Smith Brydon (66 results)

Paperback. Condition: Very Good. Name inside else a clean copy with very slight wear.

Soft cover. Condition: Poor. No DJ. First Edition. 32 pps. Titles: frt. wrp. Illust. w/ b/w drawings & prints (listed). French text. French style wrps. Interior leaves are clean and tight. Accompanies an exhibit at the musee in 1995. Includes chronologie & lectures suggerees. Tres bon.

Soft cover. Condition: Good. Quarto, white card covers, light soiling, scuffing, overall a good copy.

Soft cover. Condition: Very Good. BOX X3 minor scuffing along edges and corners. page edges are slightly darkened.

Softcover, staple-bound with dustjacket, 32 pages; very good condition, clean and crisp; no internal marks.

Soft cover. Condition: Near Fine. 1st Edition. Near Fine oversized paperback. Overall a bright and attractive copy, as new. Illustrated. 206 pp.

Pictorial Cover. Condition: Fine. Dust Jacket Condition: Fine. 1st Canadian Edition. Type: Book 32 pp., pictoral card cover with terracotta and white reproduction of the famous 'Birds and Fishes' print, contains 35 reproductions of Escher's works throughout his life, revisiting past drawings and re- imagining their dimensions, directions and senses, adding distortions that challenge the eye and meaning. This booklet was produced to accompany the 1995 National Gallery of Canada's travelling exhibition in Canada (Halifax, Thunder Bay, St. Catherines and Ottawa) of M.C. Escher's artworks; a celebration of the generous and outstanding gift of over 160 prints and related works given by Gerorge Escher, son of the artist, and the loans of Dutch Museums and art collectors. In FINE condition with its FINE heavy gauge tracing paper DJ with dark sepia titling on front. Photo scan available. Shipments to USA, USPS via Canada Post Express; FREE OF CUSTOMS OR DUTY CHARGE. …

paperback. Condition: Very Good. First Edition. The Chinati Foundation; Marfa, 2002. Trade paperback. First Edition. A Very Good, binding sturdy and intact, mild handling/scuff marks to covers, trace cover edge/corner wear, rubbed spot front cover, mild spine fade, a nice, clean and unmarked copy in wraps. 8vo[octavo or approx. 5.5 x 8.25], 183pp., acknowledgements, colophon, color and b&w illustrations. We pack securely and ship daily w/delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.…

Stapled wraps. Condition: Very Good. Dust Jacket Condition: Very Good. 32 p. 19.5 x 21 cm. Sound binding in centre-stapled cardstock covers. Light wear along the edges. Previous owners name on the first blank preliminary. Otherwise, the inside pages are clean, bright and unmarked. Glassine dustwrapper has a 1.5 inch tear and darkening to the spine. A catalogue to accompany an exhibition of prints and other works by Dutch graphic artist Maurits Cornelius Escher, donated to the National Gallery by his son George.…

Soft cover. Condition: Very Good. 1st Edition. National Gallery of Canada, Ottawa, 1968 card covered paperback. 93 page catalogue for an exhibition of Rosenquist's work, colour and b&w images and a bio. Book is square and reflects the design of the time.interesting artifact on it's own. Book Condition: several markings on the back, a few slight strait surface scratches otherwise a very carefully read, tight clean near fine copy.…

Soft cover. Condition: Good. 1st Edition. Spot of stain on half title page. Otherwise inside is clean and unmarked. Cover has a few stains and rubbing on front top right. Abrasions on fore-edge of cover (see photo 2). See photos.

Paperback. Condition: Very Good. Square 8vo, 92 pp, VG in pictorial wraps. Parallel text in English & French. Profusely illustrated in color and b&w, with die-cut comb intact. Illustrated chronology; bibliography.

First Edition. Presumed first edition. Softcover. 208 pages. Features prefaces by Michael Govan and Jeffrey Weiss, forewords by Earl A. Powell III and Leonard Riggio and a text Tiffany Bell and an essay by Brydon E. Smith. Includes numerous illustrations, list of previous exhibitions, a selected bibliography, chronology, appendices, a checklist, and an index. A fine copy in French style wrappers. A lovely copy.…

First Edition. First edition. Softcover. 183 pages. A critical examination of the work of Dan Flavin that features essays by Tiffany Bell, Kurt W. Forster, Michael Govan, Dave Hickey, Steve Morse, Robert Rosenblum, Brydon Smith, and Michael Venezia. Includes numerous black and white illustrations. A clean near fine copy in French style wrappers with some very minute wear.…

Paperback. Condition: Like New. New looking copy, tight clean unmarked with bright white pages, no creases no slant, Near Fine.

Paperback. Condition: Near Fine. 1st. [70] pages, illustrations; 31 cm. Catalogue of the exhibition at the Art Gallery of Ontario, Toronto, January 14 to February 12, 1967. and the Albright-Knox Art Gallery, Buffalo, February 24 to March 26, 1967. Firm binding, clean inside copy. Age toning. *** Grouping of three Pop artists, Jim Dine, Claes Oldenburg, and George Segal, who fuse painting and sculpture. *** CONTENTS: Preface, by Brydon Smith; Jim Dine : hot artist in a cool time, by Alan Solomon; Claes Oldenburg, by Ellen H. Johnson; George Segal, by Robert Pincus-Witten. Size: 4to. Collectible. …

Softcover. Condition: Fine. 30 p. 19 x 22 cm. Stapled softcover in transparent dustjacket.

Soft cover. Condition: Fine. Dust Jacket Condition: Very Good+. Publication from a touring 1995 - 96 exhibition of prints, by the Dutch graphic artist (1898 - 1972), donated to the Ottawa gallery by the artist's son. The exhibition toured to Halifax, Thunder Bay & St. Catherines, Ontario. Red decorative wraps, with white tissue dust jacket. 32 pages with B&W illustrations. Slight tiny tears at upper spine end of dust jacket.…

Trade Paperback. Condition: Used - Very Good. Dan Flavin (1933-1996) is considered one of the most important and innovative artists of the late twentieth century. The simplicity and systematic character of his extraordinary work, along with his relentless exploration and ingenious discovery of an art of light, established him as a progenitor and chief exponent of Minimalism. Uniquely situated outside the mediums of painting and sculpture, the majority of Flavin's work after 1963 consists of art made from light. This landmark book--the first retrospective publication of Flavin's art since 1969--includes around 45 of the artist's most important light works, beginning with a pivotal series of constructed boxes with attached incandescent or fluorescent lights, called 'icons,' made from 1961 to 1963. Works spanning Flavin's career are discussed in depth, including examples that integrate light with the surrounding space and show the particular characteristics of blended fluorescent light, large-scale installations, and constructed corridors. The book also includes reproductions of Flavin's drawings, which show his thought processes and working methods. New scholarship and interpretation of Flavin's work appears in the form of three critical essays by experts, an extensive chronology, comprehensive bibliography, and exhibition history. In addition, Flavin's seminal text ''. . . in daylight or cool white.' an autobiographical sketch,' originally published in 'Artforum 'in' '1965, is included. Exquisitely designed and produced, with many new stunning color reproductions, 'Dan Flavin: A Retrospective 'captures' 'the brilliance of this artist's contribution to and challenges of the art world and will be the authoritative volume on Flavin for years to come. Very nice clean, tight copy free of any marks.…

Paperback. Condition: Fine. 208 pages, illustrations (chiefly colour); 31 cm. Published in conjunction with a major exhibition on view at the National Gallery of Art, Washington, D.C., October 3, 2004 to January 9, 2005; Museum of Modern Art, Forth Worth, February 25 to June 5, 2005; Museum of Contemporary Art, Chicago, July 1 to October 30, 2005, and other venues. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Richly illustrated with colour plates. *** "Dan Flavin (1933-1996) is considered one of the most important and innovative artists of the late twentieth century. The simplicity and systematic character of his extraordinary work, along with his relentless exploration and ingenious discovery of an art of light, established him as a progenitor and chief exponent of Minimalism. Uniquely situated outside the mediums of painting and sculpture, the majority of Flavin's work after 1963 consists of art made from light. This landmark book-the first retrospective publication of Flavin's art since 1969-includes around 45 of the artist's most important light works, beginning with a pivotal series of constructed boxes with attached incandescent or fluorescent lights, called "icons," made from 1961 to 1963. Works spanning Flavin's career are discussed in depth, including examples that integrate light with the surrounding space and show the particular characteristics of blended fluorescent light, large-scale installations, and constructed corridors. The book also includes reproductions of Flavin's drawings, which show his thought processes and working methods. New scholarship and interpretation of Flavin's work appears in the form of three critical essays by experts, an extensive chronology, comprehensive bibliography, and exhibition history. In addition, Flavin's seminal text '. . . in daylight or cool white. an autobiographical sketch,' originally published in Artforum in 1965, is included. Exquisitely designed and produced, with many new stunning color reproductions, Dan Flavin: A Retrospective captures the brilliance of this artist's contribution to and challenges of the art world and will be the authoritative volume on Flavin for years to come. / Tiffany Bell has served as project director of the Dan Flavin catalogue raisonne since 1998; Michael Govan is director of Dia Art Foundation; Earl A. Powell III is director of the National Gallery of Art, Washington, D.C.; Brydon Smith is former curator of twentieth-century art at the National Gallery of Canada, Ottawa; Jeffrey Weiss is head of the department of modern and contemporary art at the National Gallery of Art, Washington, D.C." - Publisher. Size: 4to.…

Soft cover. Condition: Fine. 1st Edition. Dia Art Foundation (NY) 2004 First Edition. About Fine in large wraps. Illustrated throughout most in color. 12 x 10.25 inches. 208 pages.

Wrappers. Condition: Very Good. 92 pages 40 illustrations 7 in color. A sticker to the front cover at the head of the spine. Previous institutions information rubberstamped to the title page. Minor tanning, rubbing and wear to the paper covers and edge. Text is in French and English. Illustrated wraps. Published on the occasion of the exhibition from The National Gallery of Canada, Ottawa 24 January-25 February 1968. Select Biography. Size: 8 ¼ "x 7". Ex-Library.…

Soft cover. Condition: Fine. Dust Jacket Condition: Near Fine. Publication from a touring 1995 - 96 exhibition of prints, by the Dutch graphic artist (1898 - 1972), donated to the Ottawa gallery by the artist's son. The exhibition toured to Halifax, Thunder Bay & St. Catherines, Ontario. Red decorative wraps, with white tissue dust jacket. 32 pages with B&W illustrations. Includes folded poster for the Ottawa exhibition.…

Paperback. Condition: Good. Michael Snow: Canada-XXXV International Biennial Exhibition of Art, Venice, the catalog with texts by Brydon Smith, Joyce Wieland, Michael Snow. 52 pages, black & white reproductions. Paper with stiff cover. EX-Library with stamps on cover and sticker tear on cover. Inside in near fine condition. 8" x 10". …

Soft cover. Condition: Good. No jacket. The cover is slightly rubbed, particularly on the back cover. Staple binding. Residue from a torn off sticker on the half-title page, but not affecting any legibility. All other pages are clean and unmarked.

Condition: Very Good.

paperback. Condition: Very Good.

Cloth. Condition: Fine Condition. Fine Condition. 96 pages illustrations throughout.Minor shelfwear otherwise fine. Beautiful atmospheric monograph on the exhibition at the Deutsche Guggenheim. Published on the occasion of the exhibition from November 6, 1999-February 13, 2000. Selected Bibliography. Book.…

Soft cover. Condition: Very Good. Dust Jacket Condition: No Jacket as Issued. 1st Edition. Minimal wear to covers. Protected in Mylar (not taped to book). Spine not creased. Internally clean. 208pp Size: 255mm x 305mm. Book.

Softcover. First Edition, First Printing. pp. 30. Square 8vo., measuring 8.5" x 7.5". Illustrated, twice-stapled, card covers. No detectable flaws, contents and extremities remain bright, clean, and unmarked with firm, sound binding; near fine and housed in near fine, unclipped, glassine dustjacket. This publication accompanies the exhibition M.C. Escher: Landscapes to Mindscapes, organized and circulated by the National Gallery of Canada. …