Language: English
Published by MER Paper Kunsthalle, Ghent, 2013
ISBN 10: 9491775022 ISBN 13: 9789491775024
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Language: English
Published by MER Paper Kunsthalle, BE, 2013
ISBN 10: 9491775022 ISBN 13: 9789491775024
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
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Language: English
Published by MER Paper Kunsthalle, 2013
ISBN 10: 9491775022 ISBN 13: 9789491775024
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Language: English
Published by MER Paper Kunsthalle, 2013
ISBN 10: 9491775022 ISBN 13: 9789491775024
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Language: English
Published by MER Paper Kunsthalle, 2013
ISBN 10: 9491775022 ISBN 13: 9789491775024
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Add to basketPaperback. Condition: Brand New. 01 edition. 164 pages. In Stock.
Language: English
Published by MER Paper Kunsthalle, 2013
ISBN 10: 9491775022 ISBN 13: 9789491775024
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Language: Dutch
ISBN 10: 9077193103 ISBN 13: 9789077193105
Seller: Hamelyn, Madrid, M, Spain
Condition: Bueno. : Este libro es un catálogo de la exposición 'De Res Derelictae' (Dingen Zonder Eigenaar - Objetos que no son propiedad de nadie) en 'De Garage', Espacio para el Arte Contemporáneo, Mechelen, Bélgica. La exposición tuvo lugar del 11 de marzo al 23 de abril de 2006. El libro incluye contribuciones de Sofie Van Loo y Peter De Graeve, y está ilustrado con imágenes a color. Los textos están en inglés y (sueltos) en holandés. EAN: 9789077193105 Tipo: Libros Categoría: Arte y Cultura Título: Sincerely, a friend Autor: Douglas Park| Sofie Van Loo| Peter Buggenhout Editorial: Cultuurcentrum Mechelen Idioma: nl, en Páginas: 96 Formato: tapa blanda.
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Language: English
Published by MER Paper Kunsthalle, Ghent, 2013
ISBN 10: 9491775022 ISBN 13: 9789491775024
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Paperback. Condition: new. Paperback. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Language: English
Published by MER Paper Kunsthalle, BE, 2013
ISBN 10: 9491775022 ISBN 13: 9789491775024
Seller: Rarewaves.com UK, London, United Kingdom
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Add to basketPaperback. Condition: New.
softcover 297 x 210 mm, 64 pages ENG text ISBN 9789491262128. The work of Julia Sp nola (b. 1979) departs from an intuitive and empirical practice, in which there is no place for metaphors or symbolisms. She is interested in the laws of physics such as connectivity, transference, movement, which have been present in her practice since earlier works. "One night in Madrid, a lamp came swirling down, as if it were a butterfly. It just missed the table and it did not break. The lamp was still burning, but it was hanging at a different level than usual: it had left the ceiling. Suddenly, a funny dialogue developed, a play with various lamps. It became obvious that Sp nola wanted to link heart, head, feet and hands in her work - that she was in search of a form for them. Her work shows the effect of experienced and experimental material, it is imagined and created, one sees spaced possibilities that can be thought clearly at a certain moment in this space - a moment that surprises us." From: 'Julia Sp nola: Form as Figure-Object, Engaged in a Dialogue with Sequenced Gestures and Action Codes' Sofie Van Loo, in: Habla/Dice 0 g.
PB, 297 x 210 mm, 76 pages, EN-NL edition, Illustrated. ISBN 9789491262142. In Demoen's work, things are not entirely like Richard Wolheim once objected to Ernst Gombrich, claiming that in the case of a theory of the double, our attention must be divided between two things or issues. There is more going on and down for that matter. Demoen (b. 1965) presents collages with cut-up echoes, which in their fragmented state function as motif-protagonists in a mise en sc ne that has fallen on its back and has not found its place yet. The studio, geometry, magazine sensationalism and the art history book are cut up and practised while dancing, as if the artistic practice were a lost nightclub with entering daylight that is used as outfit. Demoen dances the gesture till it blindly follows the work of art. (.) The scattered motifs have been cut up. They show how in the Western tradition beauty was defined by the sublime, and no design could cope with that, unless it becomes ornamental and at a certain moment also boring if radiation is impossible. When things get out of hand, a gesture playfully tries to regain control. One by one, the cards are played on the worktable. They are presented to the spectator and hidden from our glance by another playing card. The memory of the spectator is exercised, stimulated, annoyed and teased. What makes the whole thing mysterious, is that despite all the historical references in Demoen's work, the reference as such is thrown back on its own, though it is like a collection of ellipses and ovals." From 'What If Seven Days of Vase Guarantee Are No Longer Sufficient?' Sofie Van Loo. 0 g.
Published by , MER Paper Kunsthalle, 2013, 2013
softcover 164 pages / 27 x 21 cm. ill kleur.*nieuwstaat. ISBN 9789491775024. This is the catalogue of the eponym exhibition held at be-Part, Waregem in the Spring of 2013. The exhibition included ten artists from various countries and various generations, including Nel Aerts, Peter Buggenhout, Adriano Costa, Laurent Dupont-Garitte, Willem Oorebeek, Alexandra Reynolds, Jani Ruscica, Jo lle Tuerlinckx, Joke Van den Heuvel and Adriaan Verw e. The show was curated by Sofie Van Loo. 0 g.
Published by , Ghent : Galerie Tatjana Pieters, 2013,, 2013
hardcover 147 pages ill. ISBN 9789081539173. Quirky perspectives : Bart De Clercq 0 g.
This book titled ?The Cure? is edited by the three curators Benjamin Jaubert, Sofie Van Loo and Stefaan Willems who programmed the year 2015 in Komplot. This book is the result of a collaboration in three chapters : ?There Is No Cure?, ?The Rape - Stiff Hip Gait - The Catwalk? and 'Passion and Romance'. This book is the affirmation of three subjectivities through their choices and thematics. The designers Uberknackig put together the contributions of artists, thinkers and poets invited by the curators in a kind of spiritual user guide like the one you find in the drawer of your hotel room to coach you through the night? Prima exemplaar.
Published by Museum Leuven, Leuven, 2014
Soft cover. Condition: Very Good. Softcover, 28 x 22 cm, unnumbered pages, Dutch, Illustrations, condition: Very Good Adriaan Verwée (b. 1975) makes objects and installations that are caught in the middle ground between the literal and figural, between construction and image. It is as if that decision is still under consideration, or left hanging in the air. Yet many of Verwée's objects appear nevertheless to have a specific function, and as a result are an integral part of the here and now. The temporal and spatial character of his work is enhanced through the tension that the artist quite literally puts on his combinations of different objects: by, for example, giving gravity an active role, or by introducing elements that look incomplete or redundant. These elements often seem more like 'remnants' of the picture rather than a true part of it. Additionally, an enormous amount of attention is lavished upon certain materials and their relationships. This lends these objects an aesthetic clarity and quality, which in turn appears to completely contradict their suggested functionality.00Exhibition: Museum M, Leuven, Belgium (29.8.-2.11.2014). [This description may have been translated by AI.].
Seller: Mooney's bookstore, Den Helder, Netherlands
Condition: Very good.