Smith Amy Barry Robert (16 results)
- Softcover
Seller: HPB-Red, Dallas, TX, U.S.A.HPB-Red
Contact seller5-star sellerCondition: Used - Good
US$ 7.79
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Paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.
- Softcover
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.ThriftBooks-Dallas
Contact seller5-star sellerCondition: Used - Good
US$ 11.59
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Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
- Softcover
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.ThriftBooks-Atlanta
Contact seller5-star sellerCondition: Used - Very good
US$ 11.59
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Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
- Softcover
Seller: Blue Vase Books, Interlochen, MI, U.S.A.Blue Vase Books
Contact seller5-star sellerCondition: Used - Good
US$ 11.62
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Condition: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental material…s.
- Softcover
Seller: Cheryl's Books, Vinemont, AL, U.S.A.Cheryl's Books
Contact seller5-star sellerCondition: Used - Very good
US$ 29.95
US$ 6.45 shippingShips within U.S.A.Quantity: 1 available
Paperback. Condition: Very Good. Paperback book in good condition.
- Softcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
Contact seller5-star sellerCondition: New
US$ 57.11
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Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory…', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.
- Softcover
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
Contact seller5-star sellerCondition: New
US$ 58.28
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Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory…', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.
Language: English
Published by Health Administration Press, 2017
Series: Book 23 of 40 - ACHE Management
- Softcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
Contact seller5-star sellerCondition: New
US$ 64.33
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Condition: New.
Language: English
Published by Health Administration Press, 2017
Series: Book 23 of 40 - ACHE Management
- Softcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
Contact seller5-star sellerCondition: Used - As new
US$ 74.98
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Condition: As New. Unread book in perfect condition.
12 Abandoned Poems
Schwabsky, Barry; [Richard Hell; Robert Richman; Louis Mathias; Tim Atkins (after Petrarch); Amy King (after Radiohead); Simon Smith; K. Silem Mohammad; Kevin Killian (after Holderlin); Catherine Wagner; Geoffrey Young
- Hardcover
- First Edition
- Signed
Seller: The Poetry Bookshop : Hay-on-Wye, Hay-on-Wye, POWYS, United KingdomThe Poetry Bookshop : Hay-on-Wye
Contact seller4-star sellerCondition: Used - Fine
US$ 55.61
US$ 24.90 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Art Cloth & Paper covered boar. Condition: Fine. First Edition. Title page printed in 3 colours + 24pp. text. Self-evidently Schwabsky worked on poems the other poets had left unfinished. This copy inscribed for Tim Atkins by Schwabsky. Signed by Author(s).
Language: English
Published by Health Administration Press, 2017
Series: Book 23 of 40 - ACHE Management
- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
Contact seller5-star sellerCondition: Used - As new
US$ 84.64
US$ 20.25 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Condition: As New. Unread book in perfect condition.
- Softcover
Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.Rarewaves USA United
Contact seller5-star sellerCondition: New
US$ 62.08
US$ 50.00 shippingShips within U.S.A.Quantity: 1 available
Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory…', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.
- Softcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
Contact seller5-star sellerCondition: New
US$ 100.10
US$ 13.50 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Paperback. Condition: Brand New. 1st edition. 191 pages. 9.25x6.25x0.50 inches. In Stock.
Language: English
Published by Health Administration Press, 2017
Series: Book 23 of 40 - ACHE Management
- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
Contact seller5-star sellerCondition: New
US$ 109.63
US$ 20.25 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Condition: New.
- Softcover
Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
Contact seller5-star sellerCondition: New
US$ 54.18
US$ 87.73 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory…', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.
Bob Nickas : Catalog of the Exhibition 1984 - 2011
Bob Nickas, Vito Acconci, Richard Aldrich, John M Armleder, Barry X Ball, Lisa Beck, Alan Belcher, Ben Berlow, Walead Beshty, Huma Bhabha, Doug Biggert, Marcel Broodthaers, Henri Cartier Bresson, Graham Caldwell, Vija Celmins, Art Chantry, Larry Clark, Verne Dawson, Jules de Balincourt, Jessica Diamond, Trisha Donnelly, Moira Dryer, Gardar Eide Einarsson, William Gedney, Robert Gober, Daan van Golden, Wayne Gonzales, Felix Gonzalez-Torres, Peter Halley, Richard Hawkins, Adam Helms, Eva Hesse, Peter Hujar, Jacob Kassay, On Kawara, Yves Klein, Louise Lawler, Mark Leckey, Sherrie Levine, Judy Linn, Lee Lozano, Chris Martin, Allan McCollum, McDermott & McGough, Adam McEwen, Ryan McGinley, John Miller, Olivier Mosset, Dave Muller, Chuck Nanney, Bruce Nauman, Cady Noland, Amy O'Neill, Steven Parrino, Laurie Parsons, Raymond Pettibon, Jean Prouvé, David Ratcliff, Alex Rose, Sally Ross, Allen Ruppersberg, Sam Samore, Tom Sandberg, Joan Semmel, Stephen Shore, Harry Smith, Jack Smith, Robert Smi
Language: English
Published by 2nd Cannons Publications Los Angeles, CA, 2011
- Softcover
Seller: Specific Object / David Platzker, New York, NY, U.S.A.Specific Object / David Platzker
Contact seller5-star sellerCondition: Used
US$ 250.00
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166 pp.; 23.5 x 28 cm.; glue bound; black-and-white & color; edition size 500; unsigned and unnumbered; offset-printed "This book brings together new texts written to accompany 79 exhibitions organized by Bob Nickas between 1984 and 2011. Nickas chose one work to represent the memory of each exhibition, and through this visual "…lens" he reflects on his activity as a curator, offering many behind-the-scenes views to the art world of the 1980s and 90s, as well as intimate recollections of the artists he worked with, and the art works he encountered over the years. The book, then, can be seen as a sort of memoir. Always placing the artists and their works within a social milieu, while also aware of how art travels across time, he reminds us that both lead multiple lives, as an exhibition can reanimate a work from the past, and occasion the discovery of forgotten and marginalized figures among those who are very well-known. This retrospective catalog is also in many ways an ideal exhibition -- or collection -- 27 years in the making." -- publisher''s statement. Artists include: Vito Acconci, Richard Aldrich, John M Armleder, Barry X Ball, Lisa Beck, Alan Belcher, Ben Berlow, Walead Beshty, Huma Bhabha, Doug Biggert, Marcel Broodthaers, Henri Cartier Bresson, Graham Caldwell, Vija Celmins, Art Chantry, Larry Clark, Verne Dawson, Jules de Balincourt, Jessica Diamond, Trisha Donnelly, Moira Dryer, Gardar Eide Einarsson, William Gedney, Robert Gober, Daan van Golden, Wayne Gonzales, Felix Gonzalez-Torres, Peter Halley, Richard Hawkins, Adam Helms, Eva Hesse, Peter Hujar, Jacob Kassay, On Kawara, Yves Klein, Louise Lawler, Mark Leckey, Sherrie Levine, Judy Linn, Lee Lozano, Chris Martin, Allan McCollum, McDermott & McGough, Adam McEwen, Ryan McGinley, John Miller, Olivier Mosset, Dave Muller, Chuck Nanney, Bruce Nauman, Cady Noland, Amy O''Neill, Steven Parrino, Laurie Parsons, Raymond Pettibon, Jean Prouvé, David Ratcliff, Alex Rose, Sally Ross, Allen Ruppersberg, Sam Samore, Tom Sandberg, Joan Semmel, Stephen Shore, Harry Smith, Jack Smith, Robert Smithson, Mark Stahl, Haim Steinbach, Rudolf Stingel, Lily van der Stokker, Aaron Suggs, Philip Taaffe, Paul Thek, Wolfgang Tillmans, Betty Tompkins, Josh Tonsfeldt, John Tremblay, Alan Uglow, Kelley Walker, Jeff Wall, Joan Wallace, Wallace & Donohue, Dan Walsh, Andy Warhol, and Christopher Wool. Fine. Covers and contents clean and unmarked.
