Sprowles Michael David (30 results)
- Softcover
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- Softcover
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- Softcover
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- Softcover
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- Softcover
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- Softcover
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- Softcover
Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
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- Softcover
Seller: Chiron Media, Wallingford, United KingdomChiron Media
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Language: English
Published by VDM Verlag Dr. Mueller e.K. 2008-02-15, 2008
- Softcover
Seller: Chiron Media, Wallingford, United KingdomChiron Media
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- Softcover
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- Softcover
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Condition: New. 2008. Paperback. . . . . .
- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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- Softcover
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- Softcover
Seller: Books Puddle, New York, NY, U.S.A.Books Puddle
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- Softcover
Seller: moluna, Greven, Germanymoluna
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- Softcover
Seller: preigu, Osnabrück, Germanypreigu
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Taschenbuch. Condition: Neu. Geometric pitch structure and form in déserts by Edgard Varèse | Michael David Sprowles | Taschenbuch | 76 S. | Englisch | 2012 | AV Akademikerverlag | EAN 9783639433920 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbiet…er: preigu.
- Softcover
Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
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- Softcover
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
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Taschenbuch. Condition: Neu. Neuware - Edgard Varèse began composing Déserts in 1949, completing it late in 1954. Scored for 15 instruments, 5 percussionists and 2 tapes of organized sounds, Déserts comprises acoustic instrumental music and sections of electronically-organized sounds on magnetic tape meant to be inserted at 3 sp…ecific locations within the piece. The alternating sections create a continuous, seven-part form. This analysis will concentrate on the geometric constructs at work in Déserts. Initially, an analysis of the pitch structure will reveal distinct planes of sound comprised of adjacent pitches. A consideration of these geometric planes based on trichords identified early in the work provide insight into Varèse's concept of 'music as spatial - as bodies of intelligent sounds moving freely in space,' since the elements of tension and release manifest themselves in figures as they collide (tension) and are repelled (release). Consequently, the collision and repulsion of pitch-planes together with the changing of the shapes (construction of new pitch planes) provide clear formal indicators in the instrumental portion of the work and reveal the acoustic portions of the work as a two-part structure.
- Softcover
Seller: Mispah books, Redhill, SURRE, United KingdomMispah books
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Paperback. Condition: Like New. Like New. book.
- Softcover
Seller: Mispah books, Redhill, SURRE, United KingdomMispah books
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Paperback. Condition: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.
- Softcover
- Print on Demand
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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Paperback. Condition: Brand New. 72 pages. 9.30x6.50x0.40 inches. In Stock. This item is printed on demand.
- Softcover
- Print on Demand
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, GermanyBuchWeltWeit Ludwig Meier e.K.
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Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Revision with unchanged content. Edgard Varèse began composing Déserts in 1949, completing it late in 1954. Scored for 15 instruments, 5 percussionists and 2 tapes of organized sounds, Déserts comprises acoustic instrumental music a…nd sections of electronicallyorganized sounds on magnetic tape meant to be inserted at 3 specific locations within the piece. The alternating sections create a continuous, seven-part form. This analysis will concentrate on the geometric constructs at work in Déserts. Initially, an analysis of the pitch structure will reveal distinct planes of sound comprised of adjacent pitches. A consideration of these geometric planes based on trichords identified early in the work provide insight into Varèse's concept of 'music as spatial - as bodies of intelligent sounds moving freely in space,' since the elements of tension and release manifest themselves in figures as they collide (tension) and are repelled (release). Consequently, the collision and repulsion of pitch-planes together with the changing of the shapes (construction of new pitch planes) provide clear formal indicators in the instrumental portion of the work and reveal the acoustic portions of the work as a two-part structure. 76 pp. Englisch.
- Softcover
- Print on Demand
Seller: Majestic Books, Hounslow, United KingdomMajestic Books
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Condition: New. Print on Demand.
- Softcover
- Print on Demand
Seller: moluna, Greven, Germanymoluna
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Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Sprowles Michael DavidThe author is a composer and instructor of music history atthe University of Louisville. His undergraduatedegree in music theory and composition wasearned in 1999 and a graduate de…gree in musichistory and litera.
- Softcover
- Print on Demand
Seller: Biblios, frankfurt am main, HESSE, GermanyBiblios
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Condition: New. PRINT ON DEMAND.
Language: English
Published by VDM Verlag Dr. Mueller Aktiengesellschaft & Co. KG, 2008
- Softcover
- Print on Demand
Seller: Majestic Books, Hounslow, United KingdomMajestic Books
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Condition: New. Print on Demand pp. 72 67:B&W 6.69 x 9.61 in or 244 x 170 mm (Pinched Crown) Perfect Bound on White w/Gloss Lam.
Language: English
Published by VDM Verlag Dr. Mueller Aktiengesellschaft & Co. KG, 2008
- Softcover
- Print on Demand
Seller: Books Puddle, New York, NY, U.S.A.Books Puddle
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Condition: New. Print on Demand pp. 72.
Language: English
Published by VDM Verlag Dr. Mueller Aktiengesellschaft & Co. KG, 2008
- Softcover
- Print on Demand
Seller: Biblios, frankfurt am main, HESSE, GermanyBiblios
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Condition: New. PRINT ON DEMAND pp. 72.
- Softcover
- Print on Demand
Seller: buchversandmimpf2000, Emtmannsberg, BAYE, Germanybuchversandmimpf2000
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Taschenbuch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Revision with unchanged content. Edgard Varèse began composing Déserts in 1949, completing it late in 1954. Scored for 15 instruments, 5 percussionists and 2 tapes of organized sounds, Déserts comprises acoustic instrumental music and s…ections of electronicallyorganized sounds on magnetic tape meant to be inserted at 3 specific locations within the piece. The alternating sections create a continuous, seven-part form. This analysis will concentrate on the geometric constructs at work in Déserts. Initially, an analysis of the pitch structure will reveal distinct planes of sound comprised of adjacent pitches. A consideration of these geometric planes based on trichords identified early in the work provide insight into Varèse's concept of 'music as spatial - as bodies of intelligent sounds moving freely in space,' since the elements of tension and release manifest themselves in figures as they collide (tension) and are repelled (release). Consequently, the collision and repulsion of pitch-planes together with the changing of the shapes (construction of new pitch planes) provide clear formal indicators in the instrumental portion of the work and reveal the acoustic portions of the work as a two-part structure.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 76 pp. Englisch.
- Softcover
- Print on Demand
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
Contact seller5-star sellerCondition: New
US$ 58.33
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Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Revision with unchanged content. Edgard Varèse began composing Déserts in 1949, completing it late in 1954. Scored for 15 instruments, 5 percussionists and 2 tapes of organized sounds, Déserts comprises acoustic instrumental music and se…ctions of electronicallyorganized sounds on magnetic tape meant to be inserted at 3 specific locations within the piece. The alternating sections create a continuous, seven-part form. This analysis will concentrate on the geometric constructs at work in Déserts. Initially, an analysis of the pitch structure will reveal distinct planes of sound comprised of adjacent pitches. A consideration of these geometric planes based on trichords identified early in the work provide insight into Varèse's concept of 'music as spatial - as bodies of intelligent sounds moving freely in space,' since the elements of tension and release manifest themselves in figures as they collide (tension) and are repelled (release). Consequently, the collision and repulsion of pitch-planes together with the changing of the shapes (construction of new pitch planes) provide clear formal indicators in the instrumental portion of the work and reveal the acoustic portions of the work as a two-part structure.
