Simon Baier (81 results)

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condition: Fine. Dust Jacket Condition: Published Without Dust Jacket. 272 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Published without dust jacket. Bilingual edition. NOTE: Book is still in the original publisher shrink wrap. No remainder mark. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding.…

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condition: Brand New. 96 pages. 9.00x6.00x0.25 inches. In Stock.

Hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

SC. Condition: Gut. Obr., 64s., in ngutem Zustand, [SAP486] Deu 400g.

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardback. Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Kl.-8°, Brosch. 133 S. Neuwertiges Ex. // The volume considers the relationship between contemporary art and the economy from art theoretical and philosophical perspectives. The eponymous term »equivalence« draws on three main sources: firstly, it refers to the 18th-century notion of the aesthetic and the arts as a social field in which the equality of people is not simply a postulate but can be directly felt and perceived; secondly, it builds on the Marxian definition of the »equivalent form« as universal exchangeability of commodities according to a purely quantitative principle; the third aspect of »equivalence« significant for the book concerns media and infrastructures enabling the digital and physical replication and circulation of images and objects. With regard to particular artworks, the volume's focus is not on content-driven approaches dealing with the flux of goods, information, individuals and capital in a documentary way. Rather, the publication focuses on works whose materiality, form and structure highlight the changed technological, economic and social conditions of art production and reception in an economic field. ISBN: 9783751890199 Sprache: Englisch Gewicht in Gramm: 125.…

Condition: Very Good. NEW & UNREAD. No jacket. Wear, marks & bumps to board edges & corners. Cover is marked with light wear. Faint marks to textblock edge. Content as new.

Condition: Sehr gut. 149 S. Buchdeckel an den Rändern leicht berieben/bestossen. Innenteil tadellos u n g e l e s e n - keine Risse, Knicke, Anmerkungen. ! Altersbedingt leicht nachgedunkelt! KEIN Mängelexemplar! Versand aus München als Päckchen Extra-Versandkosten ins Ausland beachten/erfragen FF0850 Sprache: Englisch Gewicht in Gramm: 1202 Gebundene Ausgabe, Maße: 24.38 cm x 1.52 cm x 30.23 cm.…

Hardcover. Condition: New. New copy.

Hardback. Condition: New.

Kt - (OVK: 18,00). Condition: Sehr gut. 140 S. MÄNGELEXEMPLAR: UNGELESEN und VOLLSTÄNDIG, aber mit leichten äußeren LAGER-/TRANSPORTSPUREN. Mit einem STEMPEL im BUCHSCHNITT als Mängelexemplar gekennzeichnet. Sofort versandfertig! Sprache: Englisch Gewicht in Gramm: 122.

Taschenbuch. Condition: Sehr gut. Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -The volume considers the relationship between contemporary art and the economy from art theoretical and philosophical perspectives. The eponymous term »equivalence« draws on three main sources: firstly, it refers to the 18th-century notion of the aesthetic and the arts as a social field in which the equality of people is not simply a postulate but can be directly felt and perceived; secondly, it builds on the Marxian definition of the »equivalent form« as universal exchangeability of commodities according to a purely quantitative principle; the third aspect of »equivalence« significant for the book concerns media and infrastructures enabling the digital and physical replication and circulation of images and objects. With regard to particular artworks, the volume's focus is not on content-driven approaches dealing with the flux of goods, information, individuals and capital in a documentary way. Rather, the publication focuses on works whose materiality, form and structure highlight the changed technological, economic and social conditions of art production and reception in an economic field. 140 pp. Deutsch.…

Hardcover. Condition: New in shrinkwrap. Tan boards with black and red lettering. 318 pp. Illustrations. Published on the occasion of an international symposium held at Museum Tinguely, Basel, Sept. 27-29, 2012. Text in German, Russian, and English.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardcover. Condition: New.

8°, gebunden. Wie neu, minimale Lagerspuren. Sprache: Englisch Gewicht in Gramm: 0.

Gebundene Ausgabe. Condition: Sehr gut. Gebraucht - Sehr gut sg - ungelesenes mängelexemplar, gestempelt, mit leichten lagerspuren - Ausgehend von Spätwerken Constantin Brancusis und Alberto Giacomettis illustriert dieser einzigartige Überblicksband die spannenden und vielschichtigen Entwicklungen des sehr dynamischen Mediums der Skulptur. Anhand ausgewählter Beispiele wird gezeigt, wie die klassische Vorstellung und Form von Skulptur in Bewegung geriet, abstrakter wurde, sich dem banalen Alltagsobjekt annäherte, räumlich oder konzeptuell entgrenzte oder auch in der Rückbesinnung auf die figurative Tradition neu konstituierte. Die lange und hochkarätige Liste der präsentierten Künstler in der Eröffnungsausstellung des erweiterten Kunstmuseums Basel reicht von Pablo Picasso, Henry Moore oder Alexander Calder bis zu Bruce Nauman und Damien Hirst. Ein vielschichtiger Parcours mit bedeutenden Leihgaben aus internationalen Museen und Privatsammlungen sowie Sammlungswerken aus dem Kunstmuseum Basel eröffnet ein dichtes, überaus reiches Spannungsfeld. (Deutsche Ausgabe ISBN 978-3-7757-4070-8) Die vorgestellten Künstler (Auswahl): Alberto Giacometti, Hans Arp, Max Bill, Alexander Calder, Louise Bourgeois, Henry Moore, Pablo Picasso, Eduardo Chillida, David Smith, Jean Tinguely, Claes Oldenburg, John Chamberlain, Duane Hansen, Carl Andre, Donald Judd, Mario Merz, Bruce Nauman, Richard Serra, Eva Hesse, Katharina Fritsch, Peter Fischli und David Weiss, Robert Gober, Franz West, Mike Kelley, Jeff Koons, Monika Sosnowska, Gabriel Orozco, Charles Ray, Absalon, Damien Hirst, Danh Vo, Oscar Tuazon Ausstellung/Exhibition: Kunstmuseum Basel 19.4.- 18.9.2016.…

Paperback. Condition: Brand New. bilingual edition. 250 pages. French language. 11.25x9.00x0.75 inches. In Stock.

Hardcover. Condition: Brand New. bilingual edition. 207 pages. 10.00x7.50x0.75 inches. In Stock.

Condition: New.

Hardcover. Condition: Fine. In fine condition.