Simon Pierse (47 results)

Soft cover. Condition: Near Fine. (1988), Near Fine/no dj, long oblong quarto, 127pp., pictorial glossy softcover, b&w and color ill's throughout, binding tight, text unmarked, requires extra postage for International shipping.

hardcover. Condition: Very Good. Fast Shipping - Safe and Secure 7 days a week.

Soft cover. Condition: Very Good. No Jacket. 1st Edition. VG+ / --. Colour and b/w illustrations. To accompany exhibition at Oxford Gallery 15th February - 17th March 1999. Stapled booklet with dark blue mottled card covers. Binding is firm and tight. Some small spots at the bottom corner of the first two pages, otherwise interior is clean with no inscriptions. Not ex-library. A fascinating book.…

Paper Back. Condition: Very Good. First Edition. Very good clean copy no previous owner's marks no creases staples starting to rust 18 reproductions large format PB Oblong white card wraps.

Trade Paperback. Condition: New. 1st Edition. MINT - a NEW copy. Illustrated with Black and White Photographs. xvii, 364 pages. A luminary in the London art scene of the 1960s, Alannah Coleman was admired as a free spirit and loved by many for her creative energy and physical beauty. Born in Melbourne where she trained as an artist, she became part of a bohemian enclave that included artists and literary figures such as Arthur Boyd, Charles Bush, Alister Kershaw, Sidney Nolan, Elizabeth Paterson, Albert Tucker and Phyllis Waterhouse. In London, she sought tirelessly to promote Australian art as a gallery director and curator. In this biography, Simon Pierse reveals the fascinating and turbulent life of an influential figure in British and Australian post-war art. Robust, professional packaging and tracking provided for all parcels.…

Condition: Good. From the Library of John Russell Taylor.

Condition: Used Like New. NEW & UNREAD. Light storage wear to the softcover. Marks on the edges of the textblock. Content as new.

1st. Near Fine pp127. numerous illustrations. pict. colour softcover p.b. landscape quarto.

Soft cover. Condition: Good. No Jacket. 1st Edition. Published by University of Wales School of Art Press in 2005, this is the first softback printing of Simon Kangchenjunga: Imaging a Himalayan Mountain. 127 pages, multiple photographs, pictorial card covers, the book is in good condition with some card cover creasing and edge rubbing and some spotting to the page edges at the base. Please be aware that the image provided may not correspond to this book itself.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. pp.xx+274. 24.5cm. 20 colour plates. Black and white photographic illustrations in the text. Appendix. Bibliography. Index. Hard cover in dust jacket. Small ink splash on fore edge of pages, extends some way onto the margin but not affecting the text or illustrations.…

Soft Cover. Condition: F-. First Edition. Oblong 4to. original printed paper wraps (a trifle rubbed); pp. 128 (last blank), with numerous illustrations. A near fine copy.

Soft cover. Condition: Near Fine. No faults.

First edition, first printing. Fine paperback original.

Condition: New.

Condition: New. 1st edition NO-PA16APR2015-KAP.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Condition: New.

Paperback. Condition: Fine. First Edition. Wraps. Dimensions 210mm x 300mm.pp. 127. ISBN:1899095225. Loosely inserted receipt on headed paper, with a note signed by the author. An "anthology of word and image." Book published alongside the exhibition 'Kangchenjunga: imaging a Himalayan mountain.' Original publishers matte card binding with an atmospheric black and white photograph of Kangchenjunga. Foreword by George band, The Alpine Club, March 2005. Contents include photographs and history of expeditions to the Mountain. Fine. Signedes. …

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. All as new. No inscriptions. The dust jacket is as new. Broadleaf Books is a second hand independent bookshop in Abergavenny, South Wales. Enquiries and visits are welcome. art. Colour plates and b/w photographs (illustrator).

Condition: New.

Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. In.

Hardcover. Condition: Used. Dust Jacket Condition: Very Good. First Edition. First Edition in Near Fine Condition. Pages are crisp, clean, and bright. Spine is straight and tight. Overall a first edition in near fine condition.

Condition: New. Num Pages: 316 pages. BIC Classification: 1DBKESL; 1MBF; 3JJPG; 3JJPK; ACX. Category: (G) General (US: Trade); (U) Tertiary Education (US: College). Dimension: 246 x 174. Weight in Grams: 581. . 2016. 1st Edition. paperback. . . . .

Taschenbuch. Condition: Neu. The Role of Drawing in the frescoes of Benozzo Gozzoli & his workshop | Simon Pierse | Taschenbuch | 132 S. | Englisch | 2016 | LAP LAMBERT Academic Publishing | EAN 9783659928673 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.…

Paperback. Condition: Brand New. 132 pages. 8.66x5.91x0.30 inches. In Stock.

Kartoniert / Broschiert. Condition: New. Simon Pierse was born in London. He is Lecturer in Art at Aberystwyth University where his research focuses on British perceptions of Australian art and identity.Subtle and wide-ranging in its account, this study explores the impact of Australian art in.

Condition: As New. Unread book in perfect condition.