Language: English
Published by Asia Society, [New York], 2001
ISBN 10: 0878480900 ISBN 13: 9780878480906
Seller: Henry Hollander, Bookseller, Los Angeles, CA, U.S.A.
Softbound. Condition: Very Good. Royal octavo, paper covers, 79 pp., color illustrations, CVs for the artists Preface by Vishakha N. Desai. Wth the article "Engaging 'Tradition' in the Twentieth Century Arts of India and Pakistan," by Desai and "Vishakha N. Desai Interviews Nilima Sheikh and Shazia Siaknder.".
Softcover, 80 pages; very good condition; light rubbing and edgewear to covers; owner's name; no other internal marks. Foreign shipping may be extra.
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Condition: As New. Unread book in perfect condition.
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Paperback. Condition: new. Paperback. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Condition: New.
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New.
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Add to basketPaperback. Condition: Brand New. 8.03x0.67x10.91 inches. In Stock.
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Add to basketCondition: New.
Language: English
Published by Asia Society, NEW YORK, 2001
ISBN 10: 0878480900 ISBN 13: 9780878480906
Seller: Biblioteca di Babele, Tarquinia, VT, Italy
Condition: BUONO USATO. INGLESE Volume in occasione della mostra presentata all'Asia Society dal 17 novembre 2001 al 17 marzo 2002. Brossura in cartoncino, illustrata, appena brunita, con etichetta adesiva a cavallo del piede del dorso ed in buono stato generale. Pagine ottime, riccamente illustrate da 6 figure nel testo, in bianco e nero e tavole a colori. Il volume potrebbe contenere timbri, il materiale è stato regolarmente acquisito dalla nostra Libreria. Numero pagine 79.
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Add to basketCondition: As New. Unread book in perfect condition.
Condition: New. pp. 392 Illus. (Mostly Col.).
Seller: AussieBookSeller, Truganina, VIC, Australia
Paperback. Condition: new. Paperback. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Condition: New. pp. 392.
Condition: New. pp. 392.
Seller: Rarewaves.com UK, London, United Kingdom
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Add to basketPaperback. Condition: New.
Language: English
Published by Reliable Copy Feb 2024, 2024
ISBN 10: 8195347290 ISBN 13: 9788195347292
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. Neuware.
Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. Nilima Sheikhs art practice from 1969 to 2012 forms the subject of Trace Retrace. The book is structured in three parts: visual, discursive, and a combination of the two. The largest narrative is visual a selection from Nilima Sheikhs paintings in diverse formats, chosen to signal the artists commitment to process, and to indicate the way her paintings slide into, work with and against each other, and propose a meandering seriality. The often extensive reproduction of details from these paintings introduces the unexpected, eliciting not only a flitting or looping gaze but also surprise. The complexity of Nilima Sheikhs art practice lends itself to other forms of engagement, as is evident in the second part of the book comprising three diverse readings: Ruptures, Junctures, Returns: (un)lived histories, feminist propositions and Nilima Sheikh by Kumkum Sangari; A Counter-Archive of Pain and Loss: Nilima Sheikhs evolving Kashmir series by Ananya Jahanara Kabir; and Passages in Reverie: Nilima Sheikh, modernity and the history of Kashmir by Kaushik Bhaumik. The last section of the book indexes the range and diversity of Nilima Sheikhs exhibited works, interleaved with the artists own voice in different tenors: autobiographical snippets, acknowledgements of her training and teachers, glimpses of her work methods and process, and meditations on her collaborative practice. These are dotted with quotations from texts that are significant to her: folk-songs, poems, stories. In this section, a cross-disciplinary intertextuality is repositioned as a coeval medium at once outside and inside Nilima Sheikhs painted images, which not only adds a layer that extends beyond the art-historical frame but redeems the solitude of written words.