Sloan John (Over 1,800 results)

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Paperback. Condition: Very Good. 5. Supplements included. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Workbook.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condition: Fair. 5. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way. Workbook.

Paperback. Condition: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condition: Good. A highly regarded member of the Ashcan School of American painting, John Sloan (1871-1951) was also an influential teacher at New York's Art Students League. His dual experience as a realist painter and a graphics illustrator helped equip Sloan with the uncommon capacity to instruct students in both representational and abstract art. Now, with this illustrated, practical record of his teachings, readers can benefit from the depth and variety of Sloan's talks on art theory and practice. Transcribed and edited by Helen Farr, a student whom Sloan later married, the discussions begin with observations on drawing as the basis of visual art, including considerations of line, tone, texture, light and shade, composition, design, space, perspective, and related issues. Later chapters deal with figure drawing, painting, landscape and mural painting, painting technique (gesso grounds, tempera, and glazing), etching, and other media (aquatint, lithography, and watercolor). Sloan's discussion of color in the chapter on oil painting is especially detailed, with notes on harmony, use of set palettes, underpainting and glazing, line work, and much more. Each chapter features a wealth of helpful suggestions and recommended exercise, along with Sloan's personal opinions of Dürer, Rubens, El Greco, and other masters, and his insights into their work: "Go to the masters to learn how to draw and paint. Study them, particularly the work you don't like. That is the road to advancement, that is the way to learn. But get your impulse to work from life." This invaluable summary of art theory and practice--by one of the great artists and teachers of the twentieth century--is enhanced with 46 illustrations, including 23 of Sloan's paintings, 8 photographs of the artist and his studio, and a number of line drawings and diagrams.…

Paperback. Condition: Good. 'Wilde did not converse - he told tales.' Oscar Wilde was already famous as a brilliant wit and raconteur when he first began to publish his short stories in the late 1880s. They have never lacked readers and admirers, George Orwell and W. B. Yeats among them. The stories give free rein to Wilde's originality, literary skill, and sophistication. They include poignant fairy-tales such as 'The Happy Prince' and 'The Selfish Giant', and the extravagant comedy and social observation of 'Lord Arthur Savile's Crime' and 'The Canterville Ghost'. They also encompass the daring narrative experiments of 'The Portrait of Mr. W. H.', Wilde's fictional investigation into the identity of the dedicatee of Shakespeare's sonnets, and the 'Poems in Prose', based on the Gospel stories.This edition demonstrates the centrality of Wilde's shorter fiction in his literary career, and his continuing development and experimentation with the short story format. Combining myth, romance, and irony, Wilde's stories enthral and challenge the reader.…

Paperback. Condition: Very Good. 5. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Workbook.

Condition: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: Fifth ] Publisher: Wolters Kluwer Pub Date: 3/23/2020 Binding: Paperback Pages: 240 Fifth edition.

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Condition: Very Good. 5. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Workbook.

Paperback. Condition: Very Good. 5. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Workbook.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. Illustrated. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.