - Histoire régionale : Le travail d'histoire en Bretagne, de 1886 à 1923. - Principaux ouvrages récents de Littératures générale et comparée.

Condition: New.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9781571134370.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condition: New. Illustrated. Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath.The recent "discovery" of German wartime suffering has had a particularly profound impact in German visual culture. Films from Margarethe von Trotta's Rosenstrasse (2003) to Oliver Hirschbiegel's Oscar-nominated Downfall (2004) and the two-part television mini-series Dresden (2006) have shown how ordinary Germans suffered during and after the war. Such films have been presented by critics as treating a topic that had been taboo for German filmmakers. However, the representation of wartime suffering has a long tradition on the German screen. For decades, filmmakers have recontextualized images of Germans as victims to engage shifting social and ideological discourses. By focusing on this process, the present volume explores how the changing representation of Germans as victims has shaped the ways in which both of the postwar German states and the now-unified nation have attempted to facethe trauma of the past and to construct a contemporary place for themselves in the world. Contributors: Seán Allan, Tim Bergfelder, Daniela Berghahn, Erica Carter, David Clarke, John E. Davidson, Sabine Hake, JenniferKapczynski, Manuel Köppen, Rachel Palfreyman, Brad Prager, Johannes von Moltke. Paul Cooke is Professor of German Cultural Studies at the University of Leeds and Marc Silberman is Professor of German at the University of Wisconsin.

Hardback. Condition: New. Illustrated. Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath.The recent "discovery" of German wartime suffering has had a particularly profound impact in German visual culture. Films from Margarethe von Trotta's Rosenstrasse (2003) to Oliver Hirschbiegel's Oscar-nominated Downfall (2004) and the two-part television mini-series Dresden (2006) have shown how ordinary Germans suffered during and after the war. Such films have been presented by critics as treating a topic that had been taboo for German filmmakers. However, the representation of wartime suffering has a long tradition on the German screen. For decades, filmmakers have recontextualized images of Germans as victims to engage shifting social and ideological discourses. By focusing on this process, the present volume explores how the changing representation of Germans as victims has shaped the ways in which both of the postwar German states and the now-unified nation have attempted to facethe trauma of the past and to construct a contemporary place for themselves in the world. Contributors: Seán Allan, Tim Bergfelder, Daniela Berghahn, Erica Carter, David Clarke, John E. Davidson, Sabine Hake, JenniferKapczynski, Manuel Köppen, Rachel Palfreyman, Brad Prager, Johannes von Moltke. Paul Cooke is Professor of German Cultural Studies at the University of Leeds and Marc Silberman is Professor of German at the University of Wisconsin.

Condition: New. 2010. Illustrated. Hardcover. . . . . .

Hardcover. Condition: Brand New. 285 pages. 9.00x6.25x1.00 inches. In Stock.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. 2010. Illustrated. Hardcover. . . . . . Books ship from the US and Ireland.

Hardback. Condition: New. Illustrated. Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath.The recent "discovery" of German wartime suffering has had a particularly profound impact in German visual culture. Films from Margarethe von Trotta's Rosenstrasse (2003) to Oliver Hirschbiegel's Oscar-nominated Downfall (2004) and the two-part television mini-series Dresden (2006) have shown how ordinary Germans suffered during and after the war. Such films have been presented by critics as treating a topic that had been taboo for German filmmakers. However, the representation of wartime suffering has a long tradition on the German screen. For decades, filmmakers have recontextualized images of Germans as victims to engage shifting social and ideological discourses. By focusing on this process, the present volume explores how the changing representation of Germans as victims has shaped the ways in which both of the postwar German states and the now-unified nation have attempted to facethe trauma of the past and to construct a contemporary place for themselves in the world. Contributors: Seán Allan, Tim Bergfelder, Daniela Berghahn, Erica Carter, David Clarke, John E. Davidson, Sabine Hake, JenniferKapczynski, Manuel Köppen, Rachel Palfreyman, Brad Prager, Johannes von Moltke. Paul Cooke is Professor of German Cultural Studies at the University of Leeds and Marc Silberman is Professor of German at the University of Wisconsin.

Hardback. Condition: New. Illustrated. Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath.The recent "discovery" of German wartime suffering has had a particularly profound impact in German visual culture. Films from Margarethe von Trotta's Rosenstrasse (2003) to Oliver Hirschbiegel's Oscar-nominated Downfall (2004) and the two-part television mini-series Dresden (2006) have shown how ordinary Germans suffered during and after the war. Such films have been presented by critics as treating a topic that had been taboo for German filmmakers. However, the representation of wartime suffering has a long tradition on the German screen. For decades, filmmakers have recontextualized images of Germans as victims to engage shifting social and ideological discourses. By focusing on this process, the present volume explores how the changing representation of Germans as victims has shaped the ways in which both of the postwar German states and the now-unified nation have attempted to facethe trauma of the past and to construct a contemporary place for themselves in the world. Contributors: Seán Allan, Tim Bergfelder, Daniela Berghahn, Erica Carter, David Clarke, John E. Davidson, Sabine Hake, JenniferKapczynski, Manuel Köppen, Rachel Palfreyman, Brad Prager, Johannes von Moltke. Paul Cooke is Professor of German Cultural Studies at the University of Leeds and Marc Silberman is Professor of German at the University of Wisconsin.

OCTARES Editions. In-8, 187pp, broché, semi-souple éditeur, exemplaire qq peu jauni et usagé, occasion, bon état Coll. Travail & Activité Humaine.

Condition: Hervorragend. Zustand: Hervorragend | Seiten: 324 | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Couverture rigide. Condition: Bon. Paris . Asselin . 1877 . 5e édition ( 2e tirage avec corrections ) . Reliure percaline éditeur verte , in-8 de XX + 851 pages , ornées de 386 figures , dont une partie couleurs . Reliure défraichie , Mouillure claire angulaire au début , rousseurs éparses .

Buch. Condition: Neu. Neuware - Réimpression inchangée de l'édition originale de 1877. La maison d'édition Antigonos est spécialisée dans la publication de réimpressions de livres historiques. Nous veillons à ce que ces ouvrages soient mis à la disposition du public dans de bonnes conditions afin de préserver leur patrimoine culturel.

Condition: Hervorragend. Zustand: Hervorragend | Seiten: 776 | Sprache: Französisch | Produktart: Bücher | Réimpression inchangée de l'édition originale de 1877. La maison d'édition Antigonos est spécialisée dans la publication de réimpressions de livres historiques. Nous veillons à ce que ces ouvrages soient mis à la disposition du public dans de bonnes conditions afin de préserver leur patrimoine culturel.

Original Wrappers. Condition: Very Good. First Edition. Outer wrappers slightly staimed. Inscribed by the author. Enclosed in an attractive quarter leather folding case. Inscribed by the Author.

Couverture rigide. Condition: Bon. Grand in-8° relié demi-percaline de l'époque, XV-724 pages.

Couverture souple. Condition: Très bon. Thèse d'agrégation de médecine. In-4° broché, 30 pp. Bel envoi autographe de l'auteur au Docteur Péan.

Hardcover. Condition: Good. Hardcover, slightly oversized. Black leather spine worn and chipped, with raised cords and gold lettering, both scuffed. Marbled paper over boards. Edges worn and corners quite rounded and bumped. Patterned endpapers. Wear and scuffs to the inside front cover. 105 hand colored lithographs. On each facing page, the name of the plate is printed and any numbered details from the plate are explained. There is no corresponding text - this is the plates & their explanatory pages only. The plates are good quality lithographs, most of the them with hand coloring. At the bottom of the plates, it says, 'Dessine dap nat par Emile Beau. and Imp. Lemercier, Paris. There is some foxing here and these, most pronounced on the blank backs of the plates, but also appearing on the plates and facing pages. It is not terrible foxing, but it is scattered throughout. Binding is cracked between plates 93 and 94, but everything is still attached and secure. The plates themselves are very well done, though not of a subject that lends itself to removal and framing. They all illustrated pregnancy, childbirth, delivery, in utero positions of the fetus, gynecological tools, etc. There is no publication date on the title page. Copyright page has only a blue rubberstamp added much later that says Copy 2. 12/10/51. I have seen copies described as being printed in 1881 and in 1860, but none of those other copies say whether there's a date printed in the book itself. Please email with questions or to request photos.

Condition: Bon état. 2 vol. gr. in-8, demi-percaline verte, VI + 312 pages et XV + 105 planches dessinées d'après nature par Emile Beau et montées sur onglets. Edition originale de ce traité d'obstétrique, bien complet du volume d'atlas, en bonne condition.

Couverture rigide. Condition: Bon. 2 volumes ; Atlas de [4] pp., Paris, Victor Masson et fils, (c. 1870) ; 1865, in-4, 2 volumes ; Atlas de [4] pp, 105 pl. en couleurs et autant de feuillets explicatifs - Texte de VI-312 pp, Demi-chagrin rouge de l'époque, dos à nerfs orné, tête dorée ; vol. de texte en demi-toile verte, 105 planches lithographiées d'après nature, par Émile Beau représentant les différentes étapes de l'accouchement et les instruments nécessaires à ceux qui sont plus laborieux. Première édition séparée du bel atlas des accouchements. On joint le volume de texte qui avait été publié avec l'édition originale de 1865 sous le titre d'Atlas complémentaire de tous les traités d'accouchements Bel exemplaire. Ex-libris de Jean Rouché.