Semsel George (30 results)

Hardcover. Condition: Good. No Jacket. First Printing. Ex-library copy. Dealer stamp on front endpaper. film.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Used-Good. Cloth, no dj. A little shelf-wear. Some underlining.

Hardcover. Condition: Very Good. No Jacket. First Edition. Private library stamp on title page. Otherwise solid VG hardcover. No dust jacket. First Published stated. Full number line.

Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Bowed. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:0275926443.

Hardcover. Condition: Very Good. No dust jacket. Grey-tan cloth with blue print; 222 pages. Book is in exellent condition, showing only faint rubbing to surfaces, a couple of faint smudges to bottom of text block, light bumping to corners and at ends of spine; otherwise in fine shape with a sharp interior--tight binding and clean, unmarked pages. A good copy!

Hardcover. Condition: Good. Ex-library book, usual markings. Hardback. Clean copy, sound binding. Quick dispatch from UK seller.

Condition: New.

Condition: New.

Condition: Fine. Unused, minor shelf wear to outer pages, book content is in like new condition.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Condition: New. In.

Condition: As New. Unread book in perfect condition.

Condition: Fine. Unused, some outer pages have minor shelf wear, book content is in like new condition.

Condition: New.

Hardback. Condition: New. First Edition. This is the first collection of translations of Chinese film theory to be published in English. By using translations rather than summaries, as other works have done, Chinese Film Theory provides readers with an introduction to the issues current in China's film circles. It includes eighteen chapters written by a broad range of writers--from well established scholars to young people at the beginning of their involvement in film in China. This collection indicates a trend away from the study of external qualities of film and toward a study of the film itself.The volume has been carefully organized so that major issues are interrelated; thus, the book comprises an ongoing debate of film theory issues, progressing from earlier to most recent issues, following the debate concerning the relationship of film to literary arts, and looking at the debate over the relationship of film to culture. The book concludes that for the time being, debate has virtually ended because of the political situation in China. This book is an important new source to anyone interested in film studies, film theory, or Chinese studies.

Condition: As New. Unread book in perfect condition.

Condition: Very Good. Unused, minor shelf wear to outer pages, book content is in like new condition.

Hardcover. Condition: Brand New. 248 pages. 9.75x6.50x1.00 inches. In Stock.

Hardback. Condition: New. First Edition. This is the first collection of translations of Chinese film theory to be published in English. By using translations rather than summaries, as other works have done, Chinese Film Theory provides readers with an introduction to the issues current in China's film circles. It includes eighteen chapters written by a broad range of writers--from well established scholars to young people at the beginning of their involvement in film in China. This collection indicates a trend away from the study of external qualities of film and toward a study of the film itself.The volume has been carefully organized so that major issues are interrelated; thus, the book comprises an ongoing debate of film theory issues, progressing from earlier to most recent issues, following the debate concerning the relationship of film to literary arts, and looking at the debate over the relationship of film to culture. The book concludes that for the time being, debate has virtually ended because of the political situation in China. This book is an important new source to anyone interested in film studies, film theory, or Chinese studies.

Hardcover. Condition: Very Good. Very good copy. No dustjacket (probably published withou a jacket. Eighteen essays by Chinese authors translated from Chinese into English, presenting a variety of views on Chinese film. xxii, 222pp. Book.

Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Hardcover. Condition: Fine. Very fine copy. Eighteen essays by Chinese authors translated from Chinese into English, presenting a variety of views on Chinese film. xxii, 222pp. Book.

Paperback. Condition: new. Paperback. This is the story of Ai Mei, a Chinese girl adopted by American parents. Ai Mei's journey, a magical adventure into time and culture as well as into space, takes her from Rockport, Massachusetts, in the U.S. to contemporary Beijing, and then into the very heart of China. At the Labrang Monastery on the Tibetan plateau in Gansu Province, she runs away from Angie, her American mother, in a desperate search for her birth mother and, hopefully, the answers to questions she has about her origins. With her American mother in frantic pursuit, Amy has a number of unexpected adventures and meets all kinds of people as she finds her way first to Guilin, and then to Hunan Province. In the remote depths of Jianyoung County, Amy finds what she has been seeking. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condition: new. Hardcover. This is the first collection of translations of Chinese film theory to be published in English. By using translations rather than summaries, as other works have done, Chinese Film Theory provides readers with an introduction to the issues current in China's film circles. It includes eighteen chapters written by a broad range of writers--from well established scholars to young people at the beginning of their involvement in film in China. This collection indicates a trend away from the study of external qualities of film and toward a study of the film itself.The volume has been carefully organized so that major issues are interrelated; thus, the book comprises an ongoing debate of film theory issues, progressing from earlier to most recent issues, following the debate concerning the relationship of film to literary arts, and looking at the debate over the relationship of film to culture. The book concludes that for the time being, debate has virtually ended because of the political situation in China. This book is an important new source to anyone interested in film studies, film theory, or Chinese studies. thus, the book comprises an ongoing debate of film theory issues, progressing from earlier to most recent issues, following the debate concerning the relationship of film to literary arts, and looking at the debate over the relationship of film to culture. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Hardcover. Condition: new. Hardcover. This is the first collection of translations of Chinese film theory to be published in English. By using translations rather than summaries, as other works have done, Chinese Film Theory provides readers with an introduction to the issues current in China's film circles. It includes eighteen chapters written by a broad range of writers--from well established scholars to young people at the beginning of their involvement in film in China. This collection indicates a trend away from the study of external qualities of film and toward a study of the film itself.The volume has been carefully organized so that major issues are interrelated; thus, the book comprises an ongoing debate of film theory issues, progressing from earlier to most recent issues, following the debate concerning the relationship of film to literary arts, and looking at the debate over the relationship of film to culture. The book concludes that for the time being, debate has virtually ended because of the political situation in China. This book is an important new source to anyone interested in film studies, film theory, or Chinese studies. thus, the book comprises an ongoing debate of film theory issues, progressing from earlier to most recent issues, following the debate concerning the relationship of film to literary arts, and looking at the debate over the relationship of film to culture. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. thus, the book comprises an ongoing debate of film theory issues, progressing from earlier to most recent issues, following the debate concerning the relationship of film to literary arts, and looking at the debate over the relationship of film to culture.

Buch. Condition: Neu. Chinese Film Theory | A Guide to the New Era | George S. Semsel (u. a.) | Buch | Gebunden | Englisch | 1990 | Praeger | EAN 9780275931032 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This is the first collection of translations of Chinese film theory to be published in English. By using translations rather than summaries, as other works have done, Chinese Film Theory provides readers with an introduction to the issues current in China's film circles. It includes eighteen chapters written by a broad range of writers--from well established scholars to young people at the beginning of their involvement in film in China. This collection indicates a trend away from the study of external qualities of film and toward a study of the film itself.The volume has been carefully organized so that major issues are interrelated; thus, the book comprises an ongoing debate of film theory issues, progressing from earlier to most recent issues, following the debate concerning the relationship of film to literary arts, and looking at the debate over the relationship of film to culture. The book concludes that for the time being, debate has virtually ended because of the political situation in China. This book is an important new source to anyone interested in film studies, film theory, or Chinese studies.