Segall Lasar (39 results)

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: NF. Paperback in Near Fine condition. 4to 11" - 13" tall. 284 pages. Quick shipping, excellent customer service. All books carefully packaged in boxes and ship with tracking information.

Softcover, 284 pages, in English and Portuguese; as new condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Soft Cover. Condition: Near Fine. Profusely illustrated with full-page color plates plus text illustrations. Essay by Vera d'Horta. Text in Spanish. Published on the occasion of the exhibition at the Museo de Arte Moderno, Mexico, in 2002. Tight, clean and crisp. A hint of light shelf/edge wear, otherwise an excellent copy. No inscriptions. No remainder mark. Not ex-library. ; 4to; 318 pages.

Softcover. Condition: Like new. First edition thus. 4to. 248 pp. Illustrated (some color). Text in English and Portugues. Paperback. Still in plastic shrinkwrap.

Stapled Wraps. Condition: Good. 20 pp., three tipped-in color plates, nine illustrations in b&w. In Portuguese. Spine sunned, head and heel of spine and corners bumped, wrappers a bit dustsoiled with small faint stain at front fore-edge. Size: Wide 12mo.

First Edition. First Edition. Catalog for the traveling exhibition held on November 27 to December 20, 1959 at the Stedelijk Museum in Amsterdam, and January 29 to February 22, 1960 at the Germanisches Nationalmuseum in Nuremberg. Front wrapper with three Museum of Modern Art library stamps along the bottom edge. Text in French and Dutch. Stapled to the first leaf is a bi-fold addendum identifying the graphic work in the exhibition with a Museum of Modern Art library stamp on the front panel. Very Good plus in perfect-bound illustrated card wrappers, with light edgewear and light overall rubbing.

Condition: Very Good. *Price HAS BEEN REDUCED by 10% until Monday, March 23 (weekend sale item)* xxv, 169 pp., hardcover, minor library markings, else text clean & binding tight in a very good dust jacket; text in Portuguese & English. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Softcover. Condition: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2000. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2000. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condition: Very good. - Quarto [11 inches high by 9-5/8 inches wide], cloth in a dust wrapper. There are some tiny white marks to the binding. The top edge of the dust jacket & the lower end of its rear fold are lightly chipped and the top edges of its flaps are darkened. 179 & [2] pages plus colophon. Profusely illustrated in color and black & white. Very good. Second, enlarged edition of a book originally published in French and Portuguese by the Sao Paulo Museum of Art, Brazil on the occasion of an exhibition held there in 1951. The monograph is here translated into English by John Drummond.Russia-born artist Lasar Segall, a painter, engraver and sculptor, spent his early working life in Germany. He made his first trip to Brazil in 1913 and after the first World War he took up residence there and became a Brazilian citizen.

67 páginas, con reproduciones en negro y en color. 8vo., tapa blanda.

60 nicht numerierte Seiten u. eine Liste der ausgestellten Werke auf mehreren Blättern. (Deutscher Text u. Formatangaben). Mit 90 teils farbigen Abbildungen. Farbig illustrierte Originalbroschur. 17x17 cm * Lasar Segall (* 21. Juli 1891 in Wilna; 2. August 1957 in São Paulo) war ein brasilianischer Maler, Grafiker und Bildhauer jüdischen Glaubens. Lasar wurde als sechstes von acht Kindern von Esther Ghodes Glaser Segall und Abel Segall im jüdischen Viertel von Wilna geboren. Mit vierzehn Jahren besuchte er die Zeichenschule von Wilna, mit fünfzehn Jahren ging er nach Berlin und setzte hier seine Studien an der Königlichen Akademie der Künste fort. 1910 ging er als Meisterschüler an die Kunstakademie von Dresden und schloss hier seine Studien ab. 1912 bis 1913 unternahm er seine erste Reise nach Brasilien, wo er seine Geschwister Oscar, Jacob und Luba besuchte. Ende des Jahres 1913 kehrte er nach Deutschland zurück, wo er 1918 Margarete Quack heiratete. 1919 gründete er mit Künstlerfreunden und Kollegen wie Otto Dix, Conrad Felixmüller, Wilhelm Heckrott, Otto Lange, Constantin von Mitschke-Collande, Peter August Böckstiegel, Otto Schubert, Gela Forster und Hugo Zehder, die Dresdner Sezession. Es folgten viele Ausstellungen und Reisen in Europa. 1924 trennte er sich von Margarete Quack und kehrte nach Brasilien zurück. 1932 war er Mitbegründer der Sociedade Pró-Arte Moderna (SPAM).[1] Es folgten weitere Ausstellungen in Europa und Brasilien. In Deutschland war er einer der verfemten Künstler in der von den Nationalsozialisten organisierten Ausstellung Entartete Kunst" von 1937 in München. Seit Mitte der dreißiger Jahre setzte sich Segall mit den universalen Themen des Krieges, der Vernichtung und der Emigration auseinander: 1937 malte er das Gemälde Pogrom (Museu Lasar Segall, São Paulo), es folgten Krieg (1942, Museu Lasar Segall, São Paulo), Konzentrationslager (1945, Privatsammlung) sowie Exodus (1947, Jewish Museum, New York City). Schlüsselbild dieser zeithistorischen Werkreihe ist das Gemälde Navio de emigrantes (1941, Museu Lasar Segall, São Paulo). 1955 wurde er mit einem eigenen Raum auf der III. Biennale für Moderne Kunst in São Paulo geehrt. Am 2. August 1957 starb Lasar Segall mit 66 Jahren in São Paulo. Am 21. September 1967 eröffnete in São Paulo das Lasar Segall Museum. (Quelle Wikipedia) Sprache: Deutsch Gewicht in Gramm: 300.

Broschiert. (Lager 85) 689AC649CE55 Sprache: Deutsch Gewicht in Gramm: 549.

Softcover. Illustrated white wraps with brown lettering and B&W illustration. 47 pp. Illustrated throughout in B&W. List of works laid-in. Catalog of an exhibition held May 1943, sponsored by the Ministry of Education of Brazil. English edition. Introduction by Mario de Andrade. VG, some soiling of wraps, occasional rubs or smudges in interior, interior otherwise clean.

hardcover. Condition: Hardcover. Hardcover. 1988Very Good / Very Good dust jacket. Free of any markings and no writings inside. For any additional information or pictures, please inquire.

Soft cover. Condition: Very Good. Text in English and French. Numerous illustrations in black-and-white and colour. Crease to lower corner of front cover and vertical creasing to spine. No marks to inside pages. Not ex-library. Binding is firm. 292 pages. s103.

Hard Cover. Condition: Fine. Dust Jacket Condition: Very Good. Oversized hardcover with dust jacket, 379 pages, superb plates in full colour and black-and-white throughout; text in Portuguese. See also our listing for Tarsila Do Amaral: Projeto Cultural Artistas do Mercosul.

Tapa Blanda. Condition: New. Exposição realizada de maio a julho de 2003 no Museu Lasar Segall, apresenta a relação da declamadora Berta Singerman com a arte moderna brasileira, através do conjunto de artes drmáticas, literatura e pintura em homenagem a artista. 56 Páginas. 70 gr. Libro.

Soft cover. Condition: Very Good. Text is in Portuguese with a German translation of the text at the back. Presumed first edition w/NAP, exhibition catalog, softcover with French flaps, the book has a minor skew to the binding, a touch of waving to the text block, light bumps to the spine ends and cover corners, rubbing with a few faint smudges to the covers, and some wear to the edges. Otherwise, this is a solid, tight Very Good copy.

Condition: New. In shrink wrap.

Condition: Wie neu. Gebundene Ausgabe w-014a-0423 KEIN VERSANDKOSTENRABATT !!! Sprache: Deutsch Gewicht in Gramm: 450.

Hardcover with dustjacket, 172 pages, in English and Portuguese; very good condition; light rubbing to dj; no internal marks. Foreign shipping may be extra.

135, (1) S. Ill. Orig.-Pappband. - Sehr guter Zustand innen und außen.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. First Edition. Dust Jacket Condition: Near Fine. xxii, 183 pp, Apresentacao de Jose E. Mindlin; Introducao de Mauricio Segall; Preto no branco de Vera k'Horta; A catalogacao da obra grafica de Lasar Segall de Marcelo Mattos Araujo; As gravuras; Os albuns; Lasar Segall -- Dados biograficos; Exposicoes individuais; bibliografia. Text in Portugese. First Edition, 1988. Not Price Clipped. Two small closed tears to top edge rear panel dj with only the faintest edge wear, else, Pristine, no wear. Clean, tight and strong binding with no underlining, highlighting or marginalia. laminated illustrated boards with illustrated endpapers. Size: 4to. Book.

Hard Cover. Condition: Very Good. Dust Jacket Condition: Very Good. This is a very good hardcover copy in an almost very good dust jacket. The jacket is worn around the top edge. Completely clean inside and out. Text in Portuguese only. Preface by Mauricio Segall, Director of the Museum. Catalog of the Museum's holdings of works made by Lasar Segall and photographs and books from his library. Over 150 works catalogued. The artist Lasar Segall (1891- 1957) was a Brazilian Jewish painter, engraver and sculptor born in Lithuania. Introduction. Illustrated in color throughout, all catalogued works illustrated with color plates. Bibliography. 11" high X 8" wide, 319 pages. This book will be securely packed and shipped with tracking.

hardcover. Condition: fine. Dust Jacket Condition: very good(+). Lasar Segall (illustrator). Text in both Portuguese and English. Illustrated with b/w reproductions throughout. 169 pages. 4to, glossy pictorial boards, d.w. (Sao Paulo): Museu Lasar Segall, (1991). A fine copy in a very good(+) dust wrapper, sunning to spine and rear panel, slight scratching to front wrap.

287 S. Mit zahlr., teils farb. Abb. 4°, Orig.-Broschur. Lasar Segall galt, wenn auch nur für wenige Jahre, als einer der wichtigsten jüdischen expressionistischen Maler in Deutschland. [.] Durch die Entscheidung Europa zu verlassen und seinen Wohnsitz nach Brasilien zu verlegen, wurde die künstlerische Entwicklung Segals entscheidend beeinflußt. Szenen des brasilianischen Lebens finden Eingang in sein Werk, sein Stild wird ruhiger und sachlicher, die Farben scheinen direkt den sonnendurchfluteten Lanschaften Brasiliens entnommen. In den 30er und 40er Jahren entstehen große Werke zu den Themen Rassenhaß, Emigration und Krieg. In Deutschland wurden in diesen Jahren seine Bilder aus Museen entfernt. Segall galt als entarteter Künstler , sein Bild Purimsfest hing in der Münchner Ausstellung Entartete Kunst 1937 neben Marc Chagalls Rabbiner . (Vgl. Vorwort in diesem Band.) - Mit einer Signatur Mauricio Segalls vom 15.03.1990 mit beiliegender Einladung zur Ausstellungseröffnung. - Broschur minimal berieben, sonst gut erhalten. 1300 gr.

Hardcover with dustjacket, 184 pages, in Portuguese; very good condition; light rubbing to dj; no internal marks. Foreign shipping may be extra.

Couverture rigide. I.B.P.C. | Sao Paulo 1991 | 25.50 x 29 cm | reliure de l'éditeur | Edition originale. Reliure de l'éditeur en plein cartonnage marron, dos lisse, exemplaire bien complet de sa jaquette illustrée qui ne comporte aucun défaut. Présentation de José E. Mindlin, envoi autographe de ce dernier à une amie. Iconographie. Agréable exemplaire. | [ENGLISH DESCRIPTION FOLLOWS] First edition. Publisher's binding in full brown boards, smooth spine, complete with its illustrated dust jacket which has no defects. Presentation by José E. Mindlin, autograph inscription from him to a female friend. Iconography. Handsome copy. *.

Softcover, 128 + pages; in Portuguese and English; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.