Spiteris (163 results)

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Grey cloth. F in F DJ.

hardcover. Condition: Good.

Hard Cover. Condition: Good. Dust Jacket Condition: Good. I5 - DJ is mylar protected. DJ has label on the lower spine, wrinkling and crease on some edges and corners, inside flaps glued to the fixed endpapers, discoloration, and shelf wear otherwise very good. Book has some rubbing and wear on the cover edges, foxing, library stamping on the top and bottom page edges, loose endpapers, and title page, previous owner's inscription written on the front loose endpaper, label and cardholder adhered on the back loose endpaper, discoloration, and shelf wear otherwise very good. Size: 4to - over 9¾" - 12" tall. Ex-Library.

hardcover. Condition: Good. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .

Hardcover. Condition: Good. No Jacket. Former library book; Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good Plus. Dust Jacket Condition: No Dust Jacket. Missing the front and back free endpapers which have been somewhat neatly removed but one can still easily see the interior of the spine where they are missing from - sort of like cracked joints but all is very tight. No jacket. Light wear to book no markings. Tipped in color-plates all present and other illustrations. Appears to be an excellent reference work.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine-. First Edition. 207pp. Numerous color plates. Photos on request. Size: 4to - over 9¾" - 12" tall.

hardcover. Condition: Good. Hardcover in good condition. All inside pages are in great shape. Minor shelf wear to the cream spine and cover. No dust jacket.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. hardcover in very good condition with very good dust jacket.

Hardcover. Condition: Gut. verschiedene (illustrator). Illustrierter und folierter Pappband (Hardcover) mit Titel auf Vorderdeckel. gebunden, 1. Abschnitt durchgehend farbigen, oft ganzseitigen Farbfotos, 2. AbschnittLexikon mit vielen Tabellen, doppelseitigen Kartenwiedergaben, 3. Abschnitt: Lexikon mit s/w-Bildern im Text, Verzeichnis der Abbildungen, Bibliographie, 27x17,4 cm, 208 Seiten, Innendeckelseiten und Vorsatzblätter mit Kleberesten, sonst guter Zustand. (intern: Kunst).

Hardcover. Condition: Sehr gut. 1. Auflage. Pappband - Schnitt etwas gebräunt.

Couverture rigide. Condition: Bon. Rencontre Histoire Generale De La Peinture 3, 1965. 1 volume relié(s) format In-4 bon.

Couverture rigide. Condition: Bon. Éditions rencontre collection , 1965. 1 volume relié(s) format In-4 bon.

Hardcover. Demy folio, [27.75cm/11inches], quarter-bound pictorial cloth with mylar-protected dust jacket, pp. . Illustrated with tipped-inb-w halftones, colour plates and so forth. Please feel free to ask for particulars and/or additional photographs. . Tony Spiteris was a Greek art critic based in Venice, who was then acting as General Secretary of AICA (International Association of Art Critics). From the mid-sixties, he collaborated with the Cyprus Government as advisor on cultural matters, and in this capacity he curated the first national participation of Cyprus in the Venice Biennale. Among various proposals, Spiteris set apart six young artists with a mean age of 35, bringing forth some of the most pioneering work on the Cypriot scene at the time, and reflecting its gradual and delayed transition to the movements of modernism and abstraction. The works presented varied in style and form; there was painting, reliefs and wood sculptures in series, moving between geometric abstraction and abstract expressionism, and elements of constructivism and surrealism. Evidently marked by the artists' formative training in various centres abroad, they nevertheless retained, as Spiteris put it, "a taste of their native land, without ever slipping into folklore rhetoric". The artists shared a small space at the back of the Italian Pavilion to exhibit a total of 18 paintings and 4 sculptures. The hall was vast, separated by panels and shared by many countries that did not possess a space of their own. Despite all sorts of difficulties, the first Cypriot exhibition was properly set up, the resulting feedback was encouraging and the thrill of this new beginning was extraordinary. Chrysochos was the only one absent from the Venice opening; Christoforos Savva, already suffering from an illness, died of heart attack in Sheffield a few weeks later. In exceptionally good condition In exceptionally good condition.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Couverture rigide. Condition: Tres bon. Rencontre Histoire Generale De La Peinture 3, 1965. 1 volume relié(s) format In-4 très bon.

Hardcover. Condition: Bon. Légères traces d'usure sur la couverture. Edition 1965. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Slight signs of wear on the cover. Edition 1965. Ammareal gives back up to 15% of this item's net price to charity organizations.

Couverture rigide. Condition: Bonne Condition. Couverture légèrement frottée et usée sur les bords. Décollement de la reliure au début et à la fin, tout de meme solide. 207 p.Envoi soigné.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,950grams, ISBN:

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:

hardcover. Profusely illustrated (illustrator). 1st. 4to, 215 pp., Tipped-in color plates Nearly fine copy in very good dust jacket.

hardcover. Condition: Very Good.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. First American edition. Fine in fine dust jacket. Hardcover and dust jacket, both a nice clean copy, almost new, dust jacket has slightly faded spine.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Very good hardcover with Very good dust jacket. The book's top foredge has spotting. The text is very nice and clean. The dust jacket panels have light wear to the edges.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. First edition. Fine in fine dust jacket. A very nice, clean copy.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1000grams, ISBN:

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:

Hard cover. First edition. Illustrated in black, white and color. Important reference work. Very scarce in this condition. Fine copy in fine dust jacket (in mylar).

relié. Condition: occasion. en français Histoire générale de la peinture 208 pages Très bon état. Papier très légèrement jauni 17,5 x 27,5.