Shabout Nada M (14 results)

Condition: As New. Unread book in perfect condition.

Condition: New.

paperback. Condition: New. Reprint. Ships in a BOX from Central Missouri! UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Condition: As New. Unread book in perfect condition.

Cloth. Condition: Fine Condition. Fine Condition. 128 pages 80 illustrations in color. Text is in German and English. Preface by Chris Dercon, León Krempel and Avinoam Shalem. Published on the occasion of the exhibition from the Haus der Kunst München 17 September 2010-9 January 2011. Book.

Paperback. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: New.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Excellent condition hardcover, unclipped jacket with light edge wear, first 30pages pencil marked, Ships from Berlin Bookshop Bxn08082026.

paperback. Condition: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

hardcover. Condition: New. Dust Jacket Condition: New. 8vo; 203 pp; , , Very nice attractive new book ; Always Delivery Confirmation. 35 Years Fast Excellent Service. We Know How To Pack Books.

Condition: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Condition: gut. 2007. Modern Arab Art: Formation of Arab Aesthetics In englischer Sprache. pages.

Hardcover. Condition: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condition: New. "One of the first publications to consider the various cultural and social conditions that have helped shape Modern Arab Art as a recent phenomenon linked to the rise of Arab identity, the impact of western art training, and a search for a contemporary language which links with Islamic art but is discontinuous with it."--Fran Lloyd, Kingston University "Art is one way to visualize the interconnectedness of people and this book shows us how related in influence and aspirations we all are."--Linnea S. Hedrick, Miami University Avoiding a focus on a single country or style, Modern Arab Art provides a historical and theoretical overview of the subject from the 1940s through today. Author Nada Shabout recognizes the important distinction between Arabic art and Islamic art and views them as overlapping rather than synonymous subjects. Based on extensive interviews with Arab artists, reviews of Arabic resources, and visits to numerous sites and galleries in the Arab world, Shabout provides a much-needed introduction to a field that has been long neglected. With particular emphasis on production, reception, and the intersection between art and politics in Iraq and Palestine, she reveals the fallacy in Western fascination with Arab art as a timeless and exotic "other." Central in her investigation are questions of colonialism, Orientalism, class, and the duality of tradition and modernity. Shabout also offers a penetrating analysis of the use of the Arabic letter, a major trend in modern Arab art.…