Sladen Mark (68 results)

Hardcover. Condition: Very Good.

paperback. Condition: Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Essays by Bruce Hainley, Katy Siegel, Bennett Simpson, Marken Sladen & John Slyce; 303 pages, illustrated. Fine paperback exhibition catalog in decorative wrappers (soft cover book).

Paperback. Condition: new. New Copy. Customer Service Guaranteed.

paperback. Condition: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

hardcover. Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Trade Paperback. Condition: Used - Very Good. The last five years has been a period of explosive activity in the American art scene. This definitive survey of its most exciting and ebullient contemporary artists was shown at London's Barbican Art Gallery. Respected British curator Mark Sladen explored both East and West Coasts to select new work by emergent and cult figures, from Keith Edimier's silicone cast of himself in his mother's womb to Amy Adler's portraits of teen icons, Sarah Sze's sprawling installations to Paul Pfeiffer's intricate laser-fused powder sculptures. Very nice clean, tight copy free of any marks.…

Organised by Barbican art. Curated by Mark Sladen. With texts by Bruce Hainley, Katy Siegel, Bennett, Simpson, Mark Sladen and John Slyce 1. Auflage. 301 Seiten. OBr. (Klappenbroschur), Groß-Oktav 24,9 x 20,7 cm, 301 S., mit zahlreichen, meist farb. Abb.; sehr gut erhaltenes Exemplar.

Hardcover. Condition: Good. Little wear to boards. Content is clean. Complete DJ with water mark to lower spine.

Hardcover. Condition: Very Good. 1900300591 pgs:256. Institute Contemporary Arts, bright clean copy, slight dent to bottom of spine, Professional booksellers since 1981.

paperback. Condition: Like New. First Paperback Edition. Publisher: Booth-Clibborn, London, 2001. FINE isoftcover in grey and white wraps with multi-colored titles, as issued. First Softcover Edition, First Printing. As new. Pristine.

Hardcover. First edition. "Published to accompany a major exhibition at The Barbican, In the Face of History charts the history of European photography from 1900 to the present day, concentrating on the idea of the "subjective documentary." Included are many works reproduced for the first time, particularly work by photographers from the former Eastern bloc. The 22 photographers featured are Emmy Andriesse, Eugene Atget, Brassai, Robert Doisneau, Ed van der Elsken, Seiichi Furuya, Jitka Hanzlova, Craigie Horsfield, Sune Jonsson, Andre Kertesz, Chris Killip, Viktor Kolar, Boris Mikhailov, Anders Petersen, Henryk Ross, Inta Ruka, Michael Schmidt, Annelies Strba, Christer Stromholm, Josef Sudek, Wolfgang Tillmans, and Stanislaw Ignacy Witkiewicz." Edited by Kate Bush and Mark Sladen; essay by Martin Harrison; texts on the individual photographers by a range of leading writers. 256 pages; 250 b&w and color plates; 9.25 x 11.25 inches. Condition: As New hardcover, shrink wrap removed; no dj as issued. Ships the next business day, wrapped in padding, in a box. Due to size and weight, international and expedited shipping may be more than quoted. …

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1500grams, ISBN:9781858944036.…

Broschiert. Condition: Gut. 26x22cm; 166 S. Engl. Broschiert. Sprache: Englisch, überw. Ill. Zustand: Sehr Gut, eher ungelesen (Innen); Einband (Außen) hat geringe Gebrauchsspuren, nur weil gering schief gelagert; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.…

4to, 223pp. A near fine hardback copy in like dust jacket.

Condition: Very Good. Softcover, 112 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to wrappers. During his lifetime, Francis Bacon maintained that he painted directly onto canvas without the benefit of preparatory studies. Since his death in 1992, however, several groups of works on paper have come to light, offering amazing new insights into Bacon's working methods and personal obsessions. "Bacon's Eye" showcases a unique collectiion of works on paper that were bundled up and given by the artist to his friend Barry Joule just prior to his death. This collection includes a remarkable album of 70 oil sketches that relate to his work from the '50s and '60s, as well as over 900 "working documents": images torn from books, magazines and newspapers that have been painted and sketched over, revealing an artist's-eye-view of some of the most important people and events of the 20th century. As of yet, these works have not been officially recognized as being by Bacon. Permission to to show these works alongside finished paintings was denied by the Bacon Estate. The gallery, 21 Publishing, and a host of Bacon experts firmly believe in the authenticity of these works. This book, along with an exhibition at the Barbican Gallery in London, are a means of allowing the public to judge for itself. Edited by Georgia Mazower. Foreword by John Hoole. Introduction by Mark Sladen. Essay by Mark Sladen. Record # 350661.…

Condition: Very Good. Softcover, 112 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to wrappers. During his lifetime, Francis Bacon maintained that he painted directly onto canvas without the benefit of preparatory studies. Since his death in 1992, however, several groups of works on paper have come to light, offering amazing new insights into Bacon's working methods and personal obsessions. "Bacon's Eye" showcases a unique collectiion of works on paper that were bundled up and given by the artist to his friend Barry Joule just prior to his death. This collection includes a remarkable album of 70 oil sketches that relate to his work from the '50s and '60s, as well as over 900 "working documents": images torn from books, magazines and newspapers that have been painted and sketched over, revealing an artist's-eye-view of some of the most important people and events of the 20th century. As of yet, these works have not been officially recognized as being by Bacon. Permission to to show these works alongside finished paintings was denied by the Bacon Estate. The gallery, 21 Publishing, and a host of Bacon experts firmly believe in the authenticity of these works. This book, along with an exhibition at the Barbican Gallery in London, are a means of allowing the public to judge for itself. Edited by Georgia Mazower. Foreword by John Hoole. Introduction by Mark Sladen. Essay by Mark Sladen. Record # 350660.…

Soft cover. Condition: Very Good. 1st Edition. 178 pp colour illustration & ads throughout, clean & sound minor wear to corners. Includes articles on 30 art stars of tomorrow, Delhi art scene, LA's nomadic art schools etc.

279 Seiten mit zahlreichen Abbildungen. Erste Auflage (gutes Exemplar). Sprache: Englisch Gewicht in Gramm: 1111 4°. 28,7 x 20 cm. Orig.-Pappband.

4°, broschur. Condition: Sehr gut. 112 Seiten, Abb. Buch ist in einem sehr guten Zustand, Papier in sehr gutem Zustand, Deckel leicht gewölbt. MIG-38-03A Sprache: Englisch Gewicht in Gramm: 657.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condition: New. No Jacket. 1st Edition. LONDON, 2006. First edition, first printing. Hardbound. New, issued without dust jacket. A perfect unread copy. 0.0.

Softcover, 112 pages, very good condition; clean and crisp; owner's stamp to first blank page; no other internal marks. Foreign shipping may be extra.

Paperback. Condition: Brand New. 303 pages. 9.75x8.25x0.75 inches. In Stock.

Trade Paperback. Condition: New. The last five years has been a period of explosive activity in the American art scene. This definitive survey of its most exciting and ebullient contemporary artists was shown at London's Barbican Art Gallery. Respected British curator Mark Sladen explored both East and West Coasts to select new work by emergent and cult figures, from Keith Edimier's silicone cast of himself in his mother's womb to Amy Adler's portraits of teen icons, Sarah Sze's sprawling installations to Paul Pfeiffer's intricate laser-fused powder sculptures.…

Hardback. Condition: Very Good. ; Illustrated paper covered boards, faint shelf-marks, corners bumped and worn; binding is tight; pages are unmarked with black and white and colour photographic illustrations. ; 9.25 X 1 X 11.5 inches; 256 pages.