Language: English
Published by Rutgers University Press, 2005
ISBN 10: 0813535573 ISBN 13: 9780813535579
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Language: English
Published by Rutgers University Press, 2005
ISBN 10: 0813535573 ISBN 13: 9780813535579
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Language: English
Published by Rutgers University Press, 2005
ISBN 10: 0813535573 ISBN 13: 9780813535579
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Language: English
Published by Rutgers University Press, 2005
ISBN 10: 0813535573 ISBN 13: 9780813535579
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Language: English
Published by Rutgers University Press, 2005
ISBN 10: 0813535573 ISBN 13: 9780813535579
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Language: English
Published by Rutgers University Press, 2005
ISBN 10: 0813535573 ISBN 13: 9780813535579
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Language: English
Published by Bloomsbury Publishing PLC, United Kingdom, London, 2005
ISBN 10: 1845203305 ISBN 13: 9781845203306
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Paperback. Condition: Very Good. The gangster is perhaps the most potent figure in American cinema. Yet film criticism has focused almost entirely on a few canonical films such as Little Caesar, The Public Enemy, and The Godfather trilogy, resulting in a limited and distorted understanding of the compelling presence and persistence of the gangster. Mob Culture presents a detailed examination of the ideological richness of the gangster film throughout Hollywood's production history, from the silent period to the present.Mob Culture explores how the gangster figure has been connected to various cultural and racial identities, how issues of gender and sexuality are frequently highlighted by the genre, and how film criticism has drawn on eugenics, sociology and psychology to try to explain and contain the gangster. An ideal guide to both the film history and the critical literature, Mob Culture redefines the American gangster at the movies. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Language: English
Published by Rutgers University Press, 2005
ISBN 10: 0813535573 ISBN 13: 9780813535579
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Language: English
Published by Rutgers University Press, 2005
ISBN 10: 0813535573 ISBN 13: 9780813535579
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Language: English
Published by Rutgers University Press, Piscataway, New Jersey, U.S.A., 2005
ISBN 10: 0813535565 ISBN 13: 9780813535562
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Language: English
Published by Rutgers University Press, 2005
ISBN 10: 0813535573 ISBN 13: 9780813535579
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Language: English
Published by Berg Publishers 2005-06-01, 2005
ISBN 10: 1845203305 ISBN 13: 9781845203306
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Language: English
Published by Rutgers University Press, 2005
ISBN 10: 0813535573 ISBN 13: 9780813535579
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Add to basketPaperback. Condition: Brand New. 311 pages. 9.25x6.25x1.00 inches. In Stock.
Language: English
Published by Rutgers University Press, 2005
ISBN 10: 0813535573 ISBN 13: 9780813535579
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paperback. Condition: New. In shrink wrap. Looks like an interesting title!
Condition: New. The gangster is perhaps the most potent figure in American cinema. Yet film criticism has focused almost entirely on a few canonical films such as Little Caesar, The Public Enemy, and The Godfather trilogy, resulting in a limited and distorted understanding.
Kartoniert / Broschiert. Condition: New. Über den Autor Lee Grieveson is the director of the graduate program in film studies at University College London and the author of Policing Cinema: Movies and Censorship in Early-Twentieth-Century America. .
Language: English
Published by Rutgers University Press, 2005
ISBN 10: 0813535565 ISBN 13: 9780813535562
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hardcover. Condition: Good. Good text, missing dust jacket. Light Cover wear. US orders shipped via US Mail. International orders shipped via DHL. Additional postage may be required on oversize books and sets. NO prison orders.
Language: English
Published by Bloomsbury Publishing (UK), 2005
ISBN 10: 1845203305 ISBN 13: 9781845203306
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Language: English
Published by Bloomsbury Publishing PLC, London, 2005
ISBN 10: 1845203305 ISBN 13: 9781845203306
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Add to basketPaperback. Condition: new. Paperback. The gangster is perhaps the most potent figure in American cinema. Yet film criticism has focused almost entirely on a few canonical films such as Little Caesar, The Public Enemy, and The Godfather trilogy, resulting in a limited and distorted understanding of the compelling presence and persistence of the gangster. Mob Culture presents a detailed examination of the ideological richness of the gangster film throughout Hollywood's production history, from the silent period to the present.Mob Culture explores how the gangster figure has been connected to various cultural and racial identities, how issues of gender and sexuality are frequently highlighted by the genre, and how film criticism has drawn on eugenics, sociology and psychology to try to explain and contain the gangster. An ideal guide to both the film history and the critical literature, Mob Culture redefines the American gangster at the movies. The gangster is perhaps the most potent figure in American cinema. Yet film criticism has focused almost entirely on a few canonical films such as Little Caesar, The Public Enemy, and The Godfather trilogy, resulting in a limited and distorted understanding of the compelling presence and persistence of the gangster. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.