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Published by J. Paul Getty Museum, 2018
ISBN 10: 1606065513ISBN 13: 9781606065518
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Book
Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
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Published by National Gallery of Victoria, 1997
ISBN 10: 072410190XISBN 13: 9780724101900
Seller: ccbooksellers, Front Royal, VA, U.S.A.
Book
paperback. Condition: very good. cover shows minor signs of shelf wear. pages are clean and unmarked. 2.
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Published by Kimbell Art Museum/Yale Universi, 2007
ISBN 10: 0912804475ISBN 13: 9780912804477
Seller: Half Price Books Inc., Dallas, TX, U.S.A.
Book
Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Published by J Paul Getty Museum Pubns, 2018
ISBN 10: 1606065475ISBN 13: 9781606065471
Seller: Revaluation Books, Exeter, United Kingdom
Book
Paperback. Condition: Brand New. revised edition. 131 pages. 9.75x5.50x0.25 inches. In Stock.
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Published by The Live Entertainment Corporation of Canada, 1992
ISBN 10: 0969577702ISBN 13: 9780969577706
Seller: Post Horizon Booksellers, Moose Jaw, SK, Canada
Manuscript / Paper Collectible
Booklet. Condition: Near Fine. 32pp. Illustrated w colour photos. Wrapper is clean, showing very light handling. Stapled binding sound. Folio: 30.5x23cm.
Published by J. Paul Getty Museum, 2021
ISBN 10: 1606066706ISBN 13: 9781606066706
Seller: ANARTIST, New York, NY, U.S.A.
Book
Hardcover without dustjacket as issued, 178 pages; very good condition except small crimps to upper right corners of covers; no internal marks. Foreign shipping may be extra.
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Published by Yale University Press, 2007
ISBN 10: 0300116837ISBN 13: 9780300116830
Seller: GoldBooks, Denver, CO, U.S.A.
Book
Hardcover. Condition: very good. Very Good Copy. Customer Service Guaranteed.
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Hardcover First Printing. First Edition. Illustrated glazed boards. Fine.
Published by Paul Holberton Publishing, 2020
ISBN 10: 0983854645ISBN 13: 9780983854647
Seller: GF Books, Inc., Hawthorne, CA, U.S.A.
Book
Condition: Very Good. Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting.
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Published by Yale University Press, 2009
ISBN 10: 0300149344ISBN 13: 9780300149340
Seller: Half Price Books Inc., Dallas, TX, U.S.A.
Book
Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Published by J. Paul Getty Museum, Los Angeles, CA, 2018
Seller: Bauer Rare Books, San Diego, CA, U.S.A.
First Edition
First edition. 4to. [xv], 344 pp. Illustrations. Cloth binding in unclipped dustwrapper, fine condition. (96069).
Published by Malibu [CA]: The J Paul Getty Museum, 1987., 1987
Volume 15 (hardback). 4to (28cm by 22cm), 243pp. Illustrated throughout in b&w. Original white cloth, dustwrapper. Boards lightly rubbed, else the book is in very good condition. The dustwrapper is in good plus condition (top edge chafed). ISBN 0892361336.
Published by J. Paul Getty Museum, 2022
ISBN 10: 1606067370ISBN 13: 9781606067376
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: As New. Unread book in perfect condition.
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Published by Kimbell Art Museum, Fort Worth. 2007., 2007
Seller: Page After Page, Box Hill, VIC, Australia
H/C with D/J, 31x23.5cm, 309 pages, color and b&w photos throughout, clear protective layer to d/j, slight dog ears to bottom right front and back covers.
Published by The J. Paul Getty Museum, 1992
Seller: BMV Bookstores, Toronto, ON, Canada
Book
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Hardcover with blue cloth-bound boards and dust-jacket. Book in very good, near-fine condition. Dust-jacket: Very good, with some wear to edges. No notes or highlights.
Published by Yale University Press, New Haven, 2007
Seller: Minotavros Books, ABAC ILAB, Whitby, ON, Canada
First Edition
Soft cover. Condition: Near Fine. 1st Edition. 4to. Soft cover. 309 pp. Fully illustrated in colour. Spine cocked, corners lightly bumped, edge toned to interior, else fine.
Wiesbaden, 2013. 85 pp. 24 col. plts. Hardcover.
Published by Dr Ludwig Reichert Verlag, 2013
ISBN 10: 3895009407ISBN 13: 9783895009402
Seller: ISD LLC, Bristol, CT, U.S.A.
Book
hardcover. Condition: New.
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Published by J. Paul Getty Museum, 1992
ISBN 10: 0892362154ISBN 13: 9780892362158
Seller: Books From California, Simi Valley, CA, U.S.A.
Book
hardcover. Condition: Good. Dust Jacket Condition: Includes dust jacket. Edges of pages have light yellowing. Dj has heavy scuffing and wear.
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Published by J. Paul Getty Museum, 2022
ISBN 10: 1606066803ISBN 13: 9781606066805
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: As New. Unread book in perfect condition.
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Published by Reichert Verlag, 2010
ISBN 10: 3895007951ISBN 13: 9783895007958
Seller: booksXpress, Bayonne, NJ, U.S.A.
Book
Hardcover. Condition: new.
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Published by Reichert, 2015
ISBN 10: 3954900483ISBN 13: 9783954900480
Seller: moluna, Greven, Germany
Book
Gebunden. Condition: New. The Yevdayev Collection of ancient rings comprises 59 superb examples from Egypt, Phoenicia, Persia, Greece, Etruria, and Rome, dating from the second millennium BC to the fourth century AD. The rings are of many different shapes, most made of gold or silve.
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Published by Dr. Ludwig Reichert Verlag, 2007
ISBN 10: 3895004340ISBN 13: 9783895004346
Seller: Dr. L. Reichert Verlag, Wiesbaden, Germany
Book
Hardcover. Condition: Neu. Spätantike - Frühes Christentum - Byzanz, 388 S. 1300 s/w Abb./ill. b/w, 1842 g. Throughout the Middle Ages, Roman gems and cameos were highly valued as intrinsically precious objects or even as possessing magical properties. During the Renaissance, large collections of gems were formed by aristocratic collectors who sought inspiration from the classical images engraved on them, and gems have been collected for similar reasons ever since. With the exception of a few dedicated antiquaries, however, collectors and scholars over the last five hundred years or so have generally ignored late antique and early Christian gems. This study presents more than 1000 gems from different collections, more than 300 of them unpublished so far. They are presented according to different genres, themes, material and place or time of production. The catalogue is completed by about 1300 illustrations.
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Published by Wiesbaden: Reichert 2013., 2013
Seller: Antiquariat Bergische Bücherstube Mewes, Overath, Germany
388 S., zahlr. Abb. Lit.verz. 4° Kart. *neuwertig*. This study gathers all known engraved gems of the late antique period (late third to the early seventh centuries) and discusses their chronology, workshops, and iconographical significance. Approximately 1000 gems and cameos are described, most of which are illustrated in over 150 plates. Many of these objects have never before been published. Engraved gems used as personal seals had been used in the Graeco-Roman world for many centuries and survive today in large numbers. The gems and cameos of the late antique period are, however, far rarer, reflecting the rapid decline, beginning in the mid-third century, of this long artistic tradition. Remarkably, the early Christians of the late third and early fourth centuries began to use seals of traditional form but engraved with distinctive images and inscriptions. Symbols, such as the fish, anchor, and Good Shepherd, appear, as do Old and New Testament scenes. Although there was a remarkable revival of fine quality engraved gems at the time of Emperor Constantine and his successors, by the end of the fourth century few gems were being cut. However, several new workshops emerged in the late fifth and sixth centuries, producing gems in fine materials, such as garnet, sapphire, amethyst, and rock crystal. The iconography of these gems reflects the interests of Christian artists of the early Byzantine period. Other chapters in the book are devoted to cameos, Christian Sasanian seals, Jewish seals, magical amulets, and the history of scholarship and collecting. Three appendices discuss engraved rings, lead seals, and monograms, and much comparative material is illustrated. The catalogue presents an important body of material that has been largely unpublished and neglected. The range of Christian images found on the early gems is similar to that found in the catacombs of Rome, although it is mostly of Eastern rather than Western origin. The early Byzantine workshops identified in the catalogue attest to the revival of this classical tradition in the luxurious court art of Constantinople and other prominent cities of the Byzantine Empire.