Sergeant Matthew (21 results)
- Hardcover
Seller: Books From California, Simi Valley, CA, U.S.A.Books From California
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hardcover. Condition: Fine.
- Hardcover
Seller: Brook Bookstore On Demand, Napoli, NA, ItalyBrook Bookstore On Demand
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Music and Time : Psychology, Philosophy, Practice
Phillips, Michelle (EDT); Sergeant, Matthew (EDT); Bradbury, Adrian (CON); Connor, Abigail (CON); Franco Briones, Alejandro (CON)
- Hardcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Music and Time : Psychology, Philosophy, Practice
Phillips, Michelle (EDT); Sergeant, Matthew (EDT); Bradbury, Adrian (CON); Connor, Abigail (CON); Franco Briones, Alejandro (CON)
- Hardcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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- Hardcover
Seller: PBShop.store UK, Fairford, GLOS, United KingdomPBShop.store UK
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HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Music and Time : Psychology, Philosophy, Practice
Phillips, Michelle (EDT); Sergeant, Matthew (EDT); Bradbury, Adrian (CON); Connor, Abigail (CON); Franco Briones, Alejandro (CON)
- Hardcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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Condition: New.
Music and Time : Psychology, Philosophy, Practice
Phillips, Michelle (EDT); Sergeant, Matthew (EDT); Bradbury, Adrian (CON); Connor, Abigail (CON); Franco Briones, Alejandro (CON)
- Hardcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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Condition: As New. Unread book in perfect condition.
- Hardcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
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Hardback. Condition: New. How does music manifest through time and, simultaneously, how does time manifest through music?For the experimental psychologist, the experience of time during music listening or performance is something that may be studied empirically. For philosophers, fundamental questions of time continue to be the…subject of ongoing debate in philosophy: is time linear? What are past, present and future? What is duration and what makes a perceptual present, or moment? For the performer, musical time can exist as a subjective vehicle of expression. Although any of the three could be chosen as a starting point, the order presented in the text's structure offers a journey from empiricism to application, via contemplation. This volume deals with the complex relationship between music and time. It presents a staunchly interdisciplinary perspective defined by the terms Psychology, Philosophy and Practice. The text is divided into sections concerning "experience", "enactment" and "meaning", as points of intersection between the three primary methodologies of the title. As such, this is a book for the scholar, the student of music, and the interested reader. For the scholar, it offers new interconnections and comparisons. For the student, its pluralistic approach presents the most comprehensive overview available to date regarding the topic. For the interested reader, the volume offers answers to questions which concern us as listeners and audiences at concerts, gigs, and festivals.
- Hardcover
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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Hardcover. Condition: new. Hardcover. How does music manifest through time and, simultaneously, how does time manifest through music?For the experimental psychologist, the experience of time during music listening or performance is something that may be studied empirically. For philosophers, fundamental questions of time continu…e to be the subject of ongoing debate in philosophy: is time linear? What are past, present and future? What is duration and what makes a perceptual present, or moment? For the performer, musical time can exist as a subjective vehicle of expression. Although any of the three could be chosen as a starting point, the order presented in the text's structure offers a journey from empiricism to application, via contemplation.This volume deals with the complex relationship between music and time. It presents a staunchly interdisciplinary perspective defined by the terms Psychology, Philosophy and Practice. The text is divided into sections concerning "experience", "enactment" and "meaning", as points of intersection between the three primary methodologies of the title. As such, this is a book for the scholar, the student of music, and the interested reader. For the scholar, it offers new interconnections and comparisons. For the student, its pluralistic approach presents the most comprehensive overview available to date regarding the topic. For the interested reader, the volume offers answers to questions which concern us as listeners and audiences at concerts, gigs, and festivals. How does music manifest through time and, simultaneously, how does time manifest through music? Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Hardcover
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.
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Condition: New. 2022. Hardcover. . . . . .
- Hardcover
Seller: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
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HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
- Hardcover
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
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Hardback. Condition: New. How does music manifest through time and, simultaneously, how does time manifest through music?For the experimental psychologist, the experience of time during music listening or performance is something that may be studied empirically. For philosophers, fundamental questions of time continue to be the…subject of ongoing debate in philosophy: is time linear? What are past, present and future? What is duration and what makes a perceptual present, or moment? For the performer, musical time can exist as a subjective vehicle of expression. Although any of the three could be chosen as a starting point, the order presented in the text's structure offers a journey from empiricism to application, via contemplation. This volume deals with the complex relationship between music and time. It presents a staunchly interdisciplinary perspective defined by the terms Psychology, Philosophy and Practice. The text is divided into sections concerning "experience", "enactment" and "meaning", as points of intersection between the three primary methodologies of the title. As such, this is a book for the scholar, the student of music, and the interested reader. For the scholar, it offers new interconnections and comparisons. For the student, its pluralistic approach presents the most comprehensive overview available to date regarding the topic. For the interested reader, the volume offers answers to questions which concern us as listeners and audiences at concerts, gigs, and festivals.
- Hardcover
Seller: THE SAINT BOOKSTORE, Southport, , United KingdomTHE SAINT BOOKSTORE
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Hardback. Condition: New. New copy - Usually dispatched within 4 working days.
- Hardcover
Seller: Revaluation Books, Exeter, , United KingdomRevaluation Books
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Hardcover. Condition: Brand New. 206 pages. 9.25x6.25x0.75 inches. In Stock.
- Hardcover
Seller: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Condition: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland.
- Hardcover
Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.Rarewaves USA United
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Hardback. Condition: New. How does music manifest through time and, simultaneously, how does time manifest through music?For the experimental psychologist, the experience of time during music listening or performance is something that may be studied empirically. For philosophers, fundamental questions of time continue to be the…subject of ongoing debate in philosophy: is time linear? What are past, present and future? What is duration and what makes a perceptual present, or moment? For the performer, musical time can exist as a subjective vehicle of expression. Although any of the three could be chosen as a starting point, the order presented in the text's structure offers a journey from empiricism to application, via contemplation. This volume deals with the complex relationship between music and time. It presents a staunchly interdisciplinary perspective defined by the terms Psychology, Philosophy and Practice. The text is divided into sections concerning "experience", "enactment" and "meaning", as points of intersection between the three primary methodologies of the title. As such, this is a book for the scholar, the student of music, and the interested reader. For the scholar, it offers new interconnections and comparisons. For the student, its pluralistic approach presents the most comprehensive overview available to date regarding the topic. For the interested reader, the volume offers answers to questions which concern us as listeners and audiences at concerts, gigs, and festivals.
- Hardcover
Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
Contact seller5-star sellerCondition: New
US$ 128.75
US$ 86.10 shippingShips from United Kingdom to U.S.A.Quantity: 12 available
Hardback. Condition: New. How does music manifest through time and, simultaneously, how does time manifest through music?For the experimental psychologist, the experience of time during music listening or performance is something that may be studied empirically. For philosophers, fundamental questions of time continue to be the…subject of ongoing debate in philosophy: is time linear? What are past, present and future? What is duration and what makes a perceptual present, or moment? For the performer, musical time can exist as a subjective vehicle of expression. Although any of the three could be chosen as a starting point, the order presented in the text's structure offers a journey from empiricism to application, via contemplation. This volume deals with the complex relationship between music and time. It presents a staunchly interdisciplinary perspective defined by the terms Psychology, Philosophy and Practice. The text is divided into sections concerning "experience", "enactment" and "meaning", as points of intersection between the three primary methodologies of the title. As such, this is a book for the scholar, the student of music, and the interested reader. For the scholar, it offers new interconnections and comparisons. For the student, its pluralistic approach presents the most comprehensive overview available to date regarding the topic. For the interested reader, the volume offers answers to questions which concern us as listeners and audiences at concerts, gigs, and festivals.
- Hardcover
Seller: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Contact seller5-star sellerCondition: New
US$ 210.05
US$ 37.00 shippingShips from Australia to U.S.A.Quantity: 1 available
Hardcover. Condition: new. Hardcover. How does music manifest through time and, simultaneously, how does time manifest through music?For the experimental psychologist, the experience of time during music listening or performance is something that may be studied empirically. For philosophers, fundamental questions of time continu…e to be the subject of ongoing debate in philosophy: is time linear? What are past, present and future? What is duration and what makes a perceptual present, or moment? For the performer, musical time can exist as a subjective vehicle of expression. Although any of the three could be chosen as a starting point, the order presented in the text's structure offers a journey from empiricism to application, via contemplation.This volume deals with the complex relationship between music and time. It presents a staunchly interdisciplinary perspective defined by the terms Psychology, Philosophy and Practice. The text is divided into sections concerning "experience", "enactment" and "meaning", as points of intersection between the three primary methodologies of the title. As such, this is a book for the scholar, the student of music, and the interested reader. For the scholar, it offers new interconnections and comparisons. For the student, its pluralistic approach presents the most comprehensive overview available to date regarding the topic. For the interested reader, the volume offers answers to questions which concern us as listeners and audiences at concerts, gigs, and festivals. How does music manifest through time and, simultaneously, how does time manifest through music? Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
More imagesThe Blue and Brown Diamond. A History of the 27th Battalion, Australian Imperial Force, 1915-1919
[27th Battalion]. DOLLMAN, Lieutenant-Colonel Walter and Sergeant Henry Matthew SKINNER
Published by Lonnen and Cope, Adelaide 1921
- Hardcover
- First Edition
Seller: Michael Treloar Booksellers ANZAAB/ILAB, Adelaide, SA, AustraliaMichael Treloar Booksellers ANZAAB/ILAB
Contact seller5-star sellerCondition: Used - Very good
US$ 468.28
US$ 24.00 shippingShips from Australia to U.S.A.Quantity: 1 available
Hardcover. Condition: Very Good. First Edition. Adelaide, Lonnen and Cope, 1921. Octavo, 228 pages with 12 illustrations and 16 maps plus 18 plates and the printed front endpaper. Colour-pictorial cloth a little worn and bumped at the extremities, with minor loss at the head of the front joint; acidic paper discoloured as ever;…a few marks to the edges; a very good copy of a book notoriously difficult to find in even decent condition because of the poor quality of the materials used in its production. Dornbusch 310; Fielding and O'Neill, page 227; Trigellis-Smith 226.
More imagesThe Blue and Brown Diamond. A History of the 27th Battalion, Australian Imperial Force, 1915-1919
DOLLMAN, Lieutenant-Colonel Walter and Sergeant Henry Matthew SKINNER
Published by Lonnen and Cope, Adelaide 1921
- Hardcover
- First Edition
Seller: Michael Treloar Booksellers ANZAAB/ILAB, Adelaide, SA, AustraliaMichael Treloar Booksellers ANZAAB/ILAB
Contact seller5-star sellerCondition: Used - Good
US$ 468.28
US$ 24.00 shippingShips from Australia to U.S.A.Quantity: 1 available
Hardcover. Condition: Good. First Edition. Adelaide, Lonnen and Cope, 1921. Octavo, 228 pages with 12 illustrations and 16 maps plus 18 plates and the printed front endpaper. Colour-pictorial cloth a little worn at the extremities and along the rear hinge (now with minimal restoration to the spine); rear board cracked down the c…entre, but still firm; acidic paper brittle and discoloured as ever, with trifling chips and short edge tears to a number of leaves (and a tear to one leaf neatly closed); overall a decent copy of a book notoriously difficult to find in good condition because of the poor quality of the materials used in its production. Dornbusch 310; Fielding and O'Neill, page 227; Trigellis-Smith 226.
More imagesThe Blue and Brown Diamond. A History of the 27th Battalion, Australian Imperial Force, 1915-1919
[27th Battalion]. DOLLMAN, Lieutenant-Colonel Walter and Sergeant Henry Matthew SKINNER
Published by Lonnen & Cope, Adelaide 1921
- Hardcover
- First Edition
Seller: Michael Treloar Booksellers ANZAAB/ILAB, Adelaide, SA, AustraliaMichael Treloar Booksellers ANZAAB/ILAB
Contact seller5-star sellerCondition: Used - Very good
US$ 540.32
US$ 24.00 shippingShips from Australia to U.S.A.Quantity: 1 available
Hardcover. Condition: Very Good. First Edition. Adelaide, Lonnen & Cope, 1921. Octavo, 228 pages with 12 illustrations and 16 maps plus 13 pages of plates and the printed front endpaper. Expertly rebound, retaining the colour-pictorial cloth (now cut into three panels and mounted on the new matching plain cloth), with replacemen…t endpapers (closely matched in colour, with the front one a photocopy of the original printed version); slight blemishes to the retained original cloth; acidic text paper tanned (as ever); top corner tip of most leaves rounded off; a tear across one leaf expertly sealed; small and inoffensive stains and tears to some leading margins; minor signs of age and use; overall, a very good copy of a book notoriously difficult to find in halfway decent condition because of the poor quality of the materials used in its production. Provenance: 2280 Corporal Victor Clarence Sidney McGrath (a member of the battalion), with his ownership details written in ballpoint pen on the title page. Dornbusch 310; Fielding and O'Neill, page 227; Trigellis-Smith 226.
